Acid
First EP on Force Inc. by Bolz-Bolz and Rootpowder as Car & Driver. Original from 1992. Used copy in excellent condition!
Release by Sal Mineo on the Industrial Strength sub-label Bastard Loud from 1997 in excellent condition!
Good release on Bastard Loud, but unfortunately not in very good condition. Plays without skipping (on my turntable) but has significant scratches and surface noise.
Orange transparent vinyl = original pressing from 1995. Used copy. Vinyl in great condition (VG+), blue Shockwave label sleeve a bit worn.
Gringo on Titanium Steel. Red transparent marble vinyl from 1993. Original pressing.used copy in excellent condition - except for one small scratch at the beginning of side 2. Only pops a few times before music properly starts, no skipping.
Dave Clarke from 1993 on Labworks. Unfortunately pretty scratched copy. Plays fine, but I would still just grade it as G+ I can throw this in for free if interested if you buy some other tunes in that direction (other cool Labworks records available ATM)
Used copy in excellent condition. This is the red vinyl version (mostly translucent red, not really marbles as other copies are).
Used copy VG+Hard acid from this Danish outfit on Hoschi's Labworks label from 1993, original pressing!
Looks and sounds great, but has a few pops and clicks here and there, so I'm cautiously grading it VG. Track C1 "Beware" is crazy noisy stomper!White label pre-release with stamped labels (see picture).
Classic hard acid/acid hardcore tunes from 1992 on Labworks!used copy in VG condition. Has some light surface wear and hairlines, hence the cautious grading, but sounds good and plays perfectly fine.
The classic banger by Nigel Richards is being rereleased with remixes by Perc and Inigo Kennedy. Back in stock! LAST COPY with some minor signs of use - played a couple of times in our store.
BACK IN STOCK Cyclic Backwash on Neurotrope with one experimental, one hardcore and one acid track. NM
Mars Assault is back with a whole series of records! This is a two-track 10" by Bas Punkt - 2025
Peur Bleue double album compilation with newcomers and tried and tested producers from Paris, incl. Sam C, Dziki Kot, Tekno's 23, Gugus, Adam Vandal, Kewan, KRS Heretik, Sunshine Bacid. 120 copies for artists, 300 for sale - limited stuff! Colour sleeve with all the stickers covering the Toolbox shop in Paris!
French release from 1995 with interesting acid downtempo breaks. Used copy in excellent condition.
Classic Dutch free party sound - Used copy in excellent condition!
1989 house with an early acid element. Feat. Jim Lusted who was also in Boom Factory.Has some light surface wear and hairlines, but sounds good and plays well. Grading at the "lower end" of VG+. Comes with a press release sheet.
Anodyne was a label run by Biochip C. from 1994-1997, a part of the MZ family of labels which also included Shockwave and Napalm. Anodyne was more oriented towards Electro, Downtempo Breaks and Acid.Used copy number 3 in excellent condition here. VG+
AUDIOTRIX SPECIAL EDITION 3 is a double A sided Vinyl release of the Bad Girlz hit “Take the Tram” and a 4 Beat version of the Album track “Wotcha Braincells” featuring Scallywag. Take the Tram has been retweaked and slightly accelerated for maximum dancefloor impact. Described as Like Kraftwork with a sense of Humour this track has become an anthem of Berlin Club Culture and already inflamed dancefloors worldwide. Originally released as part of the Bad Girlz “Build Back Badder”album, the vinyl version was just waiting for a fitting B side, so it was decided that a Banging Bass version of Wotcha Braincells feat Scallywag would be ideal and so the mix was created. The Album artwork is inspired by the rather individual tiling used in Berlin U-Bahn stations, in this case Hermanplatz, and was recreated by Feenix 13; The cut as always guaranteed fat by Shane @ Finyl Tweek
2023 release by Ixindamix on her own Audiotrix label!This E.P is entitled Pillar to Post as all tracks are recorded live from the last Liveset which was played in the period post pandemic up until a few months ago when I switched back to a machine Live. “From Pillar to post” is a British Idiom, If someone goes from Pillar to Post they are forced to keep moving from one place to another and describes well the feeling I had getting back into an extra heavy gigging routine after the relative calm of the Pandemic. The Live was played with Ableton, using the soft Synths ACE by U-HE and TWIN by Fab Filter and various controllers which I wrote my own scripts for using CONTROL SURFACE STUDIO by Remotify. credits