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Polemik Viktor: Marasm 37

White label 7" with sticker over the hole, limited to 200 copies only.

Back in stock! Split EP by Vojeet and Stormtrooper on Restroom from 2011 <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=48034945/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://restroomrecords.bandcamp.com/album/stormtrooper-vs-vojeet">Stormtrooper vs. Vojeet by Various Artists</a></iframe>

Tango & Ratty's classic track from 1993 gets the remix treatment by DJ Producer, Vinyljunkie & Saxion, Mattycore MTC, and BStorm & Mr. Psik.

Guter Zst.  Papier etwas vergilbt

Günter Judick, Kurt Steinhaus (Hg.): stalin bewältigen Etwas abgegriffen, aber noch guter zst.

Deutschsprachige Ausgabe Sehr guter Zustand.

Ivan Nagel: Autonomie und Gnade - Über Mozarts Opern Sehr guter Zst.

<iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=2583983841/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://sonicgroove.bandcamp.com/album/art-of-rage-sg1885">Art Of Rage (SG1885) by Max Durante</a></iframe>

Tembok Kamar Dinding Sekolah : Flop0011

Inushini is back with some great old school anarchic breakcore vibes with "Organisierte Ruhestörung", a 7" co-produced by Ohm52, Minor, Phantomnoise, Alphacute and Scrotum Records! <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/502104354&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>

PS Stamps Back/DYL & Paragon: Beyond Lies The Wub/Unstable

The new GRMMSK! collaboration release of Minor, Totes Format, Sozialistischer Plattenbau, Hafenschlamm, canopyweekends, False Move Recs

Giedo Secundo: Trilobite Trax

Ditterich von Euler-Donnersperg: Knüllungen, Wulstungen, Klumpungen Mostly near mint, but track B2 has some surface marks which cause some audible crackles (no jumps). So NM minus VG = VG+ ? Sleeve looks perfect. Number 35/300

LAST COPIES!! Scud & Nomex: Maschinenbau EP Maschinenbau was a label run by DJ Scud from Ambush and Nomex from Adverse which released only two 7”s in 1997/98. The first, Eurostar/Piling Machine, was limited to just 300 copies. It combined psychogeographical exploration and field recordings with Amiga-produced non-conformist breakcore and noise-abuse, while the second one, Total Destruction, became a classic of breakcore / noise crossover with several appearances on compilations such as Collision Course on PIAS (compiled by Kevin Martin, aka The Bug), but nevertheless fell into relative obscurity - like most of the great early breakcore - during the following decade.Twenty years after the original 7”s, Praxis is proudly releasing a 12” with all four original tracks at the end of September 2018 with the catalogue number Praxis 56. <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=496939698/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/maschinenbau-ep-praxis-56">Maschinenbau EP (Praxis 56) by Scud &amp; Nomex</a></iframe>

Ryuji Takeuchi – One’s Sentiment _ Press ReleaseRyuji Takeuchi provides Instruments Of Discipline with an EP of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience; the EP’s title ‘One’s Sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, Ryuji finds space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘Ambivalence’, ‘Sadness’ & ‘Sorrow’ crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated.The final track ‘Regret’ is a compelling piece of noisy, ambient minimalism that allows for an austere pause after the eruption of the initial works. It becomes evident that Ryuji’s journey as a producer, through periods of hard-techno, deep-minimalism and the more abrasive ventures on HueHelix, has created a powerful and nuanced voice that is fully on display in ‘One’s Sentiment’.Ryuji Takeuchi – Artist BioRyuji Takeuchi (Local Sound Network / LSN, HueHelix) was born in Osaka, in the late 90s, he moved to the United States where he discovered Techno, House and Electro Music, influencing his desire to produce & DJ. His first wave of releases on LK Records, Arms, Mastertraxx, FK Records, SWR, Innervate, I.CNTRL, Impact Mechanics, Silent Steps, GSR & Brood Audio to name a few, were straight-up, hard techno,In 2011, Ryuji started his own imprint, ‘Local Sound Network / LSN’, a platform for a new generation of both Japanese & global electronic music & later on, in collaboration with Tomohiko Sagae, Go Hiyama & Kazuya Kawakami, the label, ‘HueHelix / HHX’, developing further the voice of Japanese techno & experimental electronics, with a focus on distorted, industrial sounds.In 2012, Ryuji launched the ‘Local Sound Network Digital Solutions / LSNDS’ series born from a desire to both discover and introduce a wider range of electronic music to the world.Ryuji Takeuchi provides us with an EP of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience; the EP’s title ‘One’s Sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, Ryuji seems to find space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘Ambivalence’, ‘Sadness’ & ‘Sorrow’ seem to crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated; while the final track ‘Regret’ is a compelling piece of noisy, ambient minimalism that allows for a pause after the . It is testament to Ryuji’s journey as a producer through periods of hard-techno, electronic minimalism

Desroi: Dwell In Motion <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=2802608902/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://avianstore.bandcamp.com/album/dwell-in-motion">Dwell In Motion by Desroi</a></iframe>

SHXCXCHCXSH: SHULULULU on Avian 2018.

Super junglistic Istari Lasterfahrer in the Dubcore series! <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=1588579643/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/dubcore-vol-14">Dubcore Vol.14 by Istari Lasterfahrer</a></iframe> Label Info: after four years and istari lasterfahrers last mini-lp from 2014 he is now back on the dubcore series with four tracks.starting up with percussive synth clonks “extasy” jumps right into polyrythmic territory. from the exodus to extasy transformed a stuttering vocal sample and suddenly the euphoria kicks in and there we go hooked on a house piano progression that let’s into high tension rave mayham. “pressure” following up blends from footwork into hardcore jungle, we keeped locked-on in hanging patterns of breaks.flipside starts dubby with “riddance”, a dark jazzdub track with a rolling bass line and hickuped vocal samples. disjunced percussions from the echochamber and wild feedback synth explosions. “doubt & dispair” brings us back outside on the street, darkstyle tune of the more experimental corner. harsh springreverb thunders and filered breaks fighting for clear spaces.limited to 300 copies and running on 33,3 rpm. master cut by lxc from watta sound.

Although the Vietnam War is still well known, few people are aware of the decades of struggles against the French colonial regime that preceded it, many of which had no connection with the Stalinists (Ho Chi Minh's Communist Party). The Stalinists were ultimately victorious, but only because they systematically destroyed all the other oppositional currents.This book is the story of those other movements and revolts, caught in the crossfire between the French and the Stalinists, told by one of the few survivors. Author Ngo Van's In the Crossfire is one of those rare books like Voline's The Unknown Revolution or Orwell's Homage to Catalonia that almost singlehandedly unveils moments of hidden history - sublime moments when people break through the bounds of the "possible" and strive to create a life worthy of their deepest dreams and aspirations. In the Crossfire: Adventures of a Vietnamese Revolutionary is an English translation of Ngo Van's fascinating and gripping autobiography, originally published in two volumes in France in 2000 and 2005. Co-edited by Van's close friend and collaborator, Hélène Fleury, and acclaimed situationist author and translator Ken Knabb, the book includes seventy color and black and white illustrations, reproducing many of Van's paintings as well as numerous documentary photographs. In the Crossfire belongs on the shelf of every serious scholar of Vietnamese history, and is sure to be a compelling read for anyone interested in the revolutionary history of the twentieth century and beyond.Ngo Van was born in a peasant village in Vietnam in 1912. As a young man he moved to Saigon and became involved in underground struggles against the French colonial regime. In the aftermath of World War II, as most of his comrades were being murdered by Ho Chi Minh's Communist Party, Van escaped to France, where he became a factory worker, a painter, and a historical scholar. Following his retirement in 1978, he devoted the remainder of his life to researching and writing a series of books on the history of modern Vietnam. He died in 2005 at the age of 92. Edited by Ken Knabb and Helene Fleury, published by AK Press, 2010. Product Code: 9781849350136

One of THE central books of Western Marxism!

Essential text by Pannekoek, a classic critique of Lenin, written in 1938.