Istari Lasterfahrer: Les lois de l'hostilité

Very early Istari from 2000! Mint copy! A1 - Good Morning 1:46 A2 - Panoptikum 4:59 A3 - Echelon 3:55 B1 - Infokalypse 9:24

Istari Lasterfahrer longplayer from 2015 - BACK IN STOCK!a1. Walls Cave In2. Transgression3. Event Horizon4. Nymphb1. Hysteresis2. Fly Home3. Pourqoui Moi the mind is collapsing on you, everything falls apart but actually its not the walls which restrict you. at least in most cases not the proverbial. its a structure that makes up a controll for each ones behave. the normative may be exceeded only in behave, the hegemony be attacked only in the situation. the step to the abyss, which allows the prospect, is connected with the slide. each highlight is the beginning of decay. the mayfly begins her live as a nymph. what distinguishes the moment of knowledge about some of the ignorance of the moment before. is the last question for each one: why me? seven tracks gathered on this release from acid breaks to experimental free jazz electronics, doomdub and yardcore crushing breakcore. record limited to 250 copies, white vinyl, full color cover and A2 poster.

Nice junglistic brand new Dubcore by Istari Lasterfahrer. Label info: Dubcore Volume 20 is another Istari Lasterfahrer release. dropping four tunes starting up with a more dub then jungle track “bridge over gibraltar”, strictly echoing and bass. “waanya” second on the a side goes into heavy amen breaks and massiv dancehall basslines. on the flipside the speed goes up from previously 160/162 bpm to 174bpm with the soundclash mashup tune “pee pee a fi dubplate” with warping subs, filteramens and melanged on top with uptempo footwork riddims. last tune “mr. white” drops back to 162 bpm and dubwize basslines and idm jungle breaks.

An operetta in 8 acts by Istari Lasterfahrers alter ego F.K. Raeithel. Musique concrète composed with erratic transistors, noddled & wiggled with wires in states of uncertainty. From berlin school to frankfurt school to north-sumatra the voice of apple speech synthesis is drain into the konsonantenzentrifuge and the leftover stammer of words treated by speech cleaning applications and autotuned speakers join into the play. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3551727099/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/die-wurlitzerorgel-des-geistes">Die Wurlitzerorgel des Geistes by F. K. Raeithel</a></iframe> »For advertising pur­poses the Wurlitzer organ humanizes the vibrato, once a carrier of subjective expression, by mechanically superimposing it on the mechanically produced sound. The jargon likewise supplies men with patterns for being human, patterns which have been driven out of them by unfree labor, if in fact traces of free labor did ever exist.« »I like it for the buchla bongos.« — Vince Cover Drawing by Chrizzi Heinen Felix Karl Raeithel Modular Synthesizer, Benjolin, Fieldrecordings, Klavier, Chimes, Schallplatteneinspielungen, Apple Speech Voice, Effektgeräte, Patching, Montage und Mischung Alle Stücke aufgenommen 2020 – 2022, A2 basiert auf einer Aufnahme von 2015 und B4 von 2001 Chrizzi Heinen - Cover Artwork / Zeichnungen - coconut-farm.org Gefördert durch die Initiative Erratische Musik des Instituts für Elektroakustik Hamburg (West) Abteilung Akusmatische Forschung

Dubcore 23 by label boss Istari Lasterfahrer! Label info: Third 12inch four tracker on Dubcore by Istari Lasterfahrer. This was supposed to dive deep into rub-a-dub basslines and comes out with a wide selection of styles. `A Way She Want` kicks in with dancehall selection breaks and ping-pong percussions. `Brain Tuning` follows a more rave stabbing path. `Keep It Real` stomping up juke and jungle riddims in a trance mantra and `Fuck The Computer` ends up the plate with some 150 bpm hardcore jungle.