OUT NOW<iframe width="560" height="315" src="https://www.youtube.com/embed/_BIIZebBErA" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>16-17 return to Praxis with a triple assault of ultrasonic remixes. The Pandemic Wargames Remixes are based on backing tracks originally recorded in 1995 for a follow up to the album Gyatso which eventually materialised earlier in 2020 in the form of the Phantom Limb LP on Trost. After that Alex Buess once more gave three tracks a severe treatment for The Pandemic Wargames Remixes 12″ on Praxis, bringing sound and mix firmly into the 2020s.<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2350653795/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/the-pandemic-wargames-remixes">The Pandemic Wargames Remixes by 16-17</a></iframe>

Autumns is the solo project of Christian Donaghey, From Derry, Ireland, an outlet for electronic post-punk with a lethal pulse. After a brace of rough demos without preliminary hype, the project emerged fully formed on Karl O’Connor’s (aka Regis) illustrious label Downwards back in 2014, the youngest act in a new vanguard of artists that included the likes of Tropic of Cancer, DVA DAMAS and The Kvb.

BACK IN STOCK! Broken English Club on Oliver Ho's own label Death & Leisure. LP format! Label info: After the White Rats trilogy behemoth that came out on Lies records, Oliver Ho’s Broken English Club returns with a startling album exploring technology, reality, spirit and the self.Coming on Oliver’s own Death & Leisure imprint, The Artificial Animal is a no compromise journey through raw data noise, feedback, raw dubby techno and experimental cut-up sound pieces.Throughout the 12 track album there is a sense of overload and electronic fevered hallucination counterbalanced with primitive rhythmic machine music.The pulsating low throbbing bass and soaring synths of Ersatz mark the beginning, the drama slowly builds with caustic noise and arabic trumpet calls. This is closely followed by the stuttering sound collage of The Artificial Animal. Concepts of spirit, artifice and technology are the inspiration for the chopped up clips of tv show exorcisms, inter spliced with feedback and static, creating a bewildering kaleidoscope of sounds and texture.After this shocking introduction we jump straight in with Snub, a heavy relentless acid track with roaring distorted drones, that constantly moves higher and higher in intensity. The Slow Bleed follows with dubby warehouse beats and metallic screeches echoing in the background. Concrete is next with broken scrap metal rhythms and melancholic synths which bring to mind early Apex Twin. Next is Sink, a barrage of undulating spiralling synths, white noise and mashed down-tuned vocal take everything into an experimental direction. Following this, Neck brings Warp style staccato bleeps and broken beats, creating a kind of plastic funk. Collapse brings atonal synths and sea sick shimmering chords over heavy drums. Blood and Wire takes a turn into ambient synth atmospheres punctuated by heavy blasts of death metal screams and white noise, creating a feeling that Is both ethereal and maximalist in its level of intense noise.Next is Grey Sands, a dusty atmospheric groove with sparse squarewave bass stabs and industrial high drones. The album moves towards its end with Pervert and its cycling knife sharp buzzing synth drops, raw data noise and psychotic low vocals. The final goodbye is World of Fire, moody ambient atmospheres with glitch slow motion gabba bass drums and the repeated vocal phrase, “Everything’s on fire”. In its entirety the album is a dense collection of sounds and rhythms, theres nothing here for posers, techno fashion victims and party tourists, this music is for obsessives looking for noise and raw broken soul.  credits released August 4, 2022

BACK IN STOCK! Interesting experimental industrial noise featuring Oliver Ho and Tommy Gillard. From 2016. 

Franck Vigroux album on D'Autres Cordes from 2016. Mint and sealed!

BACK IN STOCK! Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices. 404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm. Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=556197830/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://jezgro.bandcamp.com/album/404-not-found-jezgro006">404 Not Found (JEZGRO006) by KK Null / Dot Product</a></iframe>

Limited re-press - OUT NOW!. 50 copies are available for general distribution, the other 50 are reserved for the Praxis online shop and bandcamp. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=945351175/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://praxisrecords.bandcamp.com/album/trocante-gramofony-e-p-praxis-33">Trocante Gramofony E.P. (Praxis 33) by Nomex</a></iframe>   Originally released in 1999 in an edition of 500 copies on transparent white vinyl as Praxis 33, Trocante Gramofony E.P. by Nomex is re-pressed in a limited edition of 100 copies on black vinyl from the original plates.   Trocante Gramofony opens with the monumental ‘Fire Is The Centre’, followed by two other Nomex masterpieces, ‘Life Destroy’ and ‘No-Step 2000’, as well as three speaker-destroying fragments and locked grooves.   It was a departure from Nomex’s releases on his own Adverse label and was naturally quite different from the DJ Scud collaborations on Maschinenbau. In relation to his other solo work, Trocante Gramofony is perhaps less conceptual and more composed.   ‘Fire Is The Centre’ features vocal snippets recorded at a Dead By Dawn party sometime between 1994-1996. Some of these snippets had been used on the Dead By Dawn record by Shitness & The Jackal, but here they were embedded in a surging wall of noise spread over the first side of the record, complete with crackles, shrieks and ever mounting intensity.   The second side opens with ‘Life Destroy’ an intense collage of voice, noise and music and ends with ‘No-Step 2000’.   Tracks don’t end in orderly fashion, instead the needle jumps out of the groove or is locked in a loop. The flow gets interrupted in the middle of the side of the record. These elements are again vinyl specific and can’t easily be transported to the digital realm, and this is one reason we decided to make this brilliant record available again in its ideal format, the vinyl 12”.  

The new GRMMSK! collaboration release of Minor, Totes Format, Sozialistischer Plattenbau, Hafenschlamm, canopyweekends, False Move Recs

SUBMECHANICAL: Remixes EP Remixes by Profligate, Death Qualia, Shadows, Huren <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/408004362&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>

SUBMECHANICAL: Armoury <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/397731894&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>

Limited edition on LP transparent red vinyl Devour Wrath Without Shame sees Unhuman return to his original vision of dystopic noise, a pure, uncut vision of our darkest times, alive nightmares, everything we despise, unwanted and disconcerting, the rotting core of a concrete dimension. credits released December 19, 2017   C & P by Unhuman aka Manos Simotas Cover by Nullem Rem Natam Mastered at Prodam Berln by Eric Van Wonterghem <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=1834082186/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://instrumentsofdiscipline.bandcamp.com/album/devour-wrath-without-shame">Devour Wrath Without Shame by UNHUMAN</a></iframe>

A034: Decelerationist Ep Excellent EP by A034 in an undercover black label guise, released by Rxstnz from Milano.

last copies!! Autonomia, first released only on CD in 1993, was mostly a solo project of Simon Crab with the aid of Christoph Fringeli of Praxis, recorded after a 2-month tour in the USA and Europe. Typically Bourbonese Qualk, this album delivers the opposite of the listeners’ expectations, breaking the mold set by the two previous albums, My Government is My Soul and Unpop. Autonomia sets out in a completely different direction of harsh electronic ‘no compromise techno’ and has become a classic in the field, making this vinyl release well overdue! Note that the bandcamp player below features the CD version, not the vinyl mastering (but the same tracks in the same order) <iframe width="480" height="270" src="https://www.youtube.com/embed/R1BD6K3sseg" frameborder="0" gesture="media" allow="encrypted-media" allowfullscreen></iframe> <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2265212892/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/autonomia-praxis-5-2">Autonomia (Praxis 5) by Bourbonese Qualk</a></iframe>

Relatively early Swarm Intelligence 12" on Instruments of Discipline from 2017 back in stock!

Side C:[CMO-02] Memero - Plane Geometry Secretsc1 QrstQrst 02:21c2 GoldenRatio 02:14c3 Telephone 01:56c4 Melting Nirvana 01:54c5 Rostrock 01:30All tracks produced, recorded and performed by Memero using LSDJ on DMG-01 pro-sound modded Gameboy.Recorded in Berlin during the summer of 2015.http://www.memero.orghttp://www.closebrace-m-openbrace.com}m{Side F:[flop0008] Tlic - Cyperkid Reworxf1 Lonecore 06:00f2 Shitcore 04:08Both tracks were originally made by Cyperkid in winter 2005 with FT2 on a pure MSDOS-operated P166.The future was wide open. Suffered from a severe crash of hardware[d] equipment in spring 2013.Nothing was the same anymore. Emulated tracker software sucked and crashed. 32bit trackers screwed every pattern row effect up.Depression lurked in sunday afternoons. Edits, sample modulation, and repairings done by Tlic with Renoise during these months.Cyperkid died in summer 2013.~ RIP ~http://www.minorlabel.de/flopbeatScreen printing and packaging by Vorticehttp://www.vortice.design

repress of the super-limited original release, now on black vinyl

limited repress on black vinyl! Last copy from shop stocks, some minor wear, hence the lower price.

Moloch on Minor

This instrumental 7" features a more restrained and clean sound for Redrot, foregrounding bass and clear production but retaining the raw, dark sound he has cultivated in Michigan's ever changing climes. We call it industrial bass music.  (label info)

In NM condition! Original pressing from 1986

Original pressing in excellent condition! Sleeve a bit worn around the edges though. No seam splits, tears, a little bit of ring wear. Inner sleeve in vg+ condition.