Dub/Reggae
Atlas Kopko was initiated by Markus Jud in 1987 and was at the beginning more of a musical project than a band, a descendant of the group Ix-Ex-Splue with their hypnotic improvisations and meditative noise orgies to experimental industrial/noise rock. This description also fits the current production of Atlas Kopko. Atlas Kopko is a follow-up band to Ix-Ex-Splue, but with an expanded musical vocabulary that additionally includes a strong tendency towards cinematic music. The creative element of improvisation also takes a more subordinated role in Atlas Kopko's new album and, since the recordings made in 1994 were very carefully done, brought the possibility of transferring these over 29 year old recordings into the present time through current mixing and production techniques. Atlas Kopko consists in this production of musicians , who were at that time all involved in the Basel experimental music scene and some still are today . Since the Skin And Speech label was also founded at that time, it became necessary to make this exciting, diverse production accessible to the public.. credits: released January 22, 2024 Atlas Kopko: Markus Jud: Sax and Electronics - Tobi Madörin: E-Bass, Rebab - Role Schmid: Drums Manuel Liebeskind: Guitar, Banjo and Mandolin - Dani Meyer: Electronics - Markus Kneubühler: Synthesizers and Electronics All tracks composed by: Markus Jud Recorded by Alex Buess @ Wolf281 Studios, Basel 1994 Mixed by Markus Jud, 2023 Mastered by Alex Buess @ Wolf281 Studios, Basel 2023 Lacquer Cut by Adi Flück @ Centraldubs, Bern Titles generated by Andreas Kreie Kreienbühl Cover by danilot & PAZ Graphic design and Videoworks by BigRogers
With the 7th Grade of the Riddim Dub School series, Prince Istari enters Junior High School. Prince Istari returns with his Riddim Dub School series now on 12inch, pushing deeper into the intersection of dub, drum and bass, and sound system culture. This 6-track EP, titled "lessons into drum and bass wise", explores raw rhythms, analog feedbacks, and heavy low-end pressure. The EP starts with a Drum and Bass cut with a One Drop of the DUB ME LOOPY tune from Riddim Dub School 5th Grade. INTIMACY COORDINATOR follows with a heavy Disco Dub. The last track on Side A is LABOUR’S DUB, with deep bass polished through spring reverb. The shakers come in late and push the whole thing forward. Side B begins with GONE TOO SOON from Riddim Dub School 4th Grade, in an alternative version. It’s followed by the most upfront track on the release CONQUERING DUB – brass fanfares and a deep disco rocker beat with minimalistic arrangement. NO DUB INNA DI WRONG ends the 7th Grade with a roots way style. It suggests that dub music doesn't belong to or support negative, corrupt, or unjust actions or spaces. Dub music stays righteous, true, or positive, and doesn’t associate with bad vibes or wrongdoing. A DUB ME LOOPY (One Drop Version) INTIMACY COORDINATOR LABOUR’S DUB B GONE TOO SOON (Version 3) CONQUERING DUB NO DUB INNA DI WRONG
The new GRMMSK! collaboration release of Minor, Totes Format, Sozialistischer Plattenbau, Hafenschlamm, canopyweekends, False Move Recs
One of the early Jamaican Recordings LPs documenting the story of 70s dub meisters.
Rare dubs from Lee Perry from the early 70s on this 2001 release from Jamaican Recordings.
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Label info: Acid Skanking Volume 6 rolls back to strictly dub style and acid lines with the tune LOVE and on the flipside the extended version with some more breakbeats and gabba dub spices. featuring main theme played on the balafon, rolling bassline from the transistor bass teebee 303 and lots of swinging hihats and gentle moving drums. served well on 75 or 150 bpm. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2158788671/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://digital.sozialistischer-plattenbau.org/album/acid-skanking-volume-6">Acid Skanking Volume 6 by Istari Lasterfahrer</a></iframe>
Scorn: Colossus Early Scorn album on Earache from 1994. From collection (since 1994), vinyl is in excellent condition. Sleeve has a bit of all-round shelf wear
Classic On-U stuff, original pressing from 1983 in excellent condition. In my collection for ca. 40 years. Not played very often. Excellent condition. Sleeve has a bit of storage wear and a small price sticker on the top right side.