Vinyl
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Dane: Cosmic, Acid Night 25. Near mint copy from shop stocks with only the tiniest sgns of use. Last copy!
Recorded and mixed by Peter Rehberg at Twisted, Wien March 2015-January 2016 Mastered and cut by Rashad Becker at D&M, Berlin, January 2016 Artwork by Tina Frank Dedicated to Thomas Jerome Newton Twelve years have passed since Editions Mego boss Peter Rehberg released his last full length release ‘Get Off’ on the Hapna label. In the interim, along with running the label, Rehberg has embarked on a series of soundtracks for the French artist and choreographer Gisele Vienne. Out of this collaboration the seeds were planted for the prolific KTL, guitar/computer duo with Stephen O Malley. After a surprise return to live performance in 2015 we are now presented with Pita’s new full length document under the banner of Get In. Get In extends the perennial Pita sound into a paradox of intimidation and beauty. 20150609 teases the juncture between the human and the tool, the improvised and composed and the analogue and digital. Aahn inhabits a field of electronic nebula, simultaneously inviting and alien. Line Angel could be a new form of minimalism for the post internet crowd. S200729 harks to an acid most splintered whilst Mfbk completes proceedings as an ambient drift underscored with classical overtones. Get in is a beautiful, engaging and unsettling listen. A multi-headed hydra presented as the ultimate dystopian sonic journey.
LAST COPY from shop stocks, not sealed anymore, played at the store a few times, NM All tracks written and recorded by Gordon Sharp and Matt Kinnison between 2006–2011 at Roi Vert, Okamoto (Japan), 13th Floor and Space Eko (London), Southend (Essex) Mastered at Piethopraxis, June 2011Cut by Rashad Becker at Dubplates & Mastering, Berlin, June 2011 Design/images: David CoppenhallAssembled at Sixism (Maggi Smith/David Coppenhall) For Matt Kinnison and John Berger Hold Everything Dear is the third installment in the new Cindytalk sound which started with 2007’s The Crackle Of My Soul, and then last years Up Here in The Clouds. Its the first in the trilogy to feature musicians other than Gordon Sharp namely the late Matt Kinnison, to whom the album is dedicated.Inspired by the John Berger book of the same name, this latest release is whole new set of parameters which push the sound on the previous two works to an extreme point of abstraction, and in some places near silent passages and haunted melodic segments.And what a mysterious journey this ends up being with increased use of piano and found/field recordings giving all the tracks a blurry soundtrack appeal to the point where the definitions between the tracks and are no longer clearly defined. It harks back to the odder parts of In This World and The Wind Is Strong albums from the early 1990s.Superbly packaged with new David Coppenhall artwork in a 4-panel digipack and gatefold vinyl sleeve.
near mint from shop stocks, not sealed anymore, possibly listened to in the store a couple of times, but has no significant signs of use
Wah Wah: No Borders, Kool Killer, Brandon Spivey, Richie Anderson
7" release by Tzii on his own Night on Earth label from 2015. One copy back in stock <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=321796151/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://tzii.bandcamp.com/album/elagabalus-the-solar-cult-spielzeug-muzak-10-noe-09">Elagabalus & The Solar Cult (Spielzeug Muzak 10 / NOE 09) by Tzii</a></iframe>
NM copy - last copy from shop stocks - maybe played a couple of times in the shop.
Two powerful compositions by Alex Buess and Daniel Buess, rearranged by Cortex. RIND is a work using three large self-built cow skin frame drums, 1 horse skin container drum, metal plates and electronics. NOL is a composition by Alex Buess for a percussion trio from 1995. The two pieces were recorded live in 2010 and 2003 respectively, also featuring the musicians Daniel Stalder, Peter Conradin Zumthor and Matthias Würsch. They were electronically treated by Cortex in the studion in 2015. This release continues the collaboration with Alex Buess that goes back to the pre-Praxis days of the Vision label since 1987 and includes Praxis 31 by 16-17 and Praxis 48 by Cortex, both of which also included Daniel Buess. Cover art by Darkam and layout by Lynx. ALEX BUESS – is a musician, saxophonist, composer, producer who lives in Basel, Switzerland. He has collaborated with Stephan Wittwer, Paul Schütze, Kevin Martin, Peter Brötzmann, William Parker, Raoul Björkenheim, Toshinori Kondo, Bill Laswell, Kevin Shields, Tim Hodgkinson, Michael Wertmüller and many other musicians in the wide field of improvisation, electronics, electroacoustic music and composition. He plays/played in the groups ICE, GOD, Phantom City, The Bug, Sprawl, Cortex and his own group 16-17, as well as Melx and The Electric Noise Twist. The latter were part of a close collaboration with Christoph Fringeli’s Vision label from 1987-1991, before Christoph moved to London and started the Praxis label, a collaboration that continued over the decades with releases by 16-17 and Cortex on Praxis. Alex has written compositions for various contemporary music ensembles and also works as a producer and sound engineer. He has appeared at numerous new music festivals and his compositions are performed in Europe and throughout the world. His studies include electronics, acoustics, musicology, phonetics,semantics and composition and his work reflects his experiences with electronic technology, written contemporary music, film music, new mixing and production techniques and computer music. DANIEL BUESS - studied at the Musikhochschule Basel with Siegfried Schmid and with Isao Nakamura in Karlsruhe. Studies in traditional South Indian percussion music, specially the Mridangam from 1995 till 1998 and in Arabic percussion music in Cairo, Egypt from Nov. 2007 till Jan. 2008. Daniel was involved in various groups and ensembles in the realm of experimental and improvised music, like “Ensemble Phoenix Basel” of which he was a core-member and solo-percussionist since its foundation in 1998, Cortex, 16-17 (both with Alex Buess), HOW2 (with the percussionist Daniel Stalder), “Katarakt”, “B&B” (with the flautist Christoph Bösch), MIR (with Papiro and Michael Zaugg), Buggatronic (with James Hullick). Other collaborations include artists like Hany Bedair, Knut Remond, Zbigniew Karkowski, Kasper T.Toeplitz, John Duncan, Michael Wertmüller, Phill Niblock, Julio Estrada, Stephan Wittwer, Volker Heyn, Thomas Lauck, Tim Hodgkinson, Iancu Dumitrescu and many others. At his regular tours through Europe, Asia and Australia, he performed at the most highly recognised festivals for experimental music as well as at several underground-places, open spaces and independent venues. Sadly Daniel passed away in February 2016, making “Skin Craft” unexpectedly a posthumous release.
New in stock and for the first time available in Europe is this split 12" between WMX and Bombardier!
Four tracker by Ultramars in the Toolbox re-issue series Toolbox Killerz. On Discogs this record is referenced as Salut la Hollande! although it says Salut la Bretagne! on the label. It is however not identical to the original Salut la Bretagne! record released on Mars Assault in 1998, only two of the four tracks are taken from the original. Also all the material is remastered. label info: Mars Assault big re-edit & repress of some bloody good tunes from mars Assult 01 and Mars Pictures. All tunes 2015 re-edited and re-mastered, with a nowaday louder cut. A Must Have for old shool Techno Tribe lovers ! <iframe width="560" height="315" src="https://www.youtube.com/embed/rl3qf729ezw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
Brand new tracks by Brandon Spivey and Richie Anderson aka A.Simetric on Toolbox's Acid NIght imprint.
Acid Night 22 from 2016. Very slight storage wear from being in the shop for a while.
I.N.D. on Ptit Gris from 2015. Grey marbled vinyl. Last copy!
Brand new Karl Marx Land release by Coco Lowres and Mesak! Again on tasty 7" in Stereo Hifi!
This instrumental 7" features a more restrained and clean sound for Redrot, foregrounding bass and clear production but retaining the raw, dark sound he has cultivated in Michigan's ever changing climes. We call it industrial bass music. (label info)
Extreme and noisy speed-/break-/glitchcore on 4 tracks! Limited to 100 copies on white vinyl. BACK IN STOCK! Only one copy, still sealed, but note that one corner is slightly bent from transport. This is likely to be the last copy as the distributor has no more stocks and the press run was only 100 copies to start with.
Christoph de Babalon's Diptychon about the unforgettable story of “Scylla & Charybdis” transcends past, present and future, myth and reality. On clear vinyl, printed innersleeve, cover design by Ian Liddle. This special edition includes the poster as well as the CD with CdB's Scylla & Charibdis Miniatures, previously only available directly from the label. <iframe width="480" height="360" src="https://www.youtube.com/embed/5FZ1GKaf7_0" frameborder="0" allowfullscreen></iframe>