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Heft 9, Herbst 2016   Ein biographisches Interview mit Moishe Postone: „Niemand sonst hat das gelehrt.“ Gerhard Scheit: Anmerkung zu Moishe Postones Kritik an Hannah ArendtsEichmann in Jerusalem Gerhard Scheit: Die Frage der Hegemonie und die Resistenzkraft des Rechts oder: Warum die Kritik des Erdogan-Regimes wie jede Kritik auf Horkheimers Racket-Begriff nicht verzichten kann Diskussion mit Thomas von der Osten-Sacken: Bitte keine Reisereportagen aus Kurdistan! Thorsten Fuchshuber: Universalismus gegen Israel oder: Warum Alain Badiou zum Imam der Linken wurde, die den Terror legitimieren Stephan Grigat: Persistenz des Antizionismus. Neuere Publikationen über Zionismus, die Linke und das iranische Regime [Download] Tobias Ebbrecht-Hartmann / Nikolai Schreiter: Effekte von Entebbe. Deutsche Reaktionen und Projektionen auf eine deutsch-palästinensische Flugzeugentführung David Hellbrück: „Die Schüler des Muftis und Goebbels“. Was die Linke unter Luftpiraterie versteht Alex Feuerherdt: Fest der Völker. Eine Sportrundschau im Zeitalter des Antizionismus Lea Wiese: Der „liebenswürdige Weltweise“ und seine Pace-Flagge. Zu Arno Gruens psychoanalytischer Ehrenrettung des Pazifismus Max Beck / Nicholas Coomann: Immer sauber bleiben! Von Harry G. Frankfurt zum Wiener Kreis. Überlegungen zu Reinheitsgeboten in der Philosophie Tina Sanders: „Zeit ist reif für eine dritte Intifada!“. Die (Neue) Linkswende mit Erdogan und Hisbollah gegen Israel Auszug: Was der deutsche Staat über sans phrase wissen soll H. v. Z.: Altes Europa jetzt neu bei Tumult. Exkursionen zu den Editorials der Barbarei, 2. Teil Leah C. Czollek: Sehnsucht nach Israel Leah C. Czollek: Sehnsucht nach Israel – reloaded Karin Stögner: „Jenseits des Geschlechterprinzips“. Zum Problem von Gender und Identifikation in der Kritischen Theorie Andrea Trumann: Eine Kritische Theorie des Geschlechterverhältnisses. Von Odysseus, Kirke und Germany’s Next Topmodel Gerhard Scheit: „Völlige Vernichtung der Sexualität“. Otto Weininger zwischen Wagner und Freud – unter besonderer Berücksichtigung der Parsifal-Partitur Gerhard Scheit: Plädoyer für das Wörtchen ‚man‘ Renate Göllner: Alice Schwarzer und der Höllenkreis Jan Rickermann: „Wenn wir dich eliminieren, verlieren wir nichts“. Zur Gesellschaftslehre des Kommunismus der Roten Khmer Marlene Gallner: Politisches Denken nach Auschwitz. Hannah Arendt, Theodor W. Adorno und Jean Améry unter Deutschen Frederike Hildegard Schuh: Die Kraft des Urteilens. Mit Hannah Arendt gegen die Orgien der Ununterscheidbarkeit Manfred Dahlmann: Was ist Wahrheit? Was materialistische Kritik? Gerhard Scheit: Zwei kleine Illustrationen zu Manfred Dahlmanns Was ist Wahrheit? als Miniaturen von Hobbes und Spinoza

Frühe Schriften 

Guy Debord (1931-1994) was the leading light in the Situationist International. He and the group were the first to criticize and comment on the role of the consumer in Western society. If Dada was an artistic movement that somehow pushed its artistic values into the political arena, then the Situationists were political and urban theorists who transformed politics into an art form. Debord’s masterpiece "Society of the Spectacle" is a stunning and witty critique on contemporary society where the workweek and consumerism alienate the individual. "Considerations on the Assassination of Gerard Lebovici" is a book-length rant and a confrontational stance against the French media with regards to the murder of his good friend and financial supporter Gerard Lebovici. In 1984 Lebovici was called away from an appointment and three days later the police found his body behind the steering wheel of his Renault with four bullet wounds to the back of his head, in a vacant parking lot in Paris. Lebovici was an inventive businessman, movie producer, publisher, and a major financial supporter of Situationist activity -including ownership of a movie theater that screened the films of Debord and other Situationists. It's suspected that gangsters killed Lebovici, although to this day the murderer(s) have never been found. That didn't stop certain groups in the media connecting Lebovici's death with the Situationists. In this passionate rebuttal, Debord lashes out with great humor and intensity against the media and defends his good friend Gerard Lebovici. This book should not be seen as an account of an isolated, almost forgotten murder case, but as a general call-to-arms with respect to how the media controls and rewrites its ‘facts’.

Guter Zst.

Guter Zst. 

Guter Zst.

Hebrew edition of de Sade's Justine

Dieter Eich, Carlos Rincon: La Contra - Der Krieg gegen Nicaragua. Konkret Literatur Verlag, ISBN 3-922144-39-X Guter Zst. 

Gebundene Ausgabe des Bertelsmann Leserings von 1960 in gutem Zst. 

The English Section of the Situationist International: The Revolution of Modern Art and the Modern Art of Revolution

Schutzumschlag etwas abgenutzt mit kleinem Einriss, Buch sonst gut mit leichten Gebrauchsspuren

Ausgabe des Verlag für fremdsprachige Literatur, Peking 1972 Etwas zerlesen, mit einzelnen (wenigen) Anstreichungen. Mit dabei: Hektopraphierte Chronologie der Ereignisse, anscheinend basierend auf der Kommunistischen Volkszeitung des Kommunistischen Bund Westdeutschland (KBW)

Taschenbuchausgabe des Dietz Verlag, 13. Auflage, wenige Anstreichungen, leicht flecking, sonst guter Zst. 

Besitzvermerk, Altersspuren, keine Anstreichungen

Etwas zerlesen, fleckig Verlag für fremdsprachige Literaur,Peking 1976 gut als Leseexemplar oder für Maoismusnostalgiker

Etwas zerlesen, fleckig, ein paar ganz wenige Anstreichungen

Ni patrie ni frontieres - "Question juive" et antisémitisme Sionisme et antisionisme. Recueil de textes marxistes et anarchistes. 2008

Etwas zerlesen.

Etwas zerlesen

Papier nachgedunkelt, sonst sehr gut. 16. Auflage von 1971

fast wie neu

Etwas zerlesen aber noch gut

Contents: BREXIT MEANS… WHAT?HAPLESS IDEOLOGY AND PRACTICAL CONSEQUENCESA number of left groups and individuals campaigned for the UK to leave the European Union in the recent referendum. We argue that the Brexit campaign, and the referendum itself, its results and its implementation, have been one with a victory of the ruling class against us. The implementation of Brexit will negatively affect solidarity among workers and radical protesters, setting back our strength and potentials to overturn capitalism. Many people in the radical left were blinded by the ideological forms of our capitalist relations, the reification of our human interactions, to the point of accepting a victory of the far right with acquiescence, or even collaborating with it. THE RISE OF CONSPIRACY THEORIES:REIFICATION OF DEFEAT AS THE BASIS OF EXPLANATIONConspiracy theories have become more widespread in recent years. As populist explanations, they offer themselves as radical analyses of ‘the powerful’ – i.e., the operation of capital and its political expressions. One of the features that is interesting about such conspiracy theories therefore is that they reflect a critical impulse. We suggest that at least part of the reason for their upsurge (both in the past and in recent years) has to do with social conditions in which movements reflecting class struggles have declined or are seen to be defeated. We trace the rise of conspiracy theories historically and then focus on the most widespread such theory today – the idea that 9/11 was an inside job. We suggest that one factor in the sudden rise of 9/11 conspiracy theories was the failure and decline of the movement against the war in Iraq. CHINA: THE PERILS OF BORROWING SOMEONE ELSE’S SPECTACLESWe argue that the transition facing China is the shift from the export of commodities to export of capital. This transition would mark a major step in transforming China from what we have termed a mere epicentre in the global economy to its establishment as a distinct second pole of within the global accumulation capital – an emerging antipode to that of the US. The group Chuǎng argue that recent Aufheben analyses are ‘too optimistic’ concerning China’s ability to maintain economic growth rates and fuel global capital accumulation. We reproduce their article as an Intake. In our response, we contend Chuǎng are unable even to recognise what we are suggesting let alone argue against it. This is because in making their analysis of the current economic situation in China, they have borrowed the spectacles of neo-liberal economics. They have thereby inadvertently adopted a myopic and ideologically circumscribed perspective that contains crucial blind-spots.

Guy Debord (1931-1994) was the most influential member of the Situationist International, the avant-garde group that triggered the May 1968 revolt in France. His book The Society of the Spectacle is by some considered the most important theoretical book of the twentieth century. But while Debord's written work is some of the most notorious in the world of political and cultural radicality, deemed "the cornerstone cliché of postmodernism," his films have until now remained tantalizingly inaccessible. After being withdrawn from circulation for nearly two decades (by Debord himself, to call attention to the 1984 assassination of the producer of the films, Gerard Lebovici), all six films were featured in a special "Guy Debord Retrospective" at the 2001 Venice Film Festival and re-released in France in 2002. The most famous of the films is Debord's cinematic adaptation of his own book, The Society of the Spectacle. As passages from the book are read in voiceover the text is illuminated, via direct illustration or various types of ironic contrast, by clips from Russian and Hollywood features (Potemkin, For Whom the Bell Tolls, Johnny Guitar, etc.), TV commercials, softcore porn, newsreels, and documentary footage. Some of the other films evoke Debord's adventures in the bohemian underworld of Paris during the 1950s, and in others Debord attacks the film medium itself, directly challenging the viewer by critiquing the traditional separation of spectacle and spectator. Ken Knabb's translation of Debord's Complete Cinematic Works accompanies the long-awaited English versions of these film.The scripts are illustrated with 62 stills, and Debord's own annotations help elucidate the subtleties of these astonishing works, which are like nothing else in cinema history. Paperback edition. AK Press, ISBN 1-902593-83-9