Nomex: Desiring EP
50,00 €
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Produktinformationen "Nomex: Desiring EP"
Ultra limited hand made sleeve version by Nomex's legendary drill turntable 7"!
Made by Nomex himself, there were very few copies of this release with hand made covers. Some were collages from 80s/90s British porn magazines (incl. the censorship which was prevelant then), other were in rough packing paper.
The cover of the one copy I'm selling here is from contact pages of a porn magazine. A second copy looks similar but promises "Reader's home recordings" and "Uncensored Sex Stories" etc. A third copy we have available is in the brown paper bag/wrapper variety.
Note that the full amount of this sale (if you buy the record) goes into the production cost of Nomex's posthumous 'Paroxism EP' (more info will be linked here soon)
The 7" is in NM condition, probably unplayed, and has no signs of use.
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Back in stock!! The Almanac for Noise & Politics 2016 is made up of a total of five sections that go into depth on some topics previously examined in datacide. Some of the texts have been previously published, some are new and exclusive or translations. The first section compiles material about and by Nomex, noise artist and film maker, including a discography of his label Adverse. The second section consists of two critiques of the Left from a communist point of view, one targeting the knee-jerk anti-Imperialism still prevalent in many sections of the Left, the other is an excerpt from a critique of anarchism by Luther Blissett. The third section is concerned with our ongoing investigations and denouncements of far Right infiltration in popular culture. We see this as an integral part of antifascist activity. Featured here is the article From Subculture to Hegemony - Transversal Strategies of the New Right in Neofolk and Martial Industrial by Christoph Fringeli from datacide eleven.Part 4 consists of an appraisal of the Vision label which I ran out of Basel, Switzerland in 1986-1992. The main text is an edited English translation of a contribution to the book Heute und danach by Lurker Grand and André P. Tschan, which appeared in 2012. As it is 30 years ago now that the first Vision appeared it makes sense to document this pre-history of Praxis, which was founded in 1992 after I disbanded Vision.To illustrate this further and make a connection to the present we reprint Die Menschenhauttrommel (the human skin drum) by Alex Buess from the Vision zine Flash Team Report (Vision 18) from 1988. The final part of this almanac is a catalogue of our exclusive titles, back issues of datacide and available books.

Limited re-press - OUT NOW!. 50 copies are available for general distribution, the other 50 are reserved for the Praxis online shop and bandcamp.Originally released in 1999 in an edition of 500 copies on transparent white vinyl as Praxis 33, Trocante Gramofony E.P. by Nomex is re-pressed in a limited edition of 100 copies on black vinyl from the original plates.Trocante Gramofony opens with the monumental ‘Fire Is The Centre’, followed by two other Nomex masterpieces, ‘Life Destroy’ and ‘No-Step 2000’, as well as three speaker-destroying fragments and locked grooves.It was a departure from Nomex’s releases on his own Adverse label and was naturally quite different from the DJ Scud collaborations on Maschinenbau. In relation to his other solo work, Trocante Gramofony is perhaps less conceptual and more composed.‘Fire Is The Centre’ features vocal snippets recorded at a Dead By Dawn party sometime between 1994-1996. Some of these snippets had been used on the Dead By Dawn record by Shitness & The Jackal, but here they were embedded in a surging wall of noise spread over the first side of the record, complete with crackles, shrieks and ever mounting intensity.The second side opens with ‘Life Destroy’ an intense collage of voice, noise and music and ends with ‘No-Step 2000’.Tracks don’t end in orderly fashion, instead the needle jumps out of the groove or is locked in a loop. The flow gets interrupted in the middle of the side of the record. These elements are again vinyl specific and can’t easily be transported to the digital realm, and this is one reason we decided to make this brilliant record available again in its ideal format, the vinyl 12”.