OUT NOW<iframe width="560" height="315" src="https://www.youtube.com/embed/_BIIZebBErA" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>16-17 return to Praxis with a triple assault of ultrasonic remixes. The Pandemic Wargames Remixes are based on backing tracks originally recorded in 1995 for a follow up to the album Gyatso which eventually materialised earlier in 2020 in the form of the Phantom Limb LP on Trost. After that Alex Buess once more gave three tracks a severe treatment for The Pandemic Wargames Remixes 12″ on Praxis, bringing sound and mix firmly into the 2020s.<iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=2350653795/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://praxisrecords.bandcamp.com/album/the-pandemic-wargames-remixes">The Pandemic Wargames Remixes by 16-17</a></iframe>

Autumns is the solo project of Christian Donaghey, From Derry, Ireland, an outlet for electronic post-punk with a lethal pulse. After a brace of rough demos without preliminary hype, the project emerged fully formed on Karl O’Connor’s (aka Regis) illustrious label Downwards back in 2014, the youngest act in a new vanguard of artists that included the likes of Tropic of Cancer, DVA DAMAS and The Kvb.

BACK IN STOCK! Broken English Club on Oliver Ho's own label Death & Leisure. LP format! Label info: After the White Rats trilogy behemoth that came out on Lies records, Oliver Ho’s Broken English Club returns with a startling album exploring technology, reality, spirit and the self.Coming on Oliver’s own Death & Leisure imprint, The Artificial Animal is a no compromise journey through raw data noise, feedback, raw dubby techno and experimental cut-up sound pieces.Throughout the 12 track album there is a sense of overload and electronic fevered hallucination counterbalanced with primitive rhythmic machine music.The pulsating low throbbing bass and soaring synths of Ersatz mark the beginning, the drama slowly builds with caustic noise and arabic trumpet calls. This is closely followed by the stuttering sound collage of The Artificial Animal. Concepts of spirit, artifice and technology are the inspiration for the chopped up clips of tv show exorcisms, inter spliced with feedback and static, creating a bewildering kaleidoscope of sounds and texture.After this shocking introduction we jump straight in with Snub, a heavy relentless acid track with roaring distorted drones, that constantly moves higher and higher in intensity. The Slow Bleed follows with dubby warehouse beats and metallic screeches echoing in the background. Concrete is next with broken scrap metal rhythms and melancholic synths which bring to mind early Apex Twin. Next is Sink, a barrage of undulating spiralling synths, white noise and mashed down-tuned vocal take everything into an experimental direction. Following this, Neck brings Warp style staccato bleeps and broken beats, creating a kind of plastic funk. Collapse brings atonal synths and sea sick shimmering chords over heavy drums. Blood and Wire takes a turn into ambient synth atmospheres punctuated by heavy blasts of death metal screams and white noise, creating a feeling that Is both ethereal and maximalist in its level of intense noise.Next is Grey Sands, a dusty atmospheric groove with sparse squarewave bass stabs and industrial high drones. The album moves towards its end with Pervert and its cycling knife sharp buzzing synth drops, raw data noise and psychotic low vocals. The final goodbye is World of Fire, moody ambient atmospheres with glitch slow motion gabba bass drums and the repeated vocal phrase, “Everything’s on fire”. In its entirety the album is a dense collection of sounds and rhythms, theres nothing here for posers, techno fashion victims and party tourists, this music is for obsessives looking for noise and raw broken soul.  credits released August 4, 2022

BACK IN STOCK!Blood Debts' is the compulsive debut album from Years Of Denial, the alter-face of London-based French musician/producer and DJ, Jerome Tcherneyan.     Though his formulative Marseille youth was spent exploring the darkest corners of post-punk, New Wave, not to mention Public Enemy and the inspirational Mille Plateaux and Basic Channel labels, Tcherneyan, already an extremely capable drummer, quickly extended his sonic palate toward and beyond the bass-heavy electronic isolationism, insistent beats and drone experimentation that's still very much prevalent in his work today.   One should not either pass over his integral contribution to the much-lauded, though stolidly underground "ghost-rock" unit, Piano Magic, which engineered sublime collaborations with Brendan Perry (Dead Can Dance), Simon Raymonde (Cocteau Twins/This Mortal Coil) and Alan Sparhawk (Low).  Tcherneyan, always prolific, can also lay claim to impressive collusions with Bonjo Iyabinghi Noah (African Head Charge), Damo Suzuki (Can), 70's psych folk legend, Mark Fry to name but a few.   In 2005, Jerome founded and promoted the infamous 'Flesh' parties; guests including Andy Stott /Claro Intelecto/Edit-Select/James Ruskin/Kirk Degiorgio/Mark Broom/Oliver Ho/Sigha/Steve Bicknell and many more. These nights served as an invaluable education in Techno and Dubmixology; marathon sets played deep into the sunrise. Skip forward a decade and the DJ bug is even deeper embedded, with Tcherneyan sharing the booth with, amongst many others, Orphx/Phase Fatale/Joefarr and London Modular Alliance.   Tcherneyan's muse and foil on 'Blood Debts,' his first for Oliver Ho's splendid and already essential new Death & Leisure imprint, is Maya Petrovna, an entrancing London-based vocalist, film composer and performance/physical theatre artist, whose voice perfectly evokes Billie Holliday, Diamanda Galas and all stations between.    There's a black neon heart at the centre of 'Blood Debts,' a fetishtic ritual of contorted flesh  and altered states; a feverish, infectious paradox of primitivism and modernity.  Years of Denial is the ghost in the machine. 1. Struggle 2. Here In The Gut 3. Metal Wave 4. Metal Wave Broken English Club Remix 5. Hashima 6. Purgatory

Back in stock! BlackMoon1348 With The Tibetan Monks Of The Tashi Lhunpo Monastery: Death006.  Dark chanting on this number 6 from Oliver Ho's industrial/EBM/experimental label.  

BACK IN STOCK! Interesting experimental industrial noise featuring Oliver Ho and Tommy Gillard. From 2016. 

The Death Humanity EP is number 9 in the Do Not Dance With the Police series feat. Bertha, Ciklo, Katek, Kasino, Lai Mastering & Cut by Kassian Troyer @ Dubplates & Mastering Graphic Design by Kioko. Artwork by Ricaletto86 Distributed by do not dance Records [donotdance09]

All tracks by Acidpach & Chôkô mastering & cut by Kassian Troyer @ Dubplates & Mastering Graphic Design by Kioko. Artwork by Mala Manera Ink distributed by do not dance Records Limited Edition, only 200 Copies black vinyl, coming with white inner-sleeve & cover

Sonic Waters running down the edgy slopes of the Emerging Massif Electronic Wilderness dense as the Jungle Witch Stepping it up to Hill Top Drive 23 As the plot thickens and Bushes burn The baby Lion lost >> Back >> Ward >> Reincar >> Nation side a1_ 7thsense - "Flushing" a2_ C.Ysme & Hoax23 - "Yog Sothoth" side b_ Mis Gato & eat your mind - "tvotwo"

Third release on the "Industribal" Tekno label from Slovakia by Maraki.

Sehr guter Zst. Kaum GebrauchspurenDAS ARGUMENT 302 – Fronten der Bildungspolitik Argument Redaktion DAS ARGUMENT 302 – Fronten der Bildungspolitik DAS ARGUMENT 302 · 55. JAHRGANG · HEFT 3 / 2013 Artikelnummer: ISSN 0004-1157-302 In den Warenkorb Beschreibung Herstellerinformation Autor*innen Inhalt: Walter Jens 1923 – 2013 (Wolf-Dieter Narr) Franca Rame 1929 – 2013 (Victoria Knopp u. Guiseppe Zambon) Sigrid Asamoah: Kontrollverluste Elfriede Jelinek: Ein Durchbruch Fronten der Bildungspolitik Kornelia Hauser: Ortlose Bildung Karla Werkentin: Bildungspolitik – eine Ansammlung von Schlagwörtern mit schnellen Verfallszeiten Armin Bernhard: Humanressourcen und flexibles Subjekt: Anmerkungen zur vorherrschenden Bildungsauffassung und zu ihrer Bekämpfung im »Geist der Abspaltung« Thomas Höhne: Bildungsselektion durch Kompetenzen Gerhard Zimmer: Lernen und Lehren im netzbasierten Bildungssystem: die Umwälzung der pädagogischen Verhältnisse Eva Borst: Wir sind alle digitale Analphabeten – Zum Widerspruch von Bildung und Kybernetik Katrin Reimer: Zwischen Anpassung und kritischem Gesellschaftsverständnis – Perspektiven außerschulischer Bildung zu Rassismus und Rechtsextremismus

Limited edition of 200 copies on white vinyl with four remixes of Solaris from the Ciclop EP - Zhark 0004 - by Kareem from 1997.Kareem revisits his own track on the A1, followed by Orphx, the other side features remixes by Rrose and SHXCXCHCXSH.

FIRST STRIKE of TRSSX, co-founder of the Wodawater label and Glasgow’s underground club EXIT on ZHARK.  An amalgamation of harmonic distortion and gruelling modular signals recorded live to embrace rawness and throw you off balance. Divergence versus sameness.Incongruity versus equilibrium Tautology versus chaos.

Written by Harry Harrison, one of DiY’s founding members, Dreaming in Yellow traces their origins back to early formative experiences, describing in detail the seminal clubs, parties, festivals and records that forged the collective. Dreaming in Yellow is an attempt to distil the story of DiY’s tumultuous existence and the remarkably eclectic, outrageous and occasionally deranged story of them doing it themselves.

Yaya23 release with I.N.D. and MG677 providing one fat track each. Titled "Disconnect"!

Yaya23 Records YAYA024 - Back in stock! Back out from the deep slopes of the wicked jungle where we carved the sonic waters run into the spinning matrix for a vibrant transmission of the industrial tribe drifters to manifest their audio vision soon on this wicked wax: lift off on >>> Side B1 with _ 2CBee & Matando - " Perfect Slave " conclusions on >>>Side B2 with _ Beatsh - " Auslöschung der menschlichen Rasse " leading to an extended trip >>> Side A1 with _ Win - " Toxic Pleasures " discovering the __>> emerging massif... drifting on spinning realities __>> ...in the industrial jungle

BACK IN STOCK!  After numerous releases on CDr since ca. 2009, here's the first Doppelplusungut vinyl! Seven tracks.

Issue number 27 on Yaya23 Records comes with tracks by Kvn23, Semper Oda & C.Ysme, and Semper Oda

BACK IN STOCK!Once again derlich has assembled UlTRA FUNCTIONAL, VERSATILE, RAW TECHNOID BOMBS avoiding any dedundant superstructuresHis ficus lies on style defining details.By Stripping down everything to its essence he creates a claustrophobic densness.The result is highly effective.

1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever. Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation. Pages: 68 Size: A5 (21cm x 14.8cm) Binding: Staple bound Print: Black & white Front cover design: Tom Booth Woodger, Interior design: Jez Tucker

Franck Vigroux album on D'Autres Cordes from 2016. Mint and sealed!

Datacide Nineteen back in stock now.Features include The Electronic Disturbance Zone Pt. 1 by Howard Slater, Vietnam, the Third World and the Self-Deception of the Left - a stiuationist document from Berlin from 1967, Industrial Music for Industrial People - an excerpt from Ian Trowell's book on Throbbing Gristle, Interview with Nihil Fist, Hundsteinweg - a text by Joke Lanz, Distant Sky - a new short story by Dan Hekate, The Séance Continues - new poems by Howard Slater, Book Reviews, Record Reviews DJ Charts and more! Check out the table of content HERE. (will open different window)

14Anger / Fifth Era: Untitled 12" on the Call of the Void label - deep doomcore, incl. a remix by Murmuur.No soundsamples yet.

BACK IN STOCK! Presents its sixth vinyl release with an interesting collaboration between a contemporary project such as Dot Product, the tandem formed by Adam Winchester and Christopher Jarman, and the Japanese legend of experimental rock and noise Kazuyuki Kishino. Known as KK Null, this artist had a first stage as a guitarist in several bands, it is worth remembering that at that time he collaborated with Merzbow in several albums and that years later he changed the guitar for electronic devices. 404 Not Found opens side A with a first cut by the English duo. Error Message combines grainy, strummed textures with a humanized sonic profile in which a beautiful melody makes its way in the face of bleak adversity. The second cut of this side is by KK Null, in this track the Japanese artist shows a high dose of metallic sounds that travel at the free will of the author to end up yielding in front of a complex and disorderly structured rhythm. Unlike side A, side B of this EP shows a work created jointly by Dot Product and KK Null. Pause Frames is an industrial cut, with hard percussion and numerous sound patterns such as pads, strong resonances and highly saturated components. 10-4-10-409-Conflict is the fourth and final track on the release, again employing a hard-hitting rhythm with a series of crunchy textures and a harmonic conjugation of dissonant chords. <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=556197830/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="https://jezgro.bandcamp.com/album/404-not-found-jezgro006">404 Not Found (JEZGRO006) by KK Null / Dot Product</a></iframe>