English
Daphne Lawless: Like many a missive from that Better-World-That-Exists-Alongside-This-One, AZMUD's very varied title is a literal route in - a Hebrew (or Arabic?) style triliteral root in ('ZM'D), which the meaning is condensed in consonants unviolated by vowels which move anywhere.IT'S MUD. In a dreamworld where commodity fetishism is reversed, capital as dead labour comes to life - the internal combustion engine, the newspaper press, the construction crane, the hydro dam rage to monomaniacal, theocidal dreamlife. The river of life flows backwards and uphill as waste products feed on themselves in a floodland that's driven apart and a crewmember on a red blood cell wonders what it's all about. A solitary I goes down the gurgler over and over again, and the life of the unicellular and famous is revealed as biochemical warfare. It's a trip, true fiction-science. _____________________________________________ Drifting in & out of sense as in an interrupted dream, Azmud is a novel contribution to literary art as political allegory. In each of its five sections - 'expired generations' - it attempts to retell the tale of the human psyche, the damage it has undergone under capitalism, in the form of a wandering work tribe searching for value in the spectacular flow of mass communication, on behalf of various severe 'generals' who demand a quota of abstract accumulation. But each of Azmud's industrial adventures in turn become allegories for the act of the text's own creation. But what happens in Azmud? Under orders, a human herd wanders thru the dense miasma of mass communication, hunting for precious ox-ore to stash in their air-ark or fuel their ancient steam engine. A vagrant crew invades the broken dreams of a drowsy industrial tycoon, stealing baskets full of his precious sleep. A homeless hoard combs thru post-industrial litter, searching for burnable rubble. A fake engineer captures a team of lost work-horses & four mammoth protozoans to help boost the energy yield of his toxic currents. A cargo ship collects a crew of stranded industrial outcasts with their precious ark full of ore & its tyrannical captain subjects them to relentless injections & many unwanted adventures. Daphne Lawless: Like many a missive from that Better-World-That-Exists-Alongside-This-One, AZMUD's very varied title is a literal route in - a Hebrew (or Arabic?) style triliteral root in ('ZM'D), which the meaning is condensed in consonants unviolated by vowels which move anywhere. IT'S MUD. In a dreamworld where commodity fetishism is reversed, capital as dead labour comes to life - the internal combustion engine, the newspaper press, the construction crane, the hydro dam rage to monomaniacal, theocidal dreamlife. The river of life flows backwards and uphill as waste products feed on themselves in a floodland that's driven apart and a crewmember on a red blood cell wonders what it's all about. A solitary I goes down the gurgler over and over again, and the life of the unicellular and famous is revealed as biochemical warfare. It's a trip, true fiction-science. More news when we have it... PRAGMANIC MONOLOG WHAT WHAT WAD is this slice of individuated sausage off the long-stock, stack on a rack unstuck from global bondage? It is I, this, frail spazum, asmud, unstuck stock. I am uncut, occult, unclear, oblique. Can walk, can walk word over word with sinking feet, frolicking, picnicking, panicking in heap. Can dream awake dread wages, can rip together digital package, sleep apart nebulous plastic creations stretched out of bituminous commune, can burn together fibrous masses, sick stock for evaluation, for flaunting at death-markets as life-song unsung but edible in ink-frame & derivable as format-transfer capital capture cumulous for custom spirit capacitor house-boat install. Camera-ready verb-files proturbing thorough over pulp wilderness, this is occultic riddle filtered thru collective commercial time-transfer. I own up. I drop name. I gather rights. I hoist possession, this oracular oral cabbage decaying. I wrought in ink village. I collect in pulp mountain. I ascend holy commode, prosperous seeking grist for hungry engine. Am absurd, as think-wad shaking. Am bonded, bound to, bounding from, rebounded to Wascana Creek, as earth transfer trickling. Am job office plunking as this, finger-linking component strapped to transfer apparatus & obliged to prime mover. Give job now. Give it wages for work. Get you southbound & go up in the mountain & see what wealth therein dwells. Enter wired caves, evade plasma network, insert yourself into the center well & ascend. What cities, what tents, what good bad trash therein? What fat seams, lean streaks? Be bold, bring first fruit you find therein. Now is the time to mine the first grapes before the apocalyptic living creatures ever again are herded into their waste eating habit. Go where the brook branches & cut pages with grape-clusters & bare it on a yoke. Return after 40 hours & speak of coal & gas & black shakes & yellow cake.
It is impossible to fully grasp Rimbaud’s work, and especially Une Saison en Enfer, if you have not studied through and understood the whole of Marx’s Capital. And this is why no English speaking poet has ever understood Rimbaud. Poetry is stupid, but then again, stupidity is not the absence of intellectual ability but rather the scar of its mutilation.Rimbaud hammered out his poetic programme in 1871, just as the Paris Commune was being blown off the map. He wanted to be there. It’s all he talked about. The “systematic derangement of the senses” is the social senses, ok, and the “I” becomes an “other” as in the transformation of the individual into the collective when it all kicks off. It’s only in the English speaking world you have to point simple shit like that out. But then again, these poems have NOTHING TO DO WITH RIMBAUD. If you think they’re translations you’re an idiot. In the enemy language it is necessary to lie.
"WE WILL DESTROY THE AMERICANS! WE WILL SEND THEM TO HELL!"Osama bin Laden is an inspiration to millions, a man whose genius as a military strategist made him a household name. But like all great teachers, there is much more to Osama bin Laden than the leadership skills that have won him world-wide renown. Osama bin Laden is a family man, a man of peace and culture, a man who wields the pen every bit as skillfully as he wields the sword. Martyrdom Press are therefore extremely proud to present for the first time ever, the very finest of Osama bin Laden's early literary works, a story entitled The Islamic Millennium.In The Islamic Millennium, Osama bin Laden uses imaginative fiction as a means of revealing a great truth, not merely the necessity but also the absolute inevitability of the destruction of America. Set a thousand years in the future, The Islamic Millennium describes the tracking down and killing of the very last American, and ends with the infidel's head being severed from his body, so that his skull might be put on display in Teheran. The story will delight all those who long for the day when peace and justice will once again reign over the world.Osama bin Laden was born in Riyadh. He holds degrees in civil engineering and economics, and has worked at the top end of the construction industry. Married since 1974, Osama bin Laden has written over a thousand short stories; this is the first one of them to be published.Issued by Martyrdom Press on 11 September 2006.
Richard Barbrook & Fabian Tompsett: Class Wargames Presents Guy Debord's The Game of War (The Extended Film Script) https://vimeo.com/17116481
2013-14 issue of Aufheben with 3 longer articles - After the Crisis - 5'000 years of debt? - Fracking Struggles
Release date: 12 October 2013. 76 pages. Datacide: Introduction Nemeton: Infiltration and Agent Provocateurs; Vision Tech; Endless War; Surveillance, Control and Repression CF: NSU Update Two in London: UK Anti-Fascist Round Up Comrade Omega: Crisis in the SWP, or: Weiningerism in the UK David Cecil: Confessions of an Accidental Activist Neil Transpontine: Spiral Tribe Interview with Mark Harrison Neil Transpontine: ‘Revolt of the Ravers’-The Movement Against the Criminal Justice Act in Britain, 1993-95 Split Horizon: What is This Future? Fabian Tompsett: Wikipedia-A Vernacular Encyclopedia Howard Slater: Shared Vertigo Dan Hekate: Crystal Distortion Howard Slater: Cut-Up Marx Howard Slater: EARTH ‘A RUN RED Marcel Stoetzler: Identity, Commodity and Authority: Two New Books about Horkheimer and Adorno Nemeton: Life During Wartime: Resisting Counterinsurgency (book review) Christoph Fringeli: One Night in Stammheim. Helge Lehmann: Die Todesnacht von Stammheim – Eine Untersuchung (book review) Christoph Fringeli: Anton Shekovtsov, Paul Jackson (eds.): White Power Music – Scenes of the Extreme Right Cultural Resistence (book review) CF: Press reviews John Eden: Emencified Shrill Out: Nomex at the Controls Alexis Wolton: Vinyl Meltdown, Prt. 1 Record reviews by Zombieflesheater, Nemeton and Kovert DJ Charts Matthieu Bourel: Rioter Sansculotte: Overdosed Plus: The Lives and Times of Bloor Schleppy
A rare copy of the fifth (and last) Annual Report from the AAA, published April 23rd 2000.
Wolverine was a A5 sized photocopied zine from around 2000. Contributions by Matthew Hyland, Naomi Rousseau and others.
Second printing in softcover, print run of 300 copies. 160 pages, 16 of which in colour. Contains essays, an interview and many pictures, photographs, flyers and other documents! The perfect companion to the 4xLP "My Life's a Gunshot retrospective compilation!
SIC 1: International Journal for Communisation November 2011 200 pages | £7.00 An international publication produced in collaboration by numerous groups and individuals including Théorie Communiste, Riff-Raff, Blaumachen and Endnotes. Contents Editorial Leon de Mattis, What is communisation? Peter Åström, Crisis and communisation Woland, The historical production of the revolution of the current period Jeanne Neton & Peter Åström, How one can still put forward demands when no demands can be satisfied Rocamadur, The ‘indignados’ movement in Greece R.S., The present moment B.L., The suspended step of communisation Screamin’ Alice, On the periodisation of the capitalist class relation
EDITORIAL: THE ‘NEW’ WORKFARE SCHEMES IN HISTORICAL AND CLASS CONTEXT The government’s ‘new’ workfare schemes are one part of a massive programme of welfare reform, backed up by an unprecedented ideological attack on the ‘undeserving poor’. The schemes, which have been attacked for their treatment of many of the claimants forced onto them, are the latest in a long line of attempts to ensure the unemployed function properly as a reserve army of labour. THE EURO CRISIS: TAKING THE PIGS TO MARKET For more than two years we have seen the politicians and policy-makers of Europe repeatedly involved in frantic and often fraught negotiations to find an agreement to resolve what has become known as the euro crisis. Certainly the euro crisis has been a ‘crisis too good to miss’ for the European ruling class. It has provided the opportunity for governments across Europe – not just the eurozone – to push through sharp cuts to public spending and the welfare state and to accelerate privatisation and neo-liberal reforms. In this article we shall give an account of the unfolding of the euro-crisis since the end of 2009. We shall also consider the explanations concerning the causes of the euro-crisis that have been put forward. Although these explanations may all have a certain element of truth, we shall argue that the euro crisis can only be fully understood if it is placed in the wider context of the tectonic shifts being brought about in the global accumulation of capital caused by the rise of China and the newly emerging economies of the global south. THE CLIMATE CRISIS... AND THE NEW GREEN CAPITALISM? The inability of the world's states to take decisive action on climate change makes a strong case for the incompatibility of capitalism's endless growth with finite ecological limits. However, this identifies the interests of capital per se with fossil fuels, and overlooks the emerging ‘green capital’ which sees averting dangerous climate change as an opportunity for new avenues of accumulation. While this may be too little to late, the struggles between ‘fossil’ and ‘green’ capitalists look likely to increasingly shape both capitalist development and geopolitics over the coming decades. INTAKES: THE ARAB SPRING IN THE AUTUMN OF CAPITAL Our Intakes article, from ‘Friends of the Classless Society’ (Berlin), contextualizes the recent tumultuous events in Egypt, Tunisia and Libya. The basis of the cross class alliances was their shared opposition to the dictators. Now the dictators have been overthrown, the article argues, both market liberals and the statist left are likely to be disappointed by developments. This analysis serves as a welcome antidote to the enthusiastic accounts put forward by both mainstream liberals, who have seen the Arab Spring as a series of democratic bourgeois revolutions that will usher in parliamentary democracy, the rule of law and economic property, and the autonomists and left who see the uprisings in the Arab world as a manifestation of an emerging amorphous global anti-capitalist movement.
In this collection of writings, Howard Slater improvises around what Walter Benjamin could have meant by the phrase 'affective classes'. This 'messianic shard' and its possible implications leads Slater to develop a therapeutic micro-politics by way of a mourning for the Workers' Movement and a grappling with the 'becomings of capital'. The essay 'Anomie/Bonhomie' is the keystone of this book which also features tributary texts and poems drawn from the past ten years. These supplementary texts approach such themes as exodus, species-being, surrealist precedents, poetic language and the possibilities for collective 'affective' practices to combat capitalism's colonisation of the psyche. Howard Slater is a volunteer play therapist, sometime writer and ex-housing worker. Whilst he has been writing since the early 1980s he has mainly been published in small press magazines, independent publishing initiatives and web sites. His texts and poetry have been supported and published by: 10th Floor, Alien Underground, Audiolab Arteleku, Autonomedia, Autotoxicity, Break/Flow, Copenhagen Free University, Datacide, Difficult Fun, Fatuous Times, Five Leaves Left, Here & Now, Infopool, Infotainment, Mute, Night Class, Noise Gate, Obsessive Eye, Palantir, Papakura Post Office, Penniless Press, Rebel Ink, Resonance Magazine (LMC), School of Walls & Space, Smile, TechNET, Variant, Working Press. ISBN 978-1-906496-72-2 Date of Publication: 1/2012 152 pages
release date: 20 October 2012. 68 pages Darkam: The Art of Visual Noise Nemeton: Political News Christoph Fringeli: Neo-Nazi Terror and the Office for the Protection of the Constitution in Germany Cherry Angioma: Communisation Theory and the Question of Fascism Christoph Fringeli: From Adorno to Mao – The Decomposition of the ’68 Protest Movement into Maoism (extended book review) Split Horizon: Control and Freedom in Geographic Information Systems Riccardo Balli: “Bolognoise ain’t a Sauce for Spagheti but Bologna’s Soundscape” Polaris International: Documents and Interventions TechNET insert: - Noise and Politics – Technet Mix - No More WordS - Listener as Operator - The Intensifier - No Stars Here - Techno: Psycho-Social Tumult - Dead By Dawn – Explorations inside the Night - Psycho-Social Tumult (Remix) Dan Hekate: Kiss me, cut me, hurt me, love me Howard Slater: Useless Ease John Eden: The Dog’s Bollocks – Vagina Dentata Organ and the Valls Brothers (interview) Neil Transpontine: Spannered – Bert Random Interview LFO Demon: When Hell is full the Dead will Dance on you iPhone (Review of Simon Reynold’s “Retromania” Christoph Fringeli: “Fight for Freedom” – The Legend of the “other” Germany (extended book review) Nemeton: “West of Eden: Communes and Utopia in Northern California” (book review) Datacide: Press reviews terra audio: 2023: A Spor remembers ‘Reclaim the Streets’ John Eden: Christopher Partridge: Dub in Babylon (book review) terra audio: Jeff Mills: Violet Extremist terra audio: Keeping the Door of the Cosmos open – on Sun Ra’s Arkestra directed by Marshall Allen Record Reviews The Lives and Times of Bloor Schleppy (12) Comic by Sansculotte
"The Holocaust... cannot be understood so long as anti-Semitism is viewed as an example of racism in general and so long as Nazism is conceived of only in terms of big capital and a terroristic bureaucratic police state. Auschwitz, Belzec, Chelmno, Maidanek, Sobibor, and Trenlinka should not be treated outside the framework of an analysis of National Socialism. They represent one of its logical end points, not simplyits most terrible epiphenomenon. No analysis of National Socialism that cannot account for the extermination of European Jewry is fully adequate." In this excellent essay Moishe Postone, author of the critically acclaimed "Time, Labour and Social Domination: A Reinterpretation of Marx's Critical Theory", develops a profound analysis of the relationship between modern anti-Semitism and National Socialism, which deepens our understanding of the Holocaust.
The back cover blurb: Down & Out in Shoreditch & Hoxton is a slice-and-dice splatter novel in which time-travelling streetwalkers hump their way from the trendy east London of today back to the skid row mutilations of the Jack the Ripper era. As gentrification forces the hookers from their age-old beat along Commercial and Wentworth Streets, they don Victorian Widows' weeds and ply their trade in local graveyards. Amid these psychogeographical dislocations, warm blood isn't the only thing that gets sucked by the night creatures who haunt Home's anti-narrative. This is without doubt the weirdest book ever written, the illegitimate offspring of the Marquis De Sade balling a post-modern literary extremist at a ladies of gangster rap convention. (It also reveals the true identity of Jack the Ripper.) Alternatively: Down & Out In Shoreditch & Hoxton is a quirky book that provides a very different picture of what is now London’s most fashionable quarter to Monica Ali’s Brick Lane. Although it is not a work of realism, it does benefit from the fact that for many years I lived on a council estate a couple of minutes walk from Brick Lane. This book is both shorter and denser than Monica Ali’s novel since it self-consciously fuses poetry and prose. It was generated using the restriction that every paragraph should be exactly 100 words long. So what I’ve produced is both a novel and a prose poem. It is also simultaneously subtle and gross, lucid and outrageous, profound and glib. In this book I look at how gentrification over the past few years has transformed Shoreditch and Hoxton. One of the most visible signs of this is the way in which prostitutes have been shifted around as pressure has been put on them to leave the area. There are literary references to prostitution in the locale going back four hundred years and the book is informed by both this history and the more general history of the representation of prostitutes in English fiction. In the book I imagine prostitutes ultimately being forced off local streets and into Tower Hamlets Cemetery where they are able to plough their trade unmolested by the police after disguising themselves in widow’s weeds. My interest in prostitution emerges at least partially from the centrality of 'the whore' as an iconic figure within modernist culture. The heart of the book is a parody of de Sade in which a succession of prostitutes try to fuck a john to death. Other literary figures who play an important role in the novel include William Burroughs who is revealed as having mastered time travel prior to his death and who I am therefore able to finger as the 'real' Jack The Ripper. Among other things this solution to the riddle of The Ripper’s identity is intended to illustrate the absurdity of much discourse on the subject and the ways in which a culture predicated on celebrity places a greater value on the activities of a serial killer than the lives of his victims. In its earlier parts the book is about consciousness whereas towards the end it slips into sleep and death. Thus since this is a work in which form and content are self-consciously fused, as the female narrator describes sleepwalking, the prose is made to stumble. Down & Out In Shoreditch & Hoxton is a book in which there is something to delight and offend everybody. This is the perfect read for anyone fed up with bland novels and who wants to try something different. There sheer oddity of the book ensures it will appeal to anyone wanting a change from their usual literary diet.
ICC: Communism - Not a nice idea but a material necessity Vol.1 Volume 1 - the 19th century worker's movement. The series of articles in the International Communist Current's journal International Review that appeared under the same title over the last few years are now collected in book form.
1,000 copies only. Massively expanded to 92 pages, same price! Contents this time include: * Untold: Interview with this forward looking dubstep producer * Dubplate Cutting Houses: Woofah shines a light on this hidden corner of UK soundsystem culture * Newham Generals: Keeping it grimey * Tony Thorpe: Major interview with this UK Bass legend - from 400 Blows to the KLF to dubstep * Who Killed Michael Smith?: The tragic story of the legendary dub poet, with contributions from Linton Kwesi Johnson and Dennis Bovell * Young Warrior and Joe Ariwa: The sons of Jah Shaka and Mad Professor on the next generation of UK Dub * Sci-Fi and Reggae: Rastas in space, reggae producers looking to the stars… * The last days of Studio One: Ron Vester, Studio One’s official photographer, talks to us about his time with Coxsone Dodd * Dubkasm: Teachings in Dub by way of Bristol and Brazil * Hessle Audio: Ramadanman and Ben UFO step up * YT: In depth look at the Born Inna Babylon album * Hot Gal Commandments * Colin Tubb: First episode of a new cartoon series * Memories of Eek A Mouse * Reviews NO adverts! NO rehashed press-releases! NO pdfs or downloads - printed version only! Woofah issue 4 - OUT NOW!
Misery and the Value Form 1. Crisis in the Class Relation Taking the capitalist class relation as a self-reproducing whole, the horizon of its overcoming appears as an invariant aspect of this whole, albeit one with a historically variant quality. Surplus population and capital's basic problem of labour characterise core dynamics underlying the shift in this horizon beyond the old programme of workers' power. 2. Misery and Debt A re-reading and historical interpretation of Marx's “general law of accumulation”— the tendency for the expanded reproduction of capital to throw off more labour than it absorbs—in light of the growth of surplus populations and surplus capital in the world today. 3. Notes on the New Housing Question Preliminary materials for a theory of home-ownership, credit, and housework in the post-war US economy. How is the fundamental separation between production and reproduction transformed when the home becomes the commodity through which all others are sold? 4. Communisation and Value-Form Theory The theory of communisation and Marxian value-form theory emerge from the same historical moment, mutually complement each other, and point towards the same radical conception of revolution as the immediate transformation of social relations, one in which we cease to constitute value and it ceases to constitute us. 5. The Moving Contradiction A reconstruction of the systematic dialectic of capital as a dialectic of class struggle. The forms of value which are constituted by and regulate social practice are totalising and self-reproducing through the subsumption of labour under capital. The totality so constituted is inwardly contradictory, and ultimately self-undermining: capitalist accumulation is a moving contradiction, i.e. a historical contradiction, between capital and proletariat. 6. The History of Subsumption The philosophical/logical concept of subsumption is employed in various periodisations of capitalist society, such as those of Théorie Communiste, Jacques Camatte, and Antonio Negri. A critical examination of this concept and its historical uses. 7. Sleep-Worker’s Enquiry Worker's enquiry in the cynical mode: the unrevolutionary working life of the web developer.
Datacide Eleven release date: February 2011. 64 pages. Original printing is sold out, to buy this issue please go HERE to obtain the 2022 reprint! Datacide events, page 3 Nemeton: Political news, page 4 Features Christoph Fringeli: Hedonism and Revolution: The Barricade and the Dancefloor, page 6 Stewart Home: Dope smuggling, LSD manufacture, organized crime & the law in 1960s London, page 8 John Eden: Shaking the Foundations: Reggae soundsystem meets ‘Big Ben British values’ downtown, page 12 Alexis Wolton: Tortugan tower blocks? Pirate signals from the margins, page 16 Neil Transpontine: Dance before the police come, page 21 Christoph Fringeli: From Subculture to Hegemony: Transversal Strategies of the New Right in Neofolk and Industrial, page 24 Christoph Fringeli: Appendix to “From Subculture to Hegemony”: Metapolitical Strategies of the Nouvelle Droite, page 26 Christoph Fringeli: Appendix to “From Subculture to Hegemony”: Ernst Jünger’s “Waldgang”, page 27 Nemeton: From Conspiracy Theories to Attempted Assassinations: The American Radical Right and the Rise of the Tea Party Movement, page 28 R. C.: How to start with the subject. Notes on Burroughs and the ‘combination of all forms of struggle’, page 37 Fiction Riccardo Balli: Sonic Fictions, page 40 Dan Hekate: Digital Disease, page 45 Howard Slater: Infra-Noir. 23 Untitled Poems, page 46 Matthew Fuller: Office Work, page 48 Record Reviews, page 52 Matthew Fuller and Steve Goodman: Beat Blasted Planet. An interview with Steve Goodman on ‘Sonic Warfare’, page 58 Terra Audio: “Free Parties”, page 60 Gorki Plubakter: “This is the end… the official ending”, page 61 The Lives and TImes of Bloor Schleppy (11), page 62 Charts, page 63 With 64 pages, this is the biggest issue of datacide yet!
Contents INTAKES: COMMUNITIES, COMMODITIES AND CLASS IN THE AUGUST 2011 RIOTS Although initially a ‘community riot’ in Tottenham, where the principal target was the police, the disturbances spread rapidly as ‘commodity riots’ across London and eventually many other major conurbations. Access to electronic devices servicing social media appeared to have accelerated the diffusion of disturbances in comparison to those in July 1981. The spatial restructuring of local shopping streets into more distant retail parks and shopping malls encouraged mobility and organisation amongst the ‘looters’. Failures of policing, though highlighted by the media, were a result of surprise, lack of trained personnel and logistical problems, rather than cop ‘conspiracy’. DRIVING THE NHS TO MARKET: PART 1 The establishment of the NHS in 1948 is widely seen as the jewel in the crown of the post-war class settlement in Britain. The Conservative Secretary of State for Health, Andrew Lansley is committed to change this and wrenching the jewel from the fallen social democratic crown. The Health and Social Care Bill threatens to open the way for the breakup of the NHS and its replacement by a US-style private health care system. Yet this drive to the market in health care is not new. The basis for the proposed ‘reforms’ were put in place under New Labour. In this article, we place the current market ‘reforms’ in historical context. We shall see how the neoliberal attempts to re-commodify health care over the past thirty years have faced formidable problems, not only from the fact that NHS has remained popular, but also because the delivery of health through an integrated public service has proved to be highly cost effective. GOING UNDERGROUND Is there a future for traditional workplace-based organisation? How does the modern changing nature of work affect opportunities for workers to organise as workers – or even as revolutionaries? In this article, we review the Solidarity Federation pamphlet Workmates which looks at these questions in the context of the anti-privatisation struggles on the London Underground in the late 1990s and early 2000s. While the pamphlet poses many of these questions and offers insight into the process of workers resistance to management attacks, often the answers are left all too brief or unexplored.
OUT NOW! ISBN 978-3-948332-18-1 Features include: Christoph Fringeli: Revolution and Counterrevolution in Germany 1919 Ross Wolfe: Marxism Contra Justice - A Critique of Egalitarian Ideology Joke Lanz: Ghosts & Handbags - A short Travel Report from the Japanese Underworld Matthew Hyland:Masterless Mouths poems by Howard Slater fiction by Dan Hekate news roundup by Nemeton record reviews by Low Entropy, Saxenhammer, Prole Sector, Controlled Weirdness, Christoph Fringeli book reviews: Neil Transpontine: A Fascist Tulpa in the White House? - Right-wing ‘Meme Magic’ and the Rise of Trump Frankenstein, or the 8-Bit Prometheus - Micro-literature, hyper-mashup, Sonic Belligeranza records 17th anniversary by Riccardo Balli Dale Street: Lions Led by Jackals – Stalinism in the International Brigade, by Christoph Fringeli Christoph Fringeli: No borders, no fatherland! France – What’s New for the Left? Activities since last issue Lives and Times of Bloor Schleppy graphics and illustrations by dybbuk, lesekill, Darkam, Sansculotte
Solidarity Pamphlet No. 7 - Alexandra Kollontai: The Workers Opposition.
Used copy in vg condition