NEWS

 Champion Sound is a group of jungle/dub producers from Moscow, Russia, aka Distant Roots x NeeKeeTone x General Koondoongoo. Dubcore Volume 22 is a diverse selection of different paced jungle tunes. Champion Sound released before on Through These Eyes Records, Defrostatica, Dub & Roll Records, Uncultured, Frozen Plates and Influential and now dropping four track on the dubcore series. Limited to 300 copies on vinyl. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3292102210/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/dubcore-volume-22">Dubcore Volume 22 by Champion Sound</a></iframe>

Latest Dubcore by label boss Istari Lasterfahrer! Label info: Third 12inch four tracker on Dubcore by Istari Lasterfahrer. This was supposed to dive deep into rub-a-dub basslines and comes out with a wide selection of styles. `A Way She Want` kicks in with dancehall selection breaks and ping-pong percussions. `Brain Tuning` follows a more rave stabbing path. `Keep It Real` stomping up juke and jungle riddims in a trance mantra and `Fuck The Computer` ends up the plate with some 150 bpm hardcore jungle. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1398158904/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/dubcore-volume-23">Dubcore Volume 23 by Istari Lasterfahrer</a></iframe>

An operetta in 8 acts by Istari Lasterfahrers alter ego F.K. Raeithel. Musique concrète composed with erratic transistors, noddled & wiggled with wires in states of uncertainty. From berlin school to frankfurt school to north-sumatra the voice of apple speech synthesis is drain into the konsonantenzentrifuge and the leftover stammer of words treated by speech cleaning applications and autotuned speakers join into the play. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3551727099/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/die-wurlitzerorgel-des-geistes">Die Wurlitzerorgel des Geistes by F. K. Raeithel</a></iframe> »For advertising pur­poses the Wurlitzer organ humanizes the vibrato, once a carrier of subjective expression, by mechanically superimposing it on the mechanically produced sound. The jargon likewise supplies men with patterns for being human, patterns which have been driven out of them by unfree labor, if in fact traces of free labor did ever exist.« »I like it for the buchla bongos.« — Vince Cover Drawing by Chrizzi Heinen Felix Karl Raeithel Modular Synthesizer, Benjolin, Fieldrecordings, Klavier, Chimes, Schallplatteneinspielungen, Apple Speech Voice, Effektgeräte, Patching, Montage und Mischung Alle Stücke aufgenommen 2020 – 2022, A2 basiert auf einer Aufnahme von 2015 und B4 von 2001 Chrizzi Heinen - Cover Artwork / Zeichnungen - coconut-farm.org Gefördert durch die Initiative Erratische Musik des Instituts für Elektroakustik Hamburg (West) Abteilung Akusmatische Forschung

Label info: Acid Skanking Volume 6 rolls back to strictly dub style and acid lines with the tune LOVE and on the flipside the extended version with some more breakbeats and gabba dub spices. featuring main theme played on the balafon, rolling bassline from the transistor bass teebee 303 and lots of swinging hihats and gentle moving drums. served well on 75 or 150 bpm. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2158788671/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/acid-skanking-volume-6">Acid Skanking Volume 6 by Istari Lasterfahrer</a></iframe>

The ambulance rushes in a gentle speed of sonic rain through an empty suburb. Acid Skanking volume 7 is bouncing at 132 bpm of minimal synth apprediators and sliding basslines forward into the mist. on the flipside it follows the main theme on a more grim breaks and bass based version from the first side. (label info) <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1138399885/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/acid-skanking-volume-7">Acid Skanking Volume 7 by Istari Lasterfahrer</a></iframe>

Lawrencium on TNI, in stock now! BACK IN STOCK again!

Ausgabe 1 des 16. Jahrgangs des Organs der "Gruppe Internationale Marxisten" von 1971. Gebrauchsspuren, guter Zustand. Analysen der internationalen Situation: Polen, Peru, Pakistan, Kuba, Indochina.

Label info: Zvrra debuts on Avian. The multifaceted artist and video game developer arrives on the label with a brace of glistening ambient Techno and Noise derivatives. The versatile producer, whose auteur approach to recorded output has yielded a wealth of dense and considered material over the years, marries melodic synthesis with glassy, effervescent sound design and considered polyrhythms to arrive at a cohesive but undeniably idiosyncratic nine track offering. Cinematic opener Bizzaroland combines vocal manipulations with phasing, noisy drones that stand in pleasing contrast to a mournful lead that delicately emerges at the midpoint. Follow up Society, offers a meditative take on stepping ambient Techno before Bizzaroland II treats the listener to a heady, stripped back slice of tripping beatless machine music. Tribal cut Figurine closes the A side and sees the material segue into more ominous territory with pulsing low end, percussive flourishes and harsh bursts of white noise. On the flip, B1 Inside sees the artist roll out another stripped back Techno experiment - this time dry and saturated and propelled by a single lead sequence that shifts about the high mids. Oracle returns to a more esoteric, undefined sonic palette - a cacophonous blend of heavily panning drones in line with the artist’s more experimental work. In the same vein Prohibited is a powerful noise cut that finds its contrast in subdued moments towards the end of its run time. As the record approaches its close, Tired Beetle settles the mood somewhat - an introspective, atmospheric ambient recording tethered with admirable low end, before off kilter invocation Untitled draws the collection to its logical end point.  <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=37983416/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://avianstore.bandcamp.com/album/bizzaroland">Bizzaroland by Zvrra</a></iframe>

Leise im Kran on Moniker Eggplant from 2021 LABEL INFO: Leise im Kran has fired up the welding torch again. This time, he picks you up for a rough ride through the heart of his home state of Saxony: The a-side takes you from early 90ies post-communist street action in Bauchlitz and Grimma to socialist Plattenbau romantics in Döbeln Nord. The flipside features chivalric 303 sounds echoing from the walls of Kriebstein Castle and delves into sonic cybernetic studies in Zwickau. With his second solo release, Leise im Kran sharpens his knives to serve meticulously sliced breakbeat science accompanied by oddly stirred acid basses. Uniquely flambéed chord progressions round out this three-star five-course menu. Get one out of only 150 records, coming with Leise im Kran’s 'Eggplant Matjes' recipe - a modern (veggie/vegan) eggplant-interpretation of Northern-East German Matjes - A herring-based cold dish.

L'Art Cène, Panda Dub, Peska: Deus ex machina - number 05 from do not dance with the police. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1025800194/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://donotdance.bandcamp.com/album/do-not-dance-05-deus-ex-machina-ep-digital-album-release-7-november-2022">do not dance 05 - &quot;Deus ex machina&quot; | EP | Digital Album | Release 7 November 2022 by L&#39;Art Cène, Panda Dub, Peska</a></iframe>

Beginning of a new series on Pure Hate: Noisebleed. Four energetic hard techno tracks from Ryuchi Tekeuchi, Gaja, Swarm Intelligence, Strisc. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1700861598/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://purehatetrax.bandcamp.com/album/noise-bleed-vol-1">Noise Bleed Vol.1 by Ryuji Takeuchi, Gaja, Swarm Intelligence, STRISC.</a></iframe> Label info: Berlin’s Pure Hate releases the first record in their new Various Artist series ‘Noise Bleed’ featuring tracks by Ryuji Takeuchi, Gaja, Swarm Intelligence & STRISC. Ryuji Takeuchi:Making a return to Pure Hate after his infamous ‘Essentials EP’ on PH002, Ryuji Takeuchi is renowned for his driving, hypnotic, atmospheric, raw, emotional interpretation of Techno. he has released on some key labels over the years including Inner Surface Music, LK Rec, Arms, Clan Destine Records, Infidel Bodies, Instruments Of Discipline, Depth. Request, his own LSN & Hue Helix imprints and more recently Dax J’s Monnom Black.Gaja:Once locked into the throes of Berlin’s ceaseless techno throb and now back home in Albenga, Italy, Gaja represents the gnarly, noisy extremity of modern dance music. It’s a desolate, distorted place where blasts of noise spit in the empty footprints once shaped by snares and hi-hats, and the bass bleeds out over everything. Having recently released his debut album ‘Morning Fist’ on his own Ophism imprint, Gaja makes his Pure Hate debut in style with track ‘Hangman’.Swarm Intelligence:From rhythmic noise to the brutal and bleak constitute a distinctive sound that Simon Hayes has been honing for more than a decade under his Swarm Intelligence guise. Having remixed MDD on PH003 The Dublin-born artist has cemented his place in the Techno underground with critically acclaimed LPs and EPs on labels like 47, Instruments of Discipline and Voitax plus standout sets at clubs like Berghain and Basement NY. Simon also recently launched his own self titled vinyl imprint Swarm Intelligence as a platform to explore his own imaginings of futuristic industrial music.STRISC.:Last but not least and rounding the record off in his trademark brutal style, label head STRISC. finally makes his anticipated debut on Pure Hate with track ‘Melt Pit’.

The Sierra Leonean producer Lamin Fofana arrives on the label with Here Lies Universality, a brace of undulating sound design explorations – in equal parts tense and meditative; thorny and worked smooth. Label info: Lamin Fofana debuts on Avian. Despite the beatless nature of the compositions, Lamin Fafona’swork is imbued with the spirit of Detroit’s pioneering Techno experimentalists. As such, it is Ambient music that does not exist as a peripheral flavor to color the listeners own experience, but rather as a vehicle for expression that requires attention and observation. The artist uses sound as a vehicle to examine the historical movement – forced or otherwise, of Black people across the globe, and how this movement feeds into inequitable contemporary socio-political and economic power dynamics. Fofana explains that this latest missive, ‘rubs against liberal universalism and reflects on how the pandemic exacerbates existing contradictions and violence significantly and puts them in high relief.’ Opener Here Lies Universality, with its warbling, crystalline lead-synths and pitch-bent tonal interjections offers an introduction to this latest deep-sea rumination. Made at once near with layers of surface noise, but simultaneously fathoms deep thanks to delicate pulses in the low frequencies, it builds gently before subsiding purposefully but without resolution. Split subtly into three movements, follow up Bankrupt Utopia Sez Tell Me begins life with a rousing lead sequence that approaches crescendo before dissipating with washes of heavy modulation. The recording continues with a more conversational tone and that heavy surface noise returns once more to the fore, driving the work and providing a satisfying level of sonic intricacy. Finally, the piece segues into a soft, almost mournful reflection in its closing minutes. On the B1 the artist shares Here Lies Universality Redux, an alternative iteration of the title track. Soft and mediative in its early moments, the recording leaves its synth work behind near the mid-point and morphs into a dense matrix of aquatic sound design and field recording. Measure of Memory/ I Stagger and Remember continues to mine the Drexiyan palette to create a patchwork of shifting, granular sound architecture. Glistening in the high frequencies with timbral plucks and knocks giving the work a shape of sorts, there’s a palpable – almost unnerving,sense of movement throughout. Resounding Water closes the EP, an echo of Here Lies Universality Redux’s latter stages – but also a bookend, returning the listener to the depths after the glowing reverie that preceded.

2021 release by Current 909 on aufnahme + wiedergabe. Dark 4-tracker. Last copy! NM copy from shop stocks, maybe played a couple of times in our store, but in perfect condition

Label info: Flaminia’s first solo release on 47 features four mesmerizing techno rollers. London-based artist Flaminia makes her solo 47 debut with four sophisticated techno tracks that perfectly balance brooding intensity with dreamlike atmospherics. A producer with EPs on Samurai Music, VSK Series and her own label, Metempsychosis Records, Flaminia builds on her canon of previous work with 47033, adding to the label roster’s growing arsenal of expertly honed dance floor releases. On the A-side, two four-to-the floor heavyweights—”Pure” and “Burn Loudly”—offset bone-shaking kicks with plangent melodies that make these tracks uplifting despite their ferocity. The B-side takes a darker turn; “Back To Zero” is an icy broken beat that shines in its stuttering rhythmic complexity, while the closer, “Dissolved,” is just as foreboding: synths scrape and shatter like shards of glass against a spare and crunchy kick while Flaminia’s voice reverberates in the background. The entire package will be <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=577442113/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://47x47.bandcamp.com/album/47033">47033 by Flaminia</a></iframe>

Tim Reaper on Lobster Theremin from 2021 <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3990714044/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://lobstertheremin.com/album/ecospheres">Ecospheres by Tim Reaper</a></iframe>

Label info: extended play 7inch in monomix on microgroove, antistatic bag, gate fold cover and a 16 page booklet with sound shorthand drawings in full colour by chrizzi heinen and a scientific epilog by editor f.k. raeithel. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2250311740/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/musik-kaputter-geldautomaten">Musik Kaputter Geldautomaten by Institut für Elektroakustik Hamburg</a></iframe>

Label info: Terrorrythmus is back on the dubcore series with four hyper kinetic slammers in his very own blend of hardcore, juke and bounce bass forest sound. starting up with 4am that crawls out of the fog into a hooked on piano footwork banger which later drops into amen workout. followed by wonk juke on locked vocals. flipside ‚ready‘ is a totaly locked on syncopse rythm work of a mayham. the end up is ‚feel the bass‘ with even more chopped up madness and rave stab moments.frequency shift and cut by lxc <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2491251231/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/dubcore-volume-24">Dubcore Volume 24 by Terrorrythmus</a></iframe>

Vinyl version of the Maintream album Main$treaM ToWer$ from 2006

Back in stock Label info: For years it felt like something was missing... The world was a sad empty void. Music had become boring. Wrestling just wasn't the same anymore and even same sex marriage had come under threat in the US of A. Troubling times! Planet Earth was in desperate need of a hero to rise up out of retirement and make Breakcore and the whole fracking world great again. Doormouse was his name and doing push ups while dropping kickdrums is his game. Back with a 6 track vinyl EP on PRSPCT recordings perfectly capturing the best and worse this Breakcore hero has to offer. Featuring his MTV hit "Sax Me Hard" of course! Not all heroes wear capes. Some wear gym clothes and do squats. The world already feels like a better place. Thank the gods of thunder for Doormouse! <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1191005684/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://prspctrecordings.bandcamp.com/album/breakcore">Breakcore by Doormouse</a></iframe>

Live set at WURM, Basel 22-10-2022 <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3371855748/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://catharticnoize.bandcamp.com/album/nil-obliteration">Nil Obliteration by Letal Ataraxia</a></iframe>

Before making his name in industrial hardcore, Celsius was a jungle DJ and MC. Born and raised in Switzerland to an English family, he would spend every summer in the UK as a teenager, soaking up the emerging sounds of UK rave, collecting jungle and happy hardcore records, and recording mixtapes from UK pirate radio stations. This was 1992, the year zero for Celsius. Performing as DJ Celsius as early as 1993, he became one of Switzerland's first jungle DJs, playing and hosting mostly illegal raves in Lausanne – all before the age of 18. Turntablism and MCing soon followed. Celsius' earliest productions featured samples of old hardcore tapes from the UK and the Netherlands. Now, 30 years and several musical identities later, Celsius is circling back to his roots with 1992: a breakbeat rave concept album exploring the the genesis of hardcore, written with '90s analog recording equipment for that genuine time capsule experience. No nostalgia, just pure Ardkore Vibes! <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1819620633/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://prspctrecordings.bandcamp.com/album/1992">1992 by Celsius</a></iframe>

New compilation on TNI featuring Industrial Terror Squad (remixed by Sonic Overkill), Coma, DJ Sacrifice and Coretex. Available in two different vinyl colors: red or aquamarine blue

Ixïan: Unlike Us

<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=4148505683/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://sonic-belligeranza.bandcamp.com/album/la-cuadra-s-b-11">La Cuadra (S.B.11) by Domestic Arapaima</a></iframe> Label info: An adult specimen of Domestic Arapaima may exceed 200 bpm. He spends his life swimming among different musical currents with temperatures and sound pressures that are incredibly different from one another. During the digital monsoon season, the Domestic Arapaima emits a cry that sounds violent and harmonious, halting and rhythmic, fluid and random. Domestic Arapaima’s sound blends hardcore and folk, ballroom dancing and heavy metal, EDM and prog, opera and jungle, all connected by a massive use of the Amen Break. "La Cuadra" is the first collection of songs by Domestic Arapaima.