NEWS

Sprengstoff is back with another release after all these years. Get ready for a 3 track 12inch from NEUROSIS ORCHESTRA. Quite unique, as this release has some connections to Dubstep but is quite special in the genre as the tracks don´t follow standard schemes. No wobble basses but dark atmospheres and distorted guitar sounds. And I guess you didn´t hear a Stoner-Doom-Metal versus Dubstep track yet.

2009 release by A.N.T.I. on Anguish Entertainment. Back in stock! A1 - Inner Space Explode (5:33) A2 - Kind Ov Addiction (3:45) B1 - Angsltlust (4:30) B2 - Todeshochzeit (3:48) Limited to 400 copies

More fierce speedcore on Ultra.BrainDance. NM copy. A1 - Dysfonction (5:45) A2 - Doomed (3:35) B1 - Edge Of Depressed (4:26) B2 - Rising Aberration (4:59)

Again very limited new release on Explore Toi - 150 copies this time! One track each by Base Mobile, Turbo Daddy and Ghetto75018, including some extensive sampling from General Magic's track Tyrell (Mego 1997) - see youtube clip below. LAST COPY with some minor wear, hence the lower price! <iframe width="560" height="315" src="https://www.youtube.com/embed/gyuffL4tOXo" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Cakebuilder 12" from 2007 back in stock.  NM vinyl, minor wear on sleeve from transport A1 - Grynde (5:01) A2 - Grynde (6:05) Remix by Bong-Ra B1 - Servant (4:32) B2 - Taste Of Blood (4:11)

"Resisting The Viral Self" is a rare circumstance of Realicide finally completing an extensive studio album of a highly collaborative nature. In contrast to the project's extensive output of live bootlegs and other very rough material, here is a very defined and focused collective energy from artists across the US throughout late 2007 until early 2009. This body of work includes the lyrics and voices of Robert Inhuman and Jim Swill; the hardware and software electronic music of Vankmen, Ryan Faris (of Capital Hemorrhage), Evolve, and Steven Cano (tik///tik); additional sampling by Simon Severe; and mastered by Mavis Concave. Sonically, "Resisting The Viral Self" ranges from Realicide's established style of very abrasive gabber punk, inspired by certain sects of harsh noise and classic digital hardcore, yet venturing into other means at times, such as dark ambient soundscapes facilitating spoken tracks and delicate sound collages. Lyrically, the album claims allegiance most strongly to the roots of Anarcho-punk and other combative, yet ultimately constructive, efforts in promoting a lifestyle based in equality and the courage to experiment regardless of social pressures (especially against these social pressures). The 12" vinyl holds the essentials of the album, at 17 minutes each side, but the CD format has allowed the material to be doubled, at 48 tracks and filling the disc with as much raw hardcore and industrial mania as possible. Both versions of the album are available in full-color printed jackets, featuring artwork by Robert Inhuman, and are accompanied by an extensive zine. Though a modest stack of xeroxed text and drawings, this zine is completely supplemental to the music of "Resisting The Viral Self". In addition to all technical credits and lyrics, essays elaborating on the content of almost every track are presented, along with essays regarding the ethical philosophies and policies surrounding Realicide in every aspect of its operation. Vinyl stickers are also included with both CD and LP versions. For anyone who has an interest in Realicide and has waited through years of many less coherent bootleg releases, or anyone who has been increasingly hungry for a band that can very directly utilize electronic hardcore as a vehicle for radical and socio-political propaganda, this is an album that can give you what you've been hunting for - with a terrifying vehemence yet an unwavering message of compassion and self-sacrifice. FIGHT THIS HELL. REDEFINE HARDCORE. 29 March 2009, for Realicide Youth Records (1st Edition: 500 LP & 1,000 CD)

From the techno farmer himself.. really album of dub influenced electronics in matt demmon's unique style. Album comes in the standard eupholous cardboard cd sleeve and is hand screened and numbered. (from killercore.org) Last shop copy with minor storage wear. Note that this is a CDR maniufactured more than a decade ago. We can't guarantee functionality on all playback devices.

the anonymous Kill8X of Ann Arbor/Detroit comes back storming. A non-stop acid-core hard broken beat insanity pill, enjoy. artwork is a sculpture by Chris Samuels (Chris Disect), layout and design by Gwen Mckay of Detroit.

Very limited white label only release - 250 copies only. Stamped paper sleeve with original insert.

this is the debut mini-album by dub1 from usa. he dropped one tune for the we bomb fi dub series. with this eight tracker he releases 6 dub tunes of melancholic harmonies and noised by the surface of time. two slightly distorted dub jungle tunes compliting this release which i am happy to have released. Last copy from shop stocks, played a few times in the store...

XTRACTOR REC LABEL 002 Xtractor rec label proudly present the second release on Vinyl. A split 16" between (8) and S.T.H. Two killer tracks of the finest Colombian Drum and Bass. Front of hell by the talented producer David F, aka 8, is a combination of hard industrial sounds with a technoid base, pumping subbass and banging snare. Time curvature produced by Juanmanuel Medina and Ronald Davila aka S.T.H. is a more mental track with a solid beat and powerfull neurofunk basslines. Bringing toghether for the first time on vinyl the talent of this two colombian producers who in a way influenced the whole new generation of electronic music producers in their homeland. A. "FRONT OF HELL" (8)-6:35 min. Written, produced and mixed by David F. Recorded @ 8Hz Room. Barcelona, Spain. AA. "TIME CURVATURE" (S.T.H.)-6:01 min. Written, produced and mixed by Juan Manuel Medina and Ronald Davila D. Recorded @ the mochacabezas studios. Berlin, Germany. Masterd by BEAU @ Masterpiece, England. Made in Hell.

Darkmatter Soundsystem frequents their third visit to vinyl (DM12003) this time around with the Southern California native Poxxe. The 12" kicks off with a screaming dubstep floorkiller titled "The Malfunction" sure to incite soundsystems and crowds. Next up is the rattling tear out breakcore track titled "Funky Lizard" with Minion on the collab. On the flip side, the two tracks "Yellular" & "Plastic Hip" explore the more sparse rhythms and tones of Poxxe's sound. A strong follow up to the label's previous release (DM12001) "Minion - Bored In The U.S.A. EP." For the "Label of the week" action you get another 10% off the already slashed price <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2068049500/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/iono-dm12003">Iono (DM12003) by Poxxe</a></iframe> A1 - Poxxe – The Malfunction A2 - Poxxe w/ Minion – Funky Lizard B1 - Poxxe - Yellular B2 - Poxxe – Plastic Hip

The most relentless Sub/Version release so far! Two mighty tracks combining a wall of sound with rave hyper-energy. Side A "Kompressorwahn" kicks off with stepping tension-oriented rave-esque melodies quickly culminating in the most extreme pounding beats that throttle your nerves and whip the dancefloor into a frenzy with no end in sight. Amboss keeps up the pressure with the side B track titled "Avenida Paulista" in which hard industrial effects, intense frequencies and relentless beats are pushed to the limit. Deemed to be "too hard" for some, Sub/Version 014 by Amboss demolishes all other drum and bass tracks around thus demonstrating the possibilities for further explorations in hybrid extreme sounds. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2098162745/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/kompressorwahn-avenida-paulista-sub-version-014">Kompressorwahn/Avenida Paulista (Sub/Version 014) by Amboss</a></iframe>

On Fantomatik sublabel Ghost in the Bass

Limited to just 100 copies

Ltd. 100 copies

New speedcore 3-tracker by La Foudre and Lawrencium on Destruction A1 22h 9:30 B1 Les Enfants 6:05 B2 Love 6:07

"Beat the System" written by Jahseal, Aldubb and Soultrain - Jungle remix by RCola and dubstep remix by Tricky D.

Promo version which means: Exactly the same thing as the normal edition, but packaged in a plastic zip up bag with the CD, cover, inlay and press release sheet (no jewel case)

Torsion was a collaboration of John N. Sellekaers and Olivier Moreau on just two releases - this one on Hymen and a double album on Re-load Ambient. Catalogue number ¥017 Copy from collection, NM, sleev with very minor storage wear.

The fifth collection of Evolve, "Breaking Down The Barriers" is Cincinnati's magick union of conscious hiphop, experimental punk, and psychedelic electronica. Fully inspired by both spiritual and socio-political aspects of the cut-up process, this album is bathed in warm and propagandic tape collage, over thick electronic drums crafted from various hardware, featuring several collaborative beats by Mavis Concave (Praey, Realicide, Thumper). Lyrical performances by the project's founder Colin Murray, as well as Jim Swill (Realicide) and Freak-One (Chemical Committee), run consistent in every way to their electronically collaged platform. Key topics include resisting the slavery of corporate capitalism, both physically literal and that of the mind and soul, dietary consciousness and an emphasis of life as sacred, both individually in animals and our Earth as one collective being, countering social stereotypes of gender, class systems, and the means of sustaining one's self with or without consumerist vices... Art direction by Robert Inhuman includes video stills and imagery from events by Bunk News, the crew that revived an excitement for new DIY arts in Cincinnati throughout 2009 while this music was being created. Mastered by Mavis Concave. "Breaking Down The Barriers" is in many ways the Realicide label's follow-up to "Resisting The Viral Self", the Realicide album released earlier the same year. Although the aesthetics of Evolve differ greatly from the label's tendencies towards abrasive hardcore, the Evolve project was formed at the same time as Realicide in 2002, and has progressed parallel over the years with similar social aims. "Breaking Down The Barriers" is the first Evolve album published on vinyl LP, and its CD version contains dozens of additional songs and cut-up selections. Both formats are accompanied by an extensive zine featuring all lyrics and dialogue clips transcribed, as well as supplementary essays and artwork by various collaborators. This record is highly recommended to anyone who appreciates the urgent themes found in most other Realicide Youth Records and is interested in experiencing comparable ideas through a different array of musical styles. Beyond aesthetic boundaries; beyond the numbing masks and psychick chains any of us may wear; moving forward together in favor of an energy healing One Earth and all its humble cells which we all ultimately are; surely this Earth is rather the One to heal us all. 23 October 2009, for Realicide Youth Records.

Originally created for Apop Records, when it was never pressed we decided this could be the first vinyl release properly handled by the Realicide label. Each band offers 2 tracks, one being a cover song of the other band. Realicide “The Audience Sucks” and “Army Beta Test” (C.H. cover), featuring merciless speedcore gabber by Vankmen and industrial rock programming by Mavis Concave, with voice and further editing by Robert Inhuman. Capital Hemorrhage “Man Of Steel” (Realicide cover w/ words by Jim Swill) and “Familiar Death”, a bleak and disjointed mix of hardcore and no-wave noiserock by the duo also known for Ultra//Vires, Hentai Lacerator, Often, and their DIY label Outfall Channel. Mastered Weasel Walter. Cover art by Ryan Faris of C.H. and inner sleeve artwork by Ben S. of Saint Louis’ Freezerburn Zine. This record clearly exemplifies 2 sorts of progressive hardcore associated with Realicide Youth Records, and will also serve as the precursor to the upcoming Realicide “Resisting The Viral Self” LP on this label, among other more concentrated releases by bands and artists that do not necessarily share an identical aesthetic, but more importantly find common ground in their ideologies and general methods of seeking dialogue with the world surrounding them... 500 copies, December 2008 by Realicide Youth Records & Outfall Channel www.outfallchannel.com Distributors, get in touch about distro rates!

Distortion Recordings is a new heavy DnB and related Breakbeats label from the UKR. Distributed by Subvert Records and managed by Medium who previously released on Hardline Rekordingz as well as MP3 EP’s on different labels. This glorious 12” Vinyl debut features two heavy DnB tracks of this combo and a great remix of “Mind Killa” by the well known Greece producer “Throttler”. The last, in our opinion the hardest track called “Feeding time” is a collaboration between Medium and OZ’s Paul Blackout. Simple but heavy kicks and Break arrangements. Definitely a great debut release of this new promising label. Keep yar eyes out for further releases on this label as well.