Vinyl
Super junglistic Istari Lasterfahrer in the Dubcore series! <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1588579643/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/dubcore-vol-14">Dubcore Vol.14 by Istari Lasterfahrer</a></iframe> Label Info: after four years and istari lasterfahrers last mini-lp from 2014 he is now back on the dubcore series with four tracks.starting up with percussive synth clonks “extasy” jumps right into polyrythmic territory. from the exodus to extasy transformed a stuttering vocal sample and suddenly the euphoria kicks in and there we go hooked on a house piano progression that let’s into high tension rave mayham. “pressure” following up blends from footwork into hardcore jungle, we keeped locked-on in hanging patterns of breaks.flipside starts dubby with “riddance”, a dark jazzdub track with a rolling bass line and hickuped vocal samples. disjunced percussions from the echochamber and wild feedback synth explosions. “doubt & dispair” brings us back outside on the street, darkstyle tune of the more experimental corner. harsh springreverb thunders and filered breaks fighting for clear spaces.limited to 300 copies and running on 33,3 rpm. master cut by lxc from watta sound.
FFF / Coco Bryce: Falling In Love 2023 pressing on marbled pink vinyl!
The first release on Serbian label Jezgro, run by Darko Dekode (one half of Ontal), is by MRTVI, the new project of Huren who also produced a recent Zhark release under this name. Four tracks including a remix by Violet Poison. <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/274067661&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>
The second full length album by Evapori on Walter Ulbricht Schallfolien is another great example of his mastery of abstract noise and musique concrète.
Beau Wanzer on Jealous God from 2017. Black vinyl version. Mint!
SUBMECHANICAL: Remixes EP Remixes by Profligate, Death Qualia, Shadows, Huren <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/408004362&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>
Thought on Hardline Australia. Special Price
Debmaster Vs. Coco Lowres: Gang Of Siwa / Dönerboxing <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=2552919495/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://karlmarxland.bandcamp.com/album/karl-marx-land-005">Karl Marx Land 005 by Debmaster vs. Coco Lowres</a></iframe>
Triple vinyl version. The double LP is on black vinyl, the bonus 12" is on light green transparent vinyl (2007 pressing)
artists: MATTIN & RICHARD FRANCIS title: Lisa Says LP clear vinyl 33 rpm release date: 18.09.2012 order no.: aatp38 Label code (LC): 01291 time: ca. 50 min sleeve designed by Richard Francis, comes with text insert. Clear vinyl 300 handnumbered copies. On “Lisa Says”: This LP captures the transcontinental collaboration between artists Mattin and Richard Francis with sounds recorded in Stockholm, Berlin and Auckland, NZ. The mixdown portrays the current state of affairs in composed noise: filtered gritty sound blocks flow and float with no seeming direction when sudden breaks puncture the structure and create something like a melody. Well, almost. The music is accompanied by a text insert that documents a skype conversation between the two artists discussing the methods and aesthetics connected to this release and their ways of working in general. Mattin Bio www.mattin.org Mattin is a Basque artist working with noise and improvisation. His work seeks to address the social and economic structures of experimental music production through live performance, recordings and writing. Using a conceptual approach, he aims to question the nature and parameters of improvisation, specifically the relationship between the idea of “freedom” and constant innovation that it traditionally implies, and the established conventions of improvisation as a genre. Mattin considers improvisation not only as an interaction between musicians and instruments, but as a situation involving all the elements that constitute a concert, including the audience and the social and architectural space. He tries to expose the stereotypical relation between active performer and passive audience, producing a sense of strangeness and alienatio in that disturbs this relationship. Richard Francis Bio www.richardfrancis.net.nz Richard Francis has been releasing works on CD/vinyl, performing solo and in collaboration as a touring artist since 1996. He uses field recordings of acoustic and electronic sounds and a tone generator to compose sound works. He has released solo and collaborative music on a number of labels worldwide and runs his own label CMR through which he releases limited edition lathe cut records by New Zealand artists. In performance he uses a computer and electronics and has toured Japan, Australia, Hong Kong, Canada, USA and Europe. Since 2003, Francis has composed works for sound installation, participating in group and solo shows at galleries throughout New Zealand. He has collaborated for recording and performance with many artists, and has had recent published collaborative CDs with Jason Kahn (USA/Swiss) and Francisco Lopez (Spain). Collaborations for recording and/or performance: Bruce Russell, Francisco Lopez, Jason Kahn, Mattin, Birchville Cat Motel, Gate, MSBR, Tetuzi Akiyama, Lawrence English, Rosy Parlane, Howard Stelzer, Jason Lescalleet, Jay Sullivan, Empirical, Pumice, Kuwayama Kiyoharu, Phil Dadson, Anthony Guerra, Sean Meehan, Ishigami Kazuya, Antony Milton, James Kirk, MHFS, Tim Coster, Paul Winstanley, Takefumi Naoshima, Toshihiro Koike.
The Haters/Hal Hutchinson: Xylowave 2010/Amplifaction II
On “Neunundvierzig Entgleisungen”: aufabwegen is very proud to offer a new release by what we consider to be one of germany's most important sound projects: DAS SYNTHETISCHE MISCHGEWEBE. DSM is now the sole project of guido huebner, who has been working in the medium of sound and found objects since the early 1980ies. DSM have their very own take on the spatialization of sound and the moving around of sonic objects in the stero field. the overall impression is of rawness and fragility at the same time. the music on these two 10" records is super-dynamic and fragmentated and sounds very fresh and alive. DSM have collaborated over the years with artists such as Michael Northam, Frans de Waard, New Blockaders, MSBR and many more and have released material on various labels around the globe. DSM have played many concerts all over and have combined their sound with different art froms, such as projections, film, dance and even conducting workshops fro kids. "neunundvierzig entgleisungen" comes in a full cover fold sleeve and is slipped in a stable plastic seethrough. it plays on 45rpm, even if the label prints instructs you to run it at 33. the record was recorded by guido huebner and features texts by jean rene lasalle and artwork (paintings reproduced) by francoise vigot. it was layouted by stefan hanser (anemone tube), mastered by josef suchy and cut by lupo at dubplates & mastering. (label info)
On “Bounds”: „Bounds“ consists of 11 electro-acoustic compositions, whose first versions were constructed by Seth Nehil for the “Concerts in the Dark” series at Moers Festival 2012 curated by aufabwegen. In 2013 Seth did the final versions and added some new pieces. “Bounds” is an exciting trip through sound manipulation, treated drums and very detailed textures. The overall atmosphere is dark but the way the sounds are arranged and connected speaks of an almost scientific clarity. Seth Nehil – Biography 2014 Seth Nehil (b. 1973) is a sound and video artist making concerts, performances and installations. Nehil meshes manipulated acoustic recordings, voices, instruments, granular synthesis and field recordings into richly detailed spaces. His compositions draw equally from classic musique concréte, film sound design, hip hop production and noise to form a uniquely hybrid sonic world, full of off-kilter rhythms, sudden junctures and explosive bursts. “…A shapliness that’s unusual in abstract music… hugely satisfying.” - Brian Marley, The Wire In addition to recorded and live-mixed sound, Seth Nehil has collaborated with dance and video artists, choreographers, and theater companies to produce original sound scores, multimedia performances and video installations. He has created his own original performance pieces, bringing together multi-screen video, multi-channel recorded sound and live performers to explore quasi-narrative spaces between cinema and dance. He is currently conducting research for an experimental documentary on the use of “attack therapy” and the historical roots of child behavior modification. Seth Nehil has released over 15 albums of experimental sound on international labels, including Sonoris (France) and Senufo Editions (Italy). He has given concerts across Europe, Japan and the US. Nehil received an MFA in Music/Sound from Bard College. He teaches sound design, sound art and video at the Pacific Northwest College of Art, Washington State University and Portland State University. www.sethnehil.artdocuments.org (label info)
Excellent first release by Assimilation Process, a new project by Noize Creator! "a vivid mix of digital processed sounds in combination with field recording and other analogue sound sources. All 6 tracks draw their energy from the severe contrast between melancholy and noise intensified by the rhythmic structures and the instantaneous sound pressure." <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/344067790&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>
Headless Horseman: 47014. Back in stock! <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=756944557/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://47x47.bandcamp.com/album/47014">47014 by Headless Horseman</a></iframe>
SUBMECHANICAL: Armoury <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/397731894&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>