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Excellent experimental flashcore by Satanoid on Cathartic Noize Experience released in 2018. Only two copies left of the original press run of 100!

LAST COPIES!!Scud & Nomex: Maschinenbau EPMaschinenbau was a label run by DJ Scud from Ambush and Nomex from Adverse which released only two 7”s in 1997/98. The first, Eurostar/Piling Machine, was limited to just 300 copies. It combined psychogeographical exploration and field recordings with Amiga-produced non-conformist breakcore and noise-abuse, while the second one, Total Destruction, became a classic of breakcore / noise crossover with several appearances on compilations such as Collision Course on PIAS (compiled by Kevin Martin, aka The Bug), but nevertheless fell into relative obscurity - like most of the great early breakcore - during the following decade.Twenty years after the original 7”s, Praxis is proudly releasing a 12” with all four original tracks at the end of September 2018 with the catalogue number Praxis 56.

Limited re-press - OUT NOW!. 50 copies are available for general distribution, the other 50 are reserved for the Praxis online shop and bandcamp.Originally released in 1999 in an edition of 500 copies on transparent white vinyl as Praxis 33, Trocante Gramofony E.P. by Nomex is re-pressed in a limited edition of 100 copies on black vinyl from the original plates.Trocante Gramofony opens with the monumental ‘Fire Is The Centre’, followed by two other Nomex masterpieces, ‘Life Destroy’ and ‘No-Step 2000’, as well as three speaker-destroying fragments and locked grooves.It was a departure from Nomex’s releases on his own Adverse label and was naturally quite different from the DJ Scud collaborations on Maschinenbau. In relation to his other solo work, Trocante Gramofony is perhaps less conceptual and more composed.‘Fire Is The Centre’ features vocal snippets recorded at a Dead By Dawn party sometime between 1994-1996. Some of these snippets had been used on the Dead By Dawn record by Shitness & The Jackal, but here they were embedded in a surging wall of noise spread over the first side of the record, complete with crackles, shrieks and ever mounting intensity.The second side opens with ‘Life Destroy’ an intense collage of voice, noise and music and ends with ‘No-Step 2000’.Tracks don’t end in orderly fashion, instead the needle jumps out of the groove or is locked in a loop. The flow gets interrupted in the middle of the side of the record. These elements are again vinyl specific and can’t easily be transported to the digital realm, and this is one reason we decided to make this brilliant record available again in its ideal format, the vinyl 12”.

Darkmatter Soundsystem frequents their third visit to vinyl (DM12003) this time around with the Southern California native Poxxe. The 12" kicks off with a screaming dubstep floorkiller titled "The Malfunction" sure to incite soundsystems and crowds. Next up is the rattling tear out breakcore track titled "Funky Lizard" with Minion on the collab. On the flip side, the two tracks "Yellular" & "Plastic Hip" explore the more sparse rhythms and tones of Poxxe's sound. A strong follow up to the label's previous release (DM12001) "Minion - Bored In The U.S.A. EP."A1 - Poxxe – The Malfunction A2 - Poxxe w/ Minion – Funky Lizard B1 - Poxxe - Yellular B2 - Poxxe – Plastic Hip

The fourth vinyl release on Darkmatter, the label of the LA based sound system, brings together some of their key producers: Minion, Poxxe, Fiend, Resurrector plus scratch samples from Baseck. A download code is included which will get you two extra tracks from WMX and Wet Mango.

A small handful of copies back in stock - LAST COPIES!Original label info from 2002, when this excellent record was first released: Hailing from Hamburg, Low Entropy is one of the most exciting young producers of phuturistic breaks and hardcore. A riot of noise and beats in shimmering clear production, Anarcho-Psychotic is aptly named, but nevertheless also features moments of tranquility.Very last copies - perfect opportunity to pick up a mint copy directly from the label!a1 - The Truth (4:55)a2 - The Agony Of Everyday Life (5:13)b1 - Symphony Of Creative Destruction (7:23)b2 - Mental Cleansing (2:45)

SOLD OUT!Light gray NO TOLERANCE FOR INTOLERANCE print on black Fruit of the Loom Heavycotton T-Shirts. ATTENTION: This is going to be a pre-order ONLY edition. So after the pre-order period the sale is going on hold and the ordered shirts will be produced. There won't be a re-print. >>>>>>>> The Pre-Order ends Friday June 13th.Please indicate the desired size when (or after) you order!  shipping out on or around July 11, 2025

A1 Fire At Work: Re-EditA2 Pure: Accumulate DepreciationB1 Oreinoi: PhanesB2 Inner8: AnhedoniaB3 Vchutemas: Ouranos

Excellent slamming d'n'b track on the A side, with 2 retro 'ardkore workouts on the flip. The Leyton Breakers were DJ Controlled Weirdness and Blackmassplastics! We still have some stocks of this classic 12" from 2002. A - The Leyton Breakers: I Drink Your Blood (6:46) B1 - DJ Controlled Weirdness: 5 Pounds To Get In (5:33) B2 - Black Mass Plastics: Generation Mentasm (5:30)

Original Label info:As 2010 draws to a close, Low Res Records makes one last shot at the buzzer with a veritable milestone of mayhem, the 23rd enigma in the shape of a new and long overdue DJ Adjust record.‘Release The Sharks’ is a four tracker of abusive speaker therapy constructed in the spirit of recreational headbanging most would call haptic technology for heshers.Possessing the demonstrative power of potential that pokes at the ear pupils, the new Adjust record is a leaning tower of rhythm inconsequentials that cast a dark shadow over the deliberate composition of controlled chaos. A study in pure acceleration from the opening track ‘Eveready/9-Lives’ and it’s nod to Frances Tipton Hunter and his black cat, to the track ‘Deux’ which draws subtle influence from early Fischkopf releases taking cues from industrial appliance rhythms that swell into monstrous episodes of hi-fidelity gate crashing. Distorted electronic kick drums translate into rarified air violence and simultaneously unleash the Kraken bass blasts. Zeus and his harem of honeys would be proud. A true modern Midwest exercise in reticent aggression. Varying tempos of grindfunk sonically spread over four tracks of fortified ass-kick. This ispopular music for the future prolific and stratopunk pioneers of tomorrow… delivered today.A1 - Eveready/9-Lives 4:35 A2 - Deux 4:46 B1 - Laserdrive 5:42 B2 - Return To Detroit 4:40

first release on Hijos de Puta!

Low Res returns to the vinyl front with a 12" with the original and three remixes of Adjust's Titan.300 copies, exclusive distribution by PraxisLOW 027 - Adjust - Titan Remixes - 12” VinylIn an era where paltry software remixes are a thinly veiled attempt to retread played material as a weak appeal to launch unknown producers, or worse, a desperate plea for social followers in a bootleg capacity, it seems the critical art of the remix project is a dead and rotting half-eaten corpse on the tracks of electronic music’s underground railways.Enter, the Titan. Only on Low Res Records.An original track by Adjust, featuring remixes from Meander, Detroit Gore Police and Tarmvred. Each producer armed with the pedigree and capability to strip you of your fingerprints and leave nothing for dental records to trace, all with the single push of a space bar.As your speakers begin to spew a straight up sonic seance surely to suture your future wide shut, the darkness grows colder with each revolution of the record and the needle digs deeper into your vinyl skin within. Each groove that passes, you have no choice but to submit to pure mechanical breakdown and are forced to peel your skin back and expose your very essence to the frequencies that begin to deconstruct your pithy soul. This is a total scrotal recall of Schwarzeneggerian proportions.Leading with the Meander remix, you the listener are instantly punched in the throat and the perineum with both of Mike Tyson’s robotic iron fists at the same time. Pain, ecstasy, bewilderment and the thrill of the kill in one gigantic money shot. Little hope is left, writhing helplessly on the ground, as you stare up from the floor starstruck with delicious agony. The blood in your mouth tastes like nectar, your eardrums swollen with fear. With the value of the remix steady on the decline, this remix is measured not only in decibels, but in body counts for the coroner.Then the Detroit Gore Police remix backs up the dump truck and drops seismic kicks and concrete bricks that grind your bones into a gelatin mâché that gets funneled into whats left of your ears, force fed by bass lines that make your eyes pop like condoms filled with phosphorescent urine from the gods, punished and pummeled, weak and forgotten, you prepare to leave the world like you entered, naked and afraid…But before you can wither away to dust and resign from your mortal coil, the Tarmvred remix howls across the sand under the moonlight sky and circles your perimortem crawl towards death, slowly splitting your black oak, spreading your gates and turning your kingdom of suffering into a final frozen tomb of eternal sleep. A crushing whirlwind of creeping metallic devastation that pierces your innervision. No one on this planet does, like Tarmvred does.Finally, seemingly as an act of moderated mercy, the original version of Titan by Adjust is capped off as the coup de grâce to abuse and confuse the polymatic construct of acetatic compounds found in pounds of sounds. You muster to escape by seppuku, but are only drawn to block high decibel punches in bunches with your face while your orbitals are destroyed by audibles of psychotic southside chicago acid jungle nightmares that your diminishing soul lacks in capability and composition to escape from. You never stood a chance. It’s over. The needle runs out the groove and darkness falls into a static silence as amplified paper scrapes close out your existence… you are lost and alone, on Titan.

Sprengstoff is back with another release after all these years. Get ready for a 3 track 12inch from NEUROSIS ORCHESTRA. Quite unique, as this release has some connections to Dubstep but is quite special in the genre as the tracks don´t follow standard schemes. No wobble basses but dark atmospheres and distorted guitar sounds. And I guess you didn´t hear a Stoner-Doom-Metal versus Dubstep track yet.

The most relentless Sub/Version release so far! Two mighty tracks combining a wall of sound with rave hyper-energy. Side A "Kompressorwahn" kicks off with stepping tension-oriented rave-esque melodies quickly culminating in the most extreme pounding beats that throttle your nerves and whip the dancefloor into a frenzy with no end in sight. Amboss keeps up the pressure with the side B track titled "Avenida Paulista" in which hard industrial effects, intense frequencies and relentless beats are pushed to the limit. Deemed to be "too hard" for some, Sub/Version 014 by Amboss demolishes all other drum and bass tracks around thus demonstrating the possibilities for further explorations in hybrid extreme sounds. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2098162745/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/kompressorwahn-avenida-paulista-sub-version-014">Kompressorwahn/Avenida Paulista (Sub/Version 014) by Amboss</a></iframe>

Building a reputation of sinister beat slicing and dense, magickally charged atmospheres for years with EPs on labels like Low-Res, Zhark and Addict – Abelcain brings forth his first full length from a darkened laboratory hidden deep inside a Transylvanian Castle. Creatures of the night awake under a bloodied moon. Crimson terrors cut through the flesh, leaving a wake of monstrosities in their path. Join the legion of fiends in their insurrection of darkened lusts. This album is packed full of mind blowing dancefloor tracks that will transform any party into adevilish night of godly delights.Each track is based on and inspired by a famous monster like Dracula or the Invisible Man, one for movie buffs as well as breakcore freaks, on loud double vinyl and in an astonishing packaging with red metallic foil print.Zhark International has recently raised the stakes as far as depth and production is concerned and is successfully countering the trend towards the superficial in the breakcore scene.A1 - IntroductionA2 - Curse Of DraculaA3 - Lupa LustB1 - The Crooked Shadow Of Mr. HydeB2 - Bride Of The MonsterC1 - Musca DomesticaC2 - Stratagem Of The Invisible ManD1 - Resurrection Of ImhotepD2 - House Of Fiends

BACK IN STOCK!  Overall the vinyl is limited to 150 copies - comes with download code, stickers and poster! Seek new levels of reality… Walking down a steep and partially crumbled staircase towards a lowceilinged concrete basement. With every step downwards the artificial fog gets more and more dense, while the sound, which started as a muffled noise, gets clearer and louder. The room, unknown in size, is only lit by strobe light and bears empty, beside some occasional schemes emerging and remerging from the fog. All alone in the white and flashing nothingness, I start dancing. The beat is relentless, fast and precise – hacking into my brain, channelling my thoughts and drawing my mind away - step by step, until I dissolve in music and light and space, leaving this level of reality and my ego behind… When I came across of ‘the psychedelic experience’ – a manual about substance induced meditation and the associated transcendental experience written by Timothy Leary, Ralph Metzner and Richard Alpert and based on the Tibetan book of the dead – the description of the psychedelic journey immediately reminded me of this exact feeling when submerging in that amalgam of music, fog and strobe and the meditative freedom I always felt in this surrounding. The process of drifting away, leaving our worldly struggles and eventually our whole ego behind until fully submerged in the void – a void which is not nothingness but pure existence, and from which we can reach out to wherever we want. I truly believe that this experience of raving, this immersion into music can be considered as an equally cathartic process as meditation and that it aids us to maintain sanity in this fast evolving and ever-changing world, we are living in. Music is our key to other levels of reality; music is a mantra for our psyche and our body (soma) - our psycho|soMA|NTRA flrmkltr, October 15th 2023

Memero's highly experimental flashnoise with a hint of oldschool vibe and full of unforseeable twists and sudden changes sends you on a journey throught the depths of a present day dystopian world - exploitation of resources, constant hyper-expression and overstimulation, expropriation of our very selves to feed the algorithms - the dark and frightening sci-fy future is not ahead of us anymore, it is already here.

The new GRMMSK! collaboration release of Minor, Totes Format, Sozialistischer Plattenbau, Hafenschlamm, canopyweekends, False Move Recs

White label 7" with sticker over the hole, limited to 200 copies only.

Swarm Intelligence continues to push techno into unchartered territories with a bold new self-titled EP and label that launches in early 2022.  This new EP explores emergent technology and dystopian themes. Autonomous weaponry is hinted at in the title of the first two tracks before the resultant human resilience of 'The Glory Is You,' and finally AI's awakening and gaining of sentience on 'Edge of Chaos'. Opener 'Lethality' is an intense and arresting weapon. Slamming kicks and frosty synths create a wall of impenetrable techno sound that will strike fear into any dance floor. 'Slaughterbot' is just as punishing and dark. Mangled vocals are locked in a prison of caustic synths and tortured drums as a post-apocalyptic meltdown plays out all around. There is subtle drum funk to 'The Glory Is You' that lifts you above the drama. Lithe kicks bring a sense of energy as haunting sequences, bright stabs and fizzing synths weave their way in and out of the mix. The brain-frying 'Edge of Chaos' closes down with monstrous effects, laser-like synths firing across the track and seriously weighty and distorted drums powering things along. Swarm Intelligence is the sound of an unknown techno future made brilliantly real.  Originally released April 4, 2022

Swarm Intelligence’s unique take on industrial techno is back, with the second instalment on his self-titled label, coming this November. Fiercely intense, dramatic and cutting-edge, Swarm Intelligence’s distinctive take on techno has garnered him a solid following amongst the true underground of the scene. Following on from the widely supported launch of his label, SWRM002 is a striking next step – a testament to the quiet confidence of a skilled artist unafraid to eschew norms and carve his own path. This second EP continues to draw inspiration from dystopian themes of new and imagined technologies and their resulting societal impact. ‘Critical Signal’ was produced during the global pandemic, and iteratively refined over the following years. Grinding basses and tense atmospherics sit atop a thunderous four-to-the-floor. Its message to humanity is as relevant now as it was then – “you are resilient, you will prevail”. In ‘Mass Disinformation’ a visceral, bleak and unsettling sonic landscape punctuated by a slamming groove is an apt metaphor for the psychological warfare being unleashed on the world today. Opening the B-side, the uplifting glory of ‘Digital Immortality’ lifts the tone of the release. Here, Swarm’s signature...Originally released November 20, 2023

Dr. Walker vs. Omsk Information/paulus 8 on Subsonic's 4th release. Out April 1st 2017

First release from the Berlin undercover techno label, featuring tracks by D-Omen (2x), Bion-X, Teknoizer.

The second release from mysterious Berlin based wavebass label!