BACK IN STOCK! Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices.
404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm.
Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords.
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Japan is our first collaboration. The ambient sounds on this record are fragments from our month-long stay in Japan during spring 2015: hundreds of Tokyo ravens in Yoyogi park, an old song found in an old man's small shop in Kyoto, the bird-like traffic signals in Naha, Okinawa, blending with the distorted voice of a man with a megaphone and a message... Back in Stockholm, these sounds became documentary elements in our music as well as sources for creating new sounds. The small, beautiful bowl we had brought home went to pieces, and the sonic character of the ceramic pieces turned into a delicate drone. Recorded in Japan and Sweden 2015-2016 by Elin Franzén and Andreas Tilliander. Side A contains a remixed version of »Iris (Familiar)« by Fourcolor featuring Moskitoo, published by 12k in 2011. The project was made possible through funding by Musikverket.
Extremely limited lathe cut. 7 track compilation feat. Kojitô, Polemik Viktor, Jean Bender, OlgaZzz, La Fosse (Moldav Et Blafar), Monsieur Connard, Nauac – Marasm 35.
Note that the - previously unplayed - copy that I listened to skipped in the second half of track A2.
Full LP of soundscapes and experimental techno on Avian.Label info:The award winning Danish producer and live performer, also known for her extensive compositional & soundtrack work for video games, international theatre and dance productions – as well as her own installation projects, debuts on the Avian label with ‘Entangled’.
Forged in the unique crucible of SØS Gunver Ryberg’s multidisciplinary practice ‘Entangled’, stalks a hard line at the edge of techno’s stormiest sector. A thrilling meeting of divergent disciplines and sound system metrics with a keen skill for the composition of uncompromising club works, Ryberg’s technique lies in the vital declaration of her own borders in every setting.
Comprised of six club focused pieces, the mini LP applies itself to rhythmic intensity with a deft touch. Galloping granulated walls envelope you at every turn as brittle melancholic pads ease you from one moment to the next. ‘The Presence_Eurydike’ is the gentlest form that Ryberg is willing to present, whereas ‘Trispider’ builds a monumental terror out of a raw pulse. It’s at these moments that you sense the careful composition and orchestral drones, and how keenly Ryberg’s rough modulation is meant to alter states.
Displaying varying approaches to form and structure across the record, the music riffs on the brooding atmosphere characteristic of the artist’s collected work by breaking up the havoc on ‘Entangled’ with a series of four microcompositions spliced between each of the tracks. Finely textured and rendered in detail they give a glimpse of Ryberg’s capacity for mesmerising sound design – or to put it another way, they give a sense of what’s barely contained by the rhythmic works.
This is an expansive and hard hitting rumination on the more caustic, atonal end of the Techno genre – a truly dynamic and immersive listening experience.
New on -BelligeranzaIf there already exists a music genre directly inspired by stargazing, this 2 x 12" by VeganovA needs to be filed under it. New age feverish vision meets harsh noise on Sirius A side, Dogon tribe field recordings are layered in maximalist drones on Sirius B, ambient watercolors fade into black music on Sirius C side and poltergeist chimes from the Fifth world end the record on Sirius D(ie) side.
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Tzii's label Night on Earth is celebrating its 20th anniversary in true style with a double vinyl compilation with silkscreened cover and including a download code (which contains extra tracks!). Artists include: Refrigerator Mothers, Sikhara, Catherine Danger, Thar Mapsal Program, Microloop, Indra Menus, Tzii, Officium, NuR, Johnny haway, Contagious Orgasm, Paul Gremare, Dissonant, Catastrophic Mermaids On Parade, Perchten Scylla, Cham, Venimeuses, Flutwacht featuring Le Fensch Industrial Orchestra, Excess Of Fat, Jealousy Party, Rinus Van Alebeek, Moineau Écarlate, Gamaboy, SS Mylitta, Âme De Boue, Ripit, The Radar Threat, Solar Skeletons, The Masters Musicians Of Hop-Frog
artwork/silkscreen by Thomas Perrodin, mastering/cut by Angström Mastering
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Label info:
F*cking yes!
Avon Terror Corps is here for round two, presenting the debut release (after having whipped up many a storm in venues across Bristol and further out of town) from improv-force Dali De Saint Paul (EP/64) and Miguel Prado (Nzumbe), together as Harrga –
‘a burn’ in the Moroccan Darija dialect – you’ve been warned.
Adding to the catalogue of furious flames caused by that recent Kinlaw & Franco Franco LP (make sure you grab that too, if you haven’t yet – copies running low), and the Avon Is Dead comp, this LP will go down in history as one of the starkest statements of intent in recent times.
This is a take-no-prisoners, kick-in-the-teeth contemporary take on Industrial music, loaded with all that anger and pent-up frustration, as well as the harrowing, yet exhilarating and utterly cleansing force of these frequencies in combination… There’s nothing contrived or over-polished here, but equally this is as concise and direct as it gets – a visceral focus of energy and creative force.
Label info: Shifted offers the latest distillation of his trademark sound.
Following on from the recent release of "The Dirt On Our Hands" - Guy Brewer’s fourth studio album and the first to arrive on his own Avian imprint, "Constant Blue Light" - another full length, explores new avenues in caustic minimalism.Eschewing the booming effervescence of his own more plosive dance floor material - Shifted takes a no less nuanced, but decidedly more introspective angle on this new LP. At the centre of Brewer’s practice as an artist, there has always been a sense of dedication to the refinement of a singular idea. In some ways "Constant Blue Light" represents a move closer to the apex of this approach.Opener "Slowly Counting Backwards" creates the framework for the record - reduced and meditative, owing somewhat to previous work, but still crisper and more precise. "Natural Elevation" riffs on airy patches that hiss and bend while "The Weight of It" transmits an unsettling hysteria with flanging leads and untethered rhythmic components. On the B side, the ominous dirge of "Soft Palate" brings a kind of uncanny energy to proceedings before "Into Your Ocean" utilises exquisite FM tones to create a captivating sonic montage. "Several Instances" hinges on dense low end and scattering white noise, before giving way to the machinations of "Clotting Time". Closing piece "This I Know" offers a stunning, crystalline finish to the LP - upping the ante in its final minutes before giving way to a hiss of delay trails.A continued exploration from a focused and diligent artist that provides yet another fully formed and beautifully articulated component to his own discography and that of the Avian label.
credits
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The third Great record consists of two long tracks, one is acid, one dark ambient. Limited to 200 copies!
the third greta wohlfahrt arrived, two tracks this time and long playing time they got. first one is a electro acid tune and the flipside is a supper long doomish drone piece that crawls in ice and ends in a endless locked granular stretched out noise.
<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3428690378/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://gretawohlfahrt.bandcamp.com/album/wohlfahrt-iii">Wohlfahrt III by Greta Wohlfahrt</a></iframe>
Great new record by Matt Fraktal with a speedcore track on one and an experimental track on the other side!
(current copy has a very small dent on bottom left corner of the sleeve from transport)
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12,00 €*
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