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Excellent slamming d'n'b track on the A side, with 2 retro 'ardkore workouts on the flip. The Leyton Breakers were DJ Controlled Weirdness and Blackmassplastics! We still have some stocks of this classic 12" from 2002. A - The Leyton Breakers: I Drink Your Blood (6:46) B1 - DJ Controlled Weirdness: 5 Pounds To Get In (5:33) B2 - Black Mass Plastics: Generation Mentasm (5:30)
first release on Hijos de Puta!
The most relentless Sub/Version release so far! Two mighty tracks combining a wall of sound with rave hyper-energy. Side A "Kompressorwahn" kicks off with stepping tension-oriented rave-esque melodies quickly culminating in the most extreme pounding beats that throttle your nerves and whip the dancefloor into a frenzy with no end in sight. Amboss keeps up the pressure with the side B track titled "Avenida Paulista" in which hard industrial effects, intense frequencies and relentless beats are pushed to the limit. Deemed to be "too hard" for some, Sub/Version 014 by Amboss demolishes all other drum and bass tracks around thus demonstrating the possibilities for further explorations in hybrid extreme sounds. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2098162745/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/kompressorwahn-avenida-paulista-sub-version-014">Kompressorwahn/Avenida Paulista (Sub/Version 014) by Amboss</a></iframe>
Classic Sub/Version release by Kovert - Extra Low price for a short period [2025]! Last copies of this awesome release!! Sub/Version 006, after 3 years the first installment after a long break, is by UK producer Kovert who has stunned listeners with his release on Praxis (number 34) as well as Damage (12003 - Versioning) after drawing attention with his contribution to the Praxis USA compilation. Titled Jaffna pt. 1 & 2 - is the first in a row of new and forthcoming releases. Razor sharp edits and practical dancefloor sub-version at its most concrete!
Base Force One meets Still Raven, expect him go through his crates of classic hardcore, pillage them and come out with new powerful rave tracks! A1 - A Little Harder A2 - Infamy B1 - Stay Down With The Hardcore B2 - We Are Not Real
Polemik Viktor: Marasm 37
Thought on Hardline Australia. Special Price
A034: Decelerationist Ep Excellent EP by A034 in an undercover black label guise, released by Rxstnz from Milano.
Double album by SFX on Telepathic Bubblebath.
Komori & Toyz R Me Split Ep on Rolax NM from shop stocks. Last copy with some minor signs of use
Drum'n'Bass from the AMT family, green vinyl, 2007
TAP909: Bunker I-III on ZCKR from 2013. <iframe width="100%" height="450" scrolling="no" frameborder="no" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/4050885&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true"></iframe>
Label info: A hidden treasure no more: Monolog propels himself to the forefront of cutting edge drum'n'bass and electronica with this amazingly intense album. A lesson in music production and an impressive display of controlled madness, “2 Dots Left” is a tour de force made of deep basses, very percussive beats and high tempos. Monolog manages to makes his what most people could only experiment with and comes up with something which, while overwhelming at first, proves to be extremely absorbing and rewarding.
Great first spin dynamics release from 2012. Last copy with some minor signs of wear, hence the low price. A1 Person, The – SUI Hightide 9:18 A2 oTrEsH-Oz – Illogical Logic 4:38 B1 Wedgehead – Swashmellows 7:25 B2 Autodyne – Boxplot 5:32
Haunting strings and monster basslines underline the driving breaks and metallic rhythms found on the new Sub/Version. Hecate presents an track of deep subtleties and masterful programming on “Technical Witch”, with Etaceh on the flip side going full out into territory bordering on breakcore, but never forgetting mixability for the progressive dancefloor! A - Hecate: Technical Witch (7:46) B - Etaceh: Tech Bitch (6:46)
Jasch: Shimmer CD on Pure's d0c label from 2004. Sealed copy!
Psychonote: Hydrophonic 09 originally released in February 2005 A - Brutal Garden 11:12 B1 - Midnight Experience 5:52 2 - Reality Game 4:15 <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=347553057/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://hydrophonicrecords.bandcamp.com/album/hydrophonic-09-la-danse-des-machines">hydrophonic 09 - la danse des machines by psykonote</a></iframe>
Collaboration of Rachael Kozak, DJ Controlled Weirdness and Christoph Fringeli on 5 tracks of caustic electro perversion. Recorded in 2001 in Berlin, this shows the different artists from an unusual side. Limited to 500 copies, only few are left now!
+2h-2n, Sneb, Moabi, Zerogoki, Chantal Carbon, Umkra, Lexpektor, Strident Vortx, Drk. LP length compilation.
MINT COPY _ back in stock! Half price!! <iframe width="420" height="315" src="http://www.youtube.com/embed/TzPNzVGk_Kw?rel=0" frameborder="0" allowfullscreen></iframe>
Mint copy - back in stock!
<iframe style="border: 0; width: 480px; height: 600px;" src="https://bandcamp.com/EmbeddedPlayer/album=1250084652/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/transparent=true/" seamless><a href="http://nathansiter.bandcamp.com/album/bacteria">bacteria by Nathan Siter</a></iframe>
Neutral: Motion of since her entry into this crazy world in 1974, neutral’s nicole elmer has seen the bulk of human existence in an intense light. anyone familiar with her well-received 1999 debut as neutral, font translation errors, knows this straightaway-as will those who subsequently came across her compilation appearances for component and n5md, or her successful 7-inch on mike “µ-ziq” paradinas’ planet-µ imprint as well as the driving backwards ep for mad monkey/hymen in 2001. but as her new neutral album, motion of, suggests, that intensity is more than just ferocious post-industrial angst and gale-force lyrics. there’s a subtlety to nicole’s creative vision that is just now manifesting itself in her music. “this record became more about simplicity. i don’t think in the end that it sounds very simple, but compared to font translation errors, it is,” says nicole of her new album, which in comparison to her releases over the last three years takes on a strikingly visual, almost cinematic quality throughout its ten tracks. and rightly so. nicole has returned to painting as a means of rendering her vision, and like her painting, motion of is bold, fleshy abstract lines of vibrant color bleeding into sound shadows, where the dark demons on malevolent creativity thrive in the at-times stark contrast. where her media includes everything from canvas to cardboard box tops to massive spans of plywood, nicole’s stylistic range on motion of veers to the suppleness of ambient piano and those classic lush synths on “…” and “desire of,” as well as the scorn-like industrial down tempo grit groove of “180.” likewise, nicole’s experiences traveling through europe have morphed her views on creative methods as well-streamlined the process by removing more of the software artifice. it’s not hard to see how her increased use of traditional instruments is tied, however tenuously, to her having spent a summer in the czech republic-the quaint guitar riffs and accented bass strumming on the moody “4 minutes” as harkening to her enjoyment of local street performers in prague and other places. that like her picturesque walk along the cinque terre this last summer, the twangy “bird in the air” balances between the lush, organic wildlife of guitar, flute, and wispy vocals...and the craggy, angular electro cliffs of rigid downtempo loops and gentle swells of dsp noise crashing far below. “i was challenged by the idea of including vocals, something that had always daunted me quite a bit in the past,” she notes. “i was enamored of trying it out because contemporary electronic music composers tended to shy away from using their own voices in their works. but a lot of my idols from the 80’s and early 90’s had used their voices or were part of a band and had a vocalist, as opposed to using a menagerie of guest vocalists. putting my voice into the mix was a real different but in some ways, nostalgic thing to do.” hymen considers motion of to be a very important step in nicole’s evolution, and thus established a collaboration with texas-based mad monkey records in an effort to make nicole’s intense amalgam of industrial passion, classic electronic sounds, and anti-folk emotional rawness more readily accessible to her growing worldwide fan base. nicole’s creative vision has reached a new plateau on motion of.