Produktinformationen "Bulkrate: In The Temple Of The Serpent"
Bulkrate presents his vinyl debut after some download releases on Dark Winter and Zhark International. Dark and haunting ambience and breaks on five tracks. All copies come with a download code.
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A new full length CD album by Noirodyn, aka Vile Enginez.
Fernando Narvàez Perez has so far mainly made his mark under his Vile Enginez monicker with a debut on Zhark International from 2004 and several releases on the Praxis sublabel Sub/Version, both on vinyl and digital. The project mutated into Noirodyn with a first digital-only release for Praxis in 2013 titled Infradesigns. Immediately it was evident that Fernando was applying his production skills to a more varied sound but regularly returning to slamming beats and far-out noise constructions making Noirodyn the logical continuation and development of Vile Enginez.
Construct Deconstruct contains 16 new tracks ranging from slower grooves to hectic intensifications arranged into a continuous mix, showing his creative energies at a peak.
Coverart by Sansculotte.
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LAST COPIES!!Scud & Nomex: Maschinenbau EPMaschinenbau was a label run by DJ Scud from Ambush and Nomex from Adverse which released only two 7”s in 1997/98. The first, Eurostar/Piling Machine, was limited to just 300 copies. It combined psychogeographical exploration and field recordings with Amiga-produced non-conformist breakcore and noise-abuse, while the second one, Total Destruction, became a classic of breakcore / noise crossover with several appearances on compilations such as Collision Course on PIAS (compiled by Kevin Martin, aka The Bug), but nevertheless fell into relative obscurity - like most of the great early breakcore - during the following decade.Twenty years after the original 7”s, Praxis is proudly releasing a 12” with all four original tracks at the end of September 2018 with the catalogue number Praxis 56.
Two powerful compositions by Alex Buess and Daniel Buess, rearranged by Cortex.
RIND is a work using three large self-built cow skin frame drums, 1 horse skin container drum, metal plates and electronics. NOL is a composition by Alex Buess for a percussion trio from 1995. The two pieces were recorded live in 2010 and 2003 respectively, also featuring the musicians Daniel Stalder, Peter Conradin Zumthor and Matthias Würsch. They were electronically treated by Cortex in the studion in 2015. This release continues the collaboration with Alex Buess that goes back to the pre-Praxis days of the Vision label since 1987 and includes Praxis 31 by 16-17 and Praxis 48 by Cortex, both of which also included Daniel Buess.
Cover art by Darkam and layout by Lynx.
ALEX BUESS – is a musician, saxophonist, composer, producer who lives in Basel, Switzerland. He has collaborated with Stephan Wittwer, Paul Schütze, Kevin Martin, Peter Brötzmann, William Parker, Raoul Björkenheim, Toshinori Kondo, Bill Laswell, Kevin Shields, Tim Hodgkinson, Michael Wertmüller and many other musicians in the wide field of improvisation, electronics, electroacoustic music and composition. He plays/played in the groups ICE, GOD, Phantom City, The Bug, Sprawl, Cortex and his own group 16-17, as well as Melx and The Electric Noise Twist. The latter were part of a close collaboration with Christoph Fringeli’s Vision label from 1987-1991, before Christoph moved to London and started the Praxis label, a collaboration that continued over the decades with releases by 16-17 and Cortex on Praxis.
Alex has written compositions for various contemporary music ensembles and also works as a producer and sound engineer. He has appeared at numerous new music festivals and his compositions are performed in Europe and throughout the world. His studies include electronics, acoustics, musicology, phonetics,semantics and composition and his work reflects his experiences with electronic technology, written contemporary music, film music, new mixing and production techniques and computer music.
DANIEL BUESS - studied at the Musikhochschule Basel with Siegfried Schmid and with Isao Nakamura in Karlsruhe. Studies in traditional South Indian percussion music, specially the Mridangam from 1995 till 1998 and in Arabic percussion music in Cairo, Egypt from Nov. 2007 till Jan. 2008. Daniel was involved in various groups and ensembles in the realm of experimental and improvised music, like “Ensemble Phoenix Basel” of which he was a core-member and solo-percussionist since its foundation in 1998, Cortex, 16-17 (both with Alex Buess), HOW2 (with the percussionist Daniel Stalder), “Katarakt”, “B&B” (with the flautist Christoph Bösch), MIR (with Papiro and Michael Zaugg), Buggatronic (with James Hullick). Other collaborations include artists like Hany Bedair, Knut Remond, Zbigniew Karkowski, Kasper T.Toeplitz, John Duncan, Michael Wertmüller, Phill Niblock, Julio Estrada, Stephan Wittwer, Volker Heyn, Thomas Lauck, Tim Hodgkinson, Iancu Dumitrescu and many others.
At his regular tours through Europe, Asia and Australia, he performed at the most highly recognised festivals for experimental music as well as at several underground-places, open spaces and independent venues. Sadly Daniel passed away in February 2016, making “Skin Craft” unexpectedly a posthumous release.
All copies come with a download code for the digital release! This 2012 four-tracker by Electric Kettle was his first record in 5 years. Showing him at the peak of creativity these are superbly crafted tracks full of detail and depth!
One track was written alongside GVK.
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And here's the video promo for the release party in 2012 (by Sansculotte)
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Praxis is back with a 4-track compilation of no compromise breakcore, broken beats and noise, challenging the orientation towards the “artist genius” with a selection of tracks chosen for their quality and not for their marketability - in the format of anonymity. The first of a series of 3 12”s to come out in the next months. Ltd. to 300 copies. Slamming and dangerous, these tracks will act as intensifiers at underground parties worldwide: No stars here....
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