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Guter Zustand: 1969 Schutzumschlag mit mehreren kleinen EInrissen Lucien Bianco: Der Weg zu Mao - Die Ursprünge der chinesischen Revolution

Guter Zst.

Guter Zst.

Guter Zst.

One side with two tracks by Les Boucles Etranges and the other featuring an extended mix of New Religion by K21. 2018 release.

Polemik Viktor: Marasm 37

White label 7" with sticker over the hole, limited to 200 copies only.

Back in stock! Split EP by Vojeet and Stormtrooper on Restroom from 2011 <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=48034945/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://restroomrecords.bandcamp.com/album/stormtrooper-vs-vojeet">Stormtrooper vs. Vojeet by Various Artists</a></iframe>

Tango & Ratty's classic track from 1993 gets the remix treatment by DJ Producer, Vinyljunkie & Saxion, Mattycore MTC, and BStorm & Mr. Psik.

Guter Zst.  Papier etwas vergilbt

Günter Judick, Kurt Steinhaus (Hg.): stalin bewältigen Etwas abgegriffen, aber noch guter zst.

Deutschsprachige Ausgabe Sehr guter Zustand.

Ivan Nagel: Autonomie und Gnade - Über Mozarts Opern Sehr guter Zst.

<iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=2583983841/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://sonicgroove.bandcamp.com/album/art-of-rage-sg1885">Art Of Rage (SG1885) by Max Durante</a></iframe>

Tembok Kamar Dinding Sekolah : Flop0011

Inushini is back with some great old school anarchic breakcore vibes with "Organisierte Ruhestörung", a 7" co-produced by Ohm52, Minor, Phantomnoise, Alphacute and Scrotum Records! <iframe width="100%" height="166" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/502104354&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe>

PS Stamps Back/DYL & Paragon: Beyond Lies The Wub/Unstable

The new GRMMSK! collaboration release of Minor, Totes Format, Sozialistischer Plattenbau, Hafenschlamm, canopyweekends, False Move Recs

Giedo Secundo: Trilobite Trax

Ditterich von Euler-Donnersperg: Knüllungen, Wulstungen, Klumpungen Mostly near mint, but track B2 has some surface marks which cause some audible crackles (no jumps). So NM minus VG = VG+ ? Sleeve looks perfect. Number 35/300

LAST COPIES!! Scud & Nomex: Maschinenbau EP Maschinenbau was a label run by DJ Scud from Ambush and Nomex from Adverse which released only two 7”s in 1997/98. The first, Eurostar/Piling Machine, was limited to just 300 copies. It combined psychogeographical exploration and field recordings with Amiga-produced non-conformist breakcore and noise-abuse, while the second one, Total Destruction, became a classic of breakcore / noise crossover with several appearances on compilations such as Collision Course on PIAS (compiled by Kevin Martin, aka The Bug), but nevertheless fell into relative obscurity - like most of the great early breakcore - during the following decade.Twenty years after the original 7”s, Praxis is proudly releasing a 12” with all four original tracks at the end of September 2018 with the catalogue number Praxis 56. <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=496939698/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/maschinenbau-ep-praxis-56">Maschinenbau EP (Praxis 56) by Scud &amp; Nomex</a></iframe>

Ryuji Takeuchi – One’s Sentiment _ Press ReleaseRyuji Takeuchi provides Instruments Of Discipline with an EP of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience; the EP’s title ‘One’s Sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, Ryuji finds space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘Ambivalence’, ‘Sadness’ & ‘Sorrow’ crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated.The final track ‘Regret’ is a compelling piece of noisy, ambient minimalism that allows for an austere pause after the eruption of the initial works. It becomes evident that Ryuji’s journey as a producer, through periods of hard-techno, deep-minimalism and the more abrasive ventures on HueHelix, has created a powerful and nuanced voice that is fully on display in ‘One’s Sentiment’.Ryuji Takeuchi – Artist BioRyuji Takeuchi (Local Sound Network / LSN, HueHelix) was born in Osaka, in the late 90s, he moved to the United States where he discovered Techno, House and Electro Music, influencing his desire to produce & DJ. His first wave of releases on LK Records, Arms, Mastertraxx, FK Records, SWR, Innervate, I.CNTRL, Impact Mechanics, Silent Steps, GSR & Brood Audio to name a few, were straight-up, hard techno,In 2011, Ryuji started his own imprint, ‘Local Sound Network / LSN’, a platform for a new generation of both Japanese & global electronic music & later on, in collaboration with Tomohiko Sagae, Go Hiyama & Kazuya Kawakami, the label, ‘HueHelix / HHX’, developing further the voice of Japanese techno & experimental electronics, with a focus on distorted, industrial sounds.In 2012, Ryuji launched the ‘Local Sound Network Digital Solutions / LSNDS’ series born from a desire to both discover and introduce a wider range of electronic music to the world.Ryuji Takeuchi provides us with an EP of noisy, hypnotic tracks, ranging from giddy, stomping, left-field techno to melancholic ambience; the EP’s title ‘One’s Sentiment’ provides a thoughtful angle to this at times cacophonous collection, for while they are bristling with noise there is something contemplative about the pieces, expressed in a way that suggests more than one thought trying to take life at the same moment, Ryuji seems to find space for conflicting voices both spatially and in terms of mood, the first three tracks, ‘Ambivalence’, ‘Sadness’ & ‘Sorrow’ seem to crawl with competing elements, synth lines drool over and meld with throbbing kick patterns, anxiety & excitement are tightly wound in focus as tracks build and develop, leaving the listener to navigate these abstract planes, intoxicated; while the final track ‘Regret’ is a compelling piece of noisy, ambient minimalism that allows for a pause after the . It is testament to Ryuji’s journey as a producer through periods of hard-techno, electronic minimalism

Desroi: Dwell In Motion <iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=2802608902/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://avianstore.bandcamp.com/album/dwell-in-motion">Dwell In Motion by Desroi</a></iframe>

SHXCXCHCXSH: SHULULULU on Avian 2018.