DJ Balli: Music To Make Human Pyramid With

DJ Balli teams up with Amphibian t take revenge on Luigi Galvani! "During the 1780s, biologist Luigi Galvani performed experiments at the University of Bologna involving frogs. While cutting a frog's leg, Galvani's steel scalpel touched a brass hook that was holding the leg in place. The leg twitched. Well the time has come we return Mr. Galvani a flying kick on behalf of Amphibian. Sincerely, Riccardo Balli" Released by Urbsounds as a 10" on green translucent vinyl including a download code. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2791149956/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://urbsounds.bandcamp.com/album/galvanized-no-43">GALVANIzed | [ / ] no. 43 by Dj Balli + Amphibian</a></iframe>

BACK IN STOCK!  Now also available for wholesale for shops! Movements that dig velocity. Movements that worship war. Movements that have been accused of being fascist. Sbrang Gabba Gang is the sound of two cultural movements violently crashing into each other at breakneck speed. What happens when the Italian futurist avant-garde clashes with gabber, a belligerent strain of hardcore techno and the Netherland's first proper youth culture? Sbrang Gabba Gang will introduce you to the strange custom of forming human pyramids at gabber raves, futurist after-shave cocktails and Pietro Cannata, the man who took a hammer to the toes of Michelangelo's David. In Sbrang Gabba Gang, Riccardo Balli explores the parallels of gabber and futurist ideas by way of personal accounts, literary mash-up of Futurist manifestos and a storyline that follows the vandalistic shenanigans of a posse of gabber-futurists consisting of Dominator Marinetti, Luigi "Holy Noise" Russolo, Luciano "Thunderdome" Folgore and Giacomo Balla/Balli. These ideas further come to life in a series of anaglyphic images to be explored with special magenta-green 3D glasses attached to each volume.

1) INTRO # How does Twitter sound? 2) @Paul Virilio creating an audio stream of the ]complete[ Twitter dataflow. Let's start with a simple calculation of  volume: 3) # Audio (CD quality) 44.100 Khz X 16 bit X 2 channels = 1.411.200 bits(per second)! 4) @Paul Virilio having compared most reliable statistics on the number of tweetsper day 5) it is reasonable to assume that Twitter produces an average of 2600individual tweets per second. 6) The estimated average length is 70 characters at 8 bit rate that is 2600 X 70 X 8 = 1.456.000 bits per second! 7) @Paul Virilio IN SHORT: TWITTER CURRENTLY PRODUCES ABOUT THE sameAMOUNT OF DATA PER SECOND (1.456.000 bps) AS A CD PROVIDES PER SECOND 8> According to Isaac Hepworth, product partnership @ Twitter "In a sample of a million tweets sent from twitter.com on 3 January 2012, the mean length was 67.9 characters." 9) for a matter of simplification, let's fix 70 characters as tweet's average length [as in side A] 10) 70 micron is also about the size of grooves containing audio information on vinyl, not to mention 70 decibel which roughly indicates wax dynamics! 11) finally, about 70 rounds of a 45 rpm 12″ like this are necessary to complete each audio-tweet of 1 minute 40 seconds length 12) [it's true on "Tweet it!" there are also INTRO and OUTRO which only last 14 seconds and are not 140(0) bpm) 13) @ Paul Virilio this record is an audio transposition of Twitter informational stream, whose dromology appears to be numerically connected (140, 70, 14, etc.) to cd and vinyl format. 14) OUTRO #How does Twitter sound?