A small handful of copies back in stock - LAST COPIES!
Original label info from 2002, when this excellent record was first released: Hailing from Hamburg, Low Entropy is one of the most exciting young producers of phuturistic breaks and hardcore. A riot of noise and beats in shimmering clear production, Anarcho-Psychotic is aptly named, but nevertheless also features moments of tranquility.
Very last copies - perfect opportunity to pick up a mint copy directly from the label!
a1 - The Truth (4:55) a2 - The Agony Of Everyday Life (5:13) b1 - Symphony Of Creative Destruction (7:23) b2 - Mental Cleansing (2:45)
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LAST COPIES!!
Scud & Nomex: Maschinenbau EP
Maschinenbau was a label run by DJ Scud from Ambush and Nomex from Adverse which released only two 7”s in 1997/98. The first, Eurostar/Piling Machine, was limited to just 300 copies. It combined psychogeographical exploration and field recordings with Amiga-produced non-conformist breakcore and noise-abuse, while the second one, Total Destruction, became a classic of breakcore / noise crossover with several appearances on compilations such as Collision Course on PIAS (compiled by Kevin Martin, aka The Bug), but nevertheless fell into relative obscurity - like most of the great early breakcore - during the following decade.Twenty years after the original 7”s, Praxis is proudly releasing a 12” with all four original tracks at the end of September 2018 with the catalogue number Praxis 56.
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Two powerful compositions by Alex Buess and Daniel Buess, rearranged by Cortex.
RIND is a work using three large self-built cow skin frame drums, 1 horse skin container drum, metal plates and electronics. NOL is a composition by Alex Buess for a percussion trio from 1995. The two pieces were recorded live in 2010 and 2003 respectively, also featuring the musicians Daniel Stalder, Peter Conradin Zumthor and Matthias Würsch. They were electronically treated by Cortex in the studion in 2015. This release continues the collaboration with Alex Buess that goes back to the pre-Praxis days of the Vision label since 1987 and includes Praxis 31 by 16-17 and Praxis 48 by Cortex, both of which also included Daniel Buess.
Cover art by Darkam and layout by Lynx.
ALEX BUESS – is a musician, saxophonist, composer, producer who lives in Basel, Switzerland. He has collaborated with Stephan Wittwer, Paul Schütze, Kevin Martin, Peter Brötzmann, William Parker, Raoul Björkenheim, Toshinori Kondo, Bill Laswell, Kevin Shields, Tim Hodgkinson, Michael Wertmüller and many other musicians in the wide field of improvisation, electronics, electroacoustic music and composition. He plays/played in the groups ICE, GOD, Phantom City, The Bug, Sprawl, Cortex and his own group 16-17, as well as Melx and The Electric Noise Twist. The latter were part of a close collaboration with Christoph Fringeli’s Vision label from 1987-1991, before Christoph moved to London and started the Praxis label, a collaboration that continued over the decades with releases by 16-17 and Cortex on Praxis.
Alex has written compositions for various contemporary music ensembles and also works as a producer and sound engineer. He has appeared at numerous new music festivals and his compositions are performed in Europe and throughout the world. His studies include electronics, acoustics, musicology, phonetics,semantics and composition and his work reflects his experiences with electronic technology, written contemporary music, film music, new mixing and production techniques and computer music.
DANIEL BUESS - studied at the Musikhochschule Basel with Siegfried Schmid and with Isao Nakamura in Karlsruhe. Studies in traditional South Indian percussion music, specially the Mridangam from 1995 till 1998 and in Arabic percussion music in Cairo, Egypt from Nov. 2007 till Jan. 2008. Daniel was involved in various groups and ensembles in the realm of experimental and improvised music, like “Ensemble Phoenix Basel” of which he was a core-member and solo-percussionist since its foundation in 1998, Cortex, 16-17 (both with Alex Buess), HOW2 (with the percussionist Daniel Stalder), “Katarakt”, “B&B” (with the flautist Christoph Bösch), MIR (with Papiro and Michael Zaugg), Buggatronic (with James Hullick). Other collaborations include artists like Hany Bedair, Knut Remond, Zbigniew Karkowski, Kasper T.Toeplitz, John Duncan, Michael Wertmüller, Phill Niblock, Julio Estrada, Stephan Wittwer, Volker Heyn, Thomas Lauck, Tim Hodgkinson, Iancu Dumitrescu and many others.
At his regular tours through Europe, Asia and Australia, he performed at the most highly recognised festivals for experimental music as well as at several underground-places, open spaces and independent venues. Sadly Daniel passed away in February 2016, making “Skin Craft” unexpectedly a posthumous release.
BACK IN STOCK After nearly running out of this title, we just received some returns from a distributor and have14 copies in stock again. 16-17 return to Praxis with a triple assault of ultrasonic remixes. The Pandemic Wargames Remixes are based on backing tracks originally recorded in 1995 for a follow up to the album Gyatso which eventually materialised earlier in 2020 in the form of the Phantom Limb LP on Trost. After that Alex Buess once more gave three tracks a severe treatment for The Pandemic Wargames Remixes 12″ on Praxis, bringing sound and mix firmly into the 2020s.
TEMPORARY LOW PRICE!
A new full length CD album by Noirodyn, aka Vile Enginez.
Fernando Narvàez Perez has so far mainly made his mark under his Vile Enginez monicker with a debut on Zhark International from 2004 and several releases on the Praxis sublabel Sub/Version, both on vinyl and digital. The project mutated into Noirodyn with a first digital-only release for Praxis in 2013 titled Infradesigns. Immediately it was evident that Fernando was applying his production skills to a more varied sound but regularly returning to slamming beats and far-out noise constructions making Noirodyn the logical continuation and development of Vile Enginez.
Construct Deconstruct contains 16 new tracks ranging from slower grooves to hectic intensifications arranged into a continuous mix, showing his creative energies at a peak.
Coverart by Sansculotte.
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In stock now:
Classic 16-17 studio album produced by Kevin Martin in 1994 for first time on vinyl !
Gyatso originally appeared on Kevin Martin's Pathological label in 1994 as a CD and was rereleased, again on CD, in 2008 by Savageland.
Praxis, in collaboration with Skin & Speech proudly presents the first vinyl edition of this classic album.
The vinyl edition contains 6 tracks and includes the download for the full 13 track album.
16-17 started in 1983 in Basel, Switzerland. They released a number of cassettes, before debuting with their self titled and self released album in 1987. Two years later this was followed up by When All Else Fails, an LP of treated live recordings on Vision, the precursor label to Praxis.
By this time 16-17 had already garnered a cult following with their incredibly forceful live performances.
Gyatso is a crucial release where the raw power of 16-17’s live appearances clashes with a studio-as-instrument approach, as Kevin Martin and Alex Buess add effects and dub techniques to the band’s recordings.
Further collaborations between Martin and Buess include the ICE project which also included Justin Broadrick aka J.K.Flesh of Godflesh, the other half of Techno Animal, as well as Human Distortion, released on Digital Hardcore Recordings in 1998. Buess also took part of the Sprawl project with Peter Brötzmann, William Parker, Michael Wertmüller and Stephan Wittwer which appeared on Trost Records in 1997.
This vinyl release of Gyatso comes hot on the heels of two important records that came out in 2020: The album Phantom Limb on Trost, based on band recordings from 1995 and finished in the studio in 2019 by Alex Buess, and most recently the 12” The Pandemic Wargames Remixes on Praxis. The latter was a continuation of collaborations dating back to the pre-Praxis days of the Vision label, continuing with the 1999 release of Mechanophobia on Praxis as well as the more recent Vacuum Theory by Cortex and “Skin Craft” by Alex Buess and Daniel Buess.
Praxis is very happy to present this release in collaboration with Skin & Speech, for the first time on vinyl and download!
A momentous, heavy, noisy and radical release by former 16-17 members Alex and Daniel Buess. This is the first release by their Cortex project which has been going on since 1999.
More recently they contributed 'Skin Craft' - RIND & NOL (Praxis 55) to the Praxis label catalogue.
A - The Machinic Phylum 7:37
B1 - Usu 3:11
B2 - Mutabor 5:10
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Praxis is back with a 4-track compilation of no compromise breakcore, broken beats and noise, challenging the orientation towards the “artist genius” with a selection of tracks chosen for their quality and not for their marketability - in the format of anonymity. The first of a series of 3 12”s to come out in the next months. Ltd. to 300 copies. Slamming and dangerous, these tracks will act as intensifiers at underground parties worldwide: No stars here....
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BACK IN STOCK!!
Fantastic mega-mix of over 50 tracks from the first 20 years of the label's history, mixed by Diskore, Fiend, and Baseck of Darkmatter Soundsystem!
<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2297546853/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/20-years-of-praxis-praxis-20">20 Years of Praxis (Praxis 20) by Praxis</a></iframe>
Check out the detailed track list here: praxis-records.net/praxis-20-tracklist/
you can choose between a black or a white cassette case (note that only a small handfull of black cases are left now. if you don't specify, you'll receive a white one)
This 4-tracker on Praxis by Rachael Kozak and Christoph Fringeli was recorded in the period of 1999-2001 and shows the other side of the coin of their Sub/Version record, presenting more abstract and psychedelic breaks and noise with influences ranging from Hitchcock sountracks to metal bashing industrial music fused in their own aesthetic of dark breaks.
a1 - Vertigo (5:00) a2 - Part Of It (3:12) b1 - New Direction (3:54) b2 - Emphasis (3:31)