F.K. Raeithel: Die Wurlitzerorgel Des Geistes

An operetta in 8 acts by Istari Lasterfahrers alter ego F.K. Raeithel.

Musique concrète composed with erratic transistors, noddled & wiggled with wires in states of uncertainty. From berlin school to frankfurt school to north-sumatra the voice of apple speech synthesis is drain into the konsonantenzentrifuge and the leftover stammer of words treated by speech cleaning applications and autotuned speakers join into the play.

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»For advertising pur­poses the Wurlitzer organ humanizes the vibrato, once a carrier of subjective expression, by mechanically superimposing it on the mechanically produced sound. The jargon likewise supplies men with patterns for being human, patterns which have been driven out of them by unfree labor, if in fact traces of free labor did ever exist.«

»I like it for the buchla bongos.« — Vince

Cover Drawing by Chrizzi Heinen

Felix Karl Raeithel

Modular Synthesizer, Benjolin, Fieldrecordings, Klavier, Chimes,

Schallplatteneinspielungen, Apple Speech Voice, Effektgeräte, Patching, Montage und Mischung

Alle Stücke aufgenommen 2020 – 2022, A2 basiert auf einer Aufnahme von 2015 und B4 von 2001

Chrizzi Heinen - Cover Artwork / Zeichnungen - coconut-farm.org

Gefördert durch die Initiative Erratische Musik des Instituts für Elektroakustik Hamburg (West) Abteilung Akusmatische Forschung