last copies!!
Autonomia, first released only on CD in 1993, was mostly a solo project of Simon Crab with the aid of Christoph Fringeli of Praxis, recorded after a 2-month tour in the USA and Europe. Typically Bourbonese Qualk, this album delivers the opposite of the listeners’ expectations, breaking the mold set by the two previous albums, My Government is My Soul and Unpop. Autonomia sets out in a completely different direction of harsh electronic ‘no compromise techno’ and has become a classic in the field, making this vinyl release well overdue!
Note that the bandcamp player below features the CD version, not the vinyl mastering (but the same tracks in the same order)
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<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2265212892/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/autonomia-praxis-5-2">Autonomia (Praxis 5) by Bourbonese Qualk</a></iframe>
After releasing on Drop Bass Network, Atmosfear , Loop, Sub/Version in the 90s, and more recently on Mego, Staalplaat, Crónica and Praxis, Pure is returning in to the techno scene with a 5 track EP.The tracks were recorded in 1995 2 of them together with Omniscience no joke at all... pure analog, acid, authentic, live recorded underground Devil Hardcore/techno.
4 full tracks plus two short ones by Pionierkommando 36, Brandon "ACAB" Spivey, DJ Task, and Maraki, with Pk36 adding the two shorts. Hardcore and hard acid on marbled orange vinyl. Limited edition!
Rude 66 is back with an EP on Berlin based Russian label Arma.
<iframe width="100%" height="450" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/630458058&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true"></iframe><div style="font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;"><a href="https://soundcloud.com/armalabel" title="Arma Records" target="_blank" style="color: #cccccc; text-decoration: none;">Arma Records</a> · <a href="https://soundcloud.com/armalabel/sets/arma019-rude-66-the-witch" title="ARMA 019 / Rude 66 / The Witch Trials EP" target="_blank" style="color: #cccccc; text-decoration: none;">ARMA 019 / Rude 66 / The Witch Trials EP</a></div>
The latest release on Arma comes from Dutch legend and devoutly deviant underground operator Ruud Lekx, aka Rude 66. With a legacy that reaches back to the early 90s and the rough and ready Dutch electro sound of Bunker Records and The Hague, he’s maintained a distinctly non-conformist approach that touches on acid, Italo, techno and more besides, all finished with the punky attitude that sets him and peers like Unit Moebius and I-F apart.The tracks gathered together on The Witch Trials EP come from throughout Lekx’s career. As the artist himself says, “tracks from wildly different eras and sessions suddenly can combine to form one coherent EP. It’s almost like the A-side tracks were waiting for 20 years to be combined with the B-side tracks.”The overriding theme that binds together these timeless machine excursions is that of medieval witch trials – a global phenomenon that peaked in the 15-1600’s. Considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, Lekx points to the parallels with the current age, “of political polarization and fake news accusations flying all over.” The EP title is also a tribute to two records close to his heart: The Fall’s Live At The Witch Trials, and the one-off Witch Trials project by members of the Dead Kennedys, Adrian Borland and Christian Lunch.“Werewolves & Poisoners” and “The Crusade Against Idolatry” are both archive tracks from the 1994-5 period when Lekx made his first albums for Bunker Records. The first track’s charging arps, rugged kicks, nagging acid lines and discordant paranoia all speak to that trailblazing period, while “The Crusade…” revels in canny programming of interwoven synth lines feeding into an unhinged, psychedelic rampage that reflects the righteous fervour and spiritual confusion of the EP concept.“The Absence Of Diabolism” opens up the B-side with a different tone, having been produced in 2016 and demonstrating the deeper acid undulations Lekx has become known for in more recent years. Still delivered via the same trusted tools he was using in the 90s, the sound feels like an extension of the Rude 66 vision rather than a separate entity. “Envious Are All The People, Witches Watch At Every Gate,” a cut from the late 90s, closes the EP out in a spacious, snarling exploration of broken acid electro laden with cinematic sweeps of synthesizer and a constant sense of unresolved tension.Across these four tracks, Lekx displays the scope of his craft as Rude 66 while also proving that timeless music can make sense in any context, and that the threads of inspiration in an artist’s journey can be followed, explored and even resolved 20 years later, when you least expect it.Cover artwork by P.Kuznetsov
The third Great record consists of two long tracks, one is acid, one dark ambient. Limited to 200 copies!
the third greta wohlfahrt arrived, two tracks this time and long playing time they got. first one is a electro acid tune and the flipside is a supper long doomish drone piece that crawls in ice and ends in a endless locked granular stretched out noise.
<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3428690378/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://gretawohlfahrt.bandcamp.com/album/wohlfahrt-iii">Wohlfahrt III by Greta Wohlfahrt</a></iframe>
11,00 €*
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