Written by Harry Harrison, one of DiY’s founding members, Dreaming in Yellow traces their origins back to early formative experiences, describing in detail the seminal clubs, parties, festivals and records that forged the collective. Dreaming in Yellow is an attempt to distil the story of DiY’s tumultuous existence and the remarkably eclectic, outrageous and occasionally deranged story of them doing it themselves.

1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever. Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation. Pages: 68 Size: A5 (21cm x 14.8cm) Binding: Staple bound Print: Black & white Front cover design: Tom Booth Woodger, Interior design: Jez Tucker

Donovan Pedelty: The Rape of Socialism - How Labour Lost the Millennium

Although the Vietnam War is still well known, few people are aware of the decades of struggles against the French colonial regime that preceded it, many of which had no connection with the Stalinists (Ho Chi Minh's Communist Party). The Stalinists were ultimately victorious, but only because they systematically destroyed all the other oppositional currents.This book is the story of those other movements and revolts, caught in the crossfire between the French and the Stalinists, told by one of the few survivors. Author Ngo Van's In the Crossfire is one of those rare books like Voline's The Unknown Revolution or Orwell's Homage to Catalonia that almost singlehandedly unveils moments of hidden history - sublime moments when people break through the bounds of the "possible" and strive to create a life worthy of their deepest dreams and aspirations. In the Crossfire: Adventures of a Vietnamese Revolutionary is an English translation of Ngo Van's fascinating and gripping autobiography, originally published in two volumes in France in 2000 and 2005. Co-edited by Van's close friend and collaborator, Hélène Fleury, and acclaimed situationist author and translator Ken Knabb, the book includes seventy color and black and white illustrations, reproducing many of Van's paintings as well as numerous documentary photographs. In the Crossfire belongs on the shelf of every serious scholar of Vietnamese history, and is sure to be a compelling read for anyone interested in the revolutionary history of the twentieth century and beyond.Ngo Van was born in a peasant village in Vietnam in 1912. As a young man he moved to Saigon and became involved in underground struggles against the French colonial regime. In the aftermath of World War II, as most of his comrades were being murdered by Ho Chi Minh's Communist Party, Van escaped to France, where he became a factory worker, a painter, and a historical scholar. Following his retirement in 1978, he devoted the remainder of his life to researching and writing a series of books on the history of modern Vietnam. He died in 2005 at the age of 92. Edited by Ken Knabb and Helene Fleury, published by AK Press, 2010. Product Code: 9781849350136

One of THE central books of Western Marxism!

Essential text by Pannekoek, a classic critique of Lenin, written in 1938.

Nouvelle publication (juillet 2016) Dans cette bande dessinée, Amalia Alvarez donne la parole à 5 femmes « sans papiers » en Suède Amalia Alvarez, dessinatrice chilienne, a réuni ici cinq histoires de femmes ayant demandé l’asile politique en Suède. En annexe, trois interviews de l’auteure éclairent son parcours artistique et militant ainsi que ses conceptions anarchistes et féministes. 180 pages, 10 euros.

Finally in English, released by Chili Con Carne in Portugal! 1818 First edition of Mary Shelley’s classic: Frankenstein 2018 Frankenstein gone mad: the many horrifying uses of technology, such as Web 2.0 that encourages you to give your time and personal information up to faceless IT companies or worse…This book is a mashup of Mary Shelley’s Frankenstein, videogames and Internet culture, of chiptune music, galvinism, taffelmuzik, real life accounts of ’90s gabber rave parties in Italy and a celebration of Bologna’s finest weirdo label SONIC BELLIGERANZA, whose 17 years of existence (2000-2017) this volume celebrates with 17 texts. All written by Riccardo Balli who, having whistled countless 8-bit versions of famous pop songs and delighted his ears with chip-tune covers of black metal songs and classical music, now extends micro-music aesthetics to literature with this remix of Mary Shelley’s classic. Through some sort of low-resolution séance, the author evokes the spirit of corpse reviver Giovanni Aldini (1762-1834), credited with having inspired The Modern Prometheus. Aldini tells a compressed version of the original Frankenstein story, exposing its language to retro-gaming jargon and simplifying the plot as if it were an arcade game. The aforementioned 18th-century electrifier was the nephew of eminent scientist Luigi Galvani, who lived in MIDIevil Bologna just like the author of this new classic. Send him an impulse from your Game-Boy!BLEEEEEEEEEEEP!

Fascism is not a thing of the past. In this era of crisis and austerity, it is growing even stronger. The question is: How do we stop it? According to M. Testa, the fight against it must be aggressive and unrelenting. Using a mixture of orthodox history, eyewitness accounts, and unflinching analysis, he makes the case for a resolutely militant anti-fascism, one that gives no quarter and tolerates no excuses. Unlike other partisan accounts of contemporary battles against fascism and ultra-nationalism, Militant Anti-Fascism takes us from proto-fascists in nineteenth-century Austria to modern-day street-fights in London, providing a broad context for its arguments and looking at numerous countries over a longer period of time. The result is both a serious historical study and a story of victory and struggle, past and present, designed to inspire and energise militants. Lay aside, as Testa does, your faith in liberal, legislative, and state-approved approaches to today’s fascist threat. Start by reading this provocative and unapologetic overview of militant anti-fascism and the strategies that have successfully confronted the far right when it has reappeared in its many guises. Malatesta, undercover anti-fascist blogger, has analyzed the changing fortunes of the British far right since 2009. He has written for the anarchist magazine Freedom and is a member of the Anti-Fascist Network. 

A profound critic of electoral party politics and trade union hierarchy, Joseph Edwards was among the most proletarian theorists of his generation. His pamphlets, written in the 1970s and ’80s, survey attempts to organize workers in banana and sugar cane fields, bauxite mines, clerical offices, and industrial factories. His writings are animated by a Rastafarian-influenced philosophy of history and direct democratic politics that emphasize the role of workers’ and village councils in Caribbean class struggle. The first published collection of writings by Joseph Edwards, Workers Self-Management in the Caribbean transforms how we understand class struggle during Caribbean New Left generation. 

Original edition from 1990. NEW A selection of original documents from the period - from first hand accounts of the revolution: the collectives in town, country, industry, public services and agriculture; reports on meetings and demonstrations, to reports verbatim of speeches made by the CNT 'luminaries' justifying their compromises in accepting government posts.

The Chinese Revolution changed the face of the twentieth century, and the politics that issued from it—often referred to as “Maoism”—resonated with colonized and oppressed people from the 1970s down to the anticapitalist movements of today. But how did these politics first emerge? And what do they offer activists today, who seek to transform capitalist society at its very foundations? Maoism and the Chinese Revolution offers the novice reader a sweeping overview of five decades of Maoist revolutionary history. It covers the early years of the Chinese Communist Party, through decades of guerrilla warfare and rapid industrialization, to the massive upheavals of the Cultural Revolution. It traces the development of Mao Zedong’s military and political strategy, philosophy, and statecraft amid the growing contradictions of the Chinese revolutionary project. All the while, it maintains a perspective sympathetic to the everyday workers and peasants who lived under the party regime, and who in some moments stood poised to make the revolution anew. From the ongoing “people’s wars” in the Global South, to the radical lineages of many black, Latino, and Asian revolutionaries in the Global North, Maoist politics continue to resonate today. As a new generation of activists take to the streets, this book offers a critical review of our past in order to better transform the future. Praise: “In Maoism and the Chinese Revolution, Elliott Liu provides a dual service: first, he offers a critical history of Maoism that is both comprehensive and concise; second, he teases out the main lessons of that history and poses the question of how and what we are to learn from it. It is an auspicious beginning to a badly needed debate.”—André Moncourt, coauthor of The Red Army Faction: A Documentary History “How did a great revolution, carried out under the red flag and led by people who claimed, and believed themselves, to be communists, give rise to a monster slave state that may prolong the life of the capitalist system globally? By presenting information about events in China and engaging seriously with Mao Zedong as philosopher and strategist, Elliott Liu shows that the outcome did not result from the triumph of Mao’s ‘capitalist road’ opponents within the bureaucracy but was inherent in a project that sought to transform China into a capitalist society without relying on the traditional bourgeoisie. Liu has contributed to the discussion of what, if anything, in the Maoist tradition can be useful to those seeking to build a new society.”—Noel Ignatiev, author of How the Irish Became White About the Author: Elliott Liu is a political organizer in New York City. He works with the group Take Back The Bronx, and the Bronx Social Center. Product Details: Author: Elliott Liu Publisher: PM Press/Revolutionary Pocketbooks ISBN: 978-1-62963-137-0Published: 06/01/2016Format: PaperbackSize: 8x5Page count: 160Subjects: Political Theory/History-China

The Situationist Movement in Scandinavia and Elsewhere. This volume is the first English-language presentation of the Scandinavian Situationists and their role in the Situationist movement. The Situationist movement was an international movement of artists, writers and thinkers that in the 1950s and 1960s tried to revolutionize the world through rejecting bourgeois art and critiquing the post-World War Two capitalist consumer society. The book contains articles, conversations and statements by former members of the Situationists’ organisations as well as contemporary artists, activists, scholars and writers. While previous publications about the Situationist movement almost exclusively have focused on the contribution of the French section and in particular on the role of the Guy Debord this book aims to shed light on the activities of the Situationists active in places like Denmark, Sweden and Holland. The themes and stories chronicled include: The anarchist undertakings of the Drakabygget movement led by the rebel artists Jørgen Nash, Hardy Strid and Jens Jørgen Thorsen, the exhibition by the Situationist International “Destruction of RSG-6” in 1963 in Odense organised by the painter J.V. Martin in collaboration with Guy Debord, the journal The Situationist Times edited by Jacqueline de Jong, Asger Jorn’s political critique of natural science and the films of the Drakabygget movement. Contributors: Peter Laugesen, Carl Nørrested, Fabian Tompsett, Mikkel Bolt Rasmussen, Jacqueline de Jong, Gordon Fazakerley, Hardy Strid, Karen Kurczynski, Stewart Home, Jakob Jakobsen. The book was published in association with Autonomedia, New York.

Anti-Wall – Contribution to a more or less caput comprehension of SurrealismMystić Constructions & The Boring One, Surrealist Publications, Belgrade, 1932Poetic translation and transduction: Howard Slater, London/Novi Sad, 2017 Anti-Wall has come together as one of many steps in kuda.org and GKP collaboration with Howard Slater over recent years. This latest co-operation saw us coming together around a mutual interest in the manifestations of the Surrealist movement both locally and world-wide. Anti-Wall, then, operates as a conjunction point (‘communicating vessel’) between the Belgrade Surrealist Group and those in the Antilles that came together around the journals Legitimate Defence and Tropiques. It also became a means of investigating political, affective and art organisations, then, here and now:Infra- and OurOrganization, politics as thought, distance from the State and political parties are just some of common themes embedded into the poetic and experimental transduction of Anti-Wall, originally published by Surrealist Publications, Belgrade in 1932 (by Marko Ristić & Vane Bor). This book, we hope, will help us get over our own walls.

Guy Debord (1931-1994) was the leading light in the Situationist International. He and the group were the first to criticize and comment on the role of the consumer in Western society. If Dada was an artistic movement that somehow pushed its artistic values into the political arena, then the Situationists were political and urban theorists who transformed politics into an art form. Debord’s masterpiece "Society of the Spectacle" is a stunning and witty critique on contemporary society where the workweek and consumerism alienate the individual. "Considerations on the Assassination of Gerard Lebovici" is a book-length rant and a confrontational stance against the French media with regards to the murder of his good friend and financial supporter Gerard Lebovici. In 1984 Lebovici was called away from an appointment and three days later the police found his body behind the steering wheel of his Renault with four bullet wounds to the back of his head, in a vacant parking lot in Paris. Lebovici was an inventive businessman, movie producer, publisher, and a major financial supporter of Situationist activity -including ownership of a movie theater that screened the films of Debord and other Situationists. It's suspected that gangsters killed Lebovici, although to this day the murderer(s) have never been found. That didn't stop certain groups in the media connecting Lebovici's death with the Situationists. In this passionate rebuttal, Debord lashes out with great humor and intensity against the media and defends his good friend Gerard Lebovici. This book should not be seen as an account of an isolated, almost forgotten murder case, but as a general call-to-arms with respect to how the media controls and rewrites its ‘facts’.

Guy Debord (1931-1994) was the most influential member of the Situationist International, the avant-garde group that triggered the May 1968 revolt in France. His book The Society of the Spectacle is by some considered the most important theoretical book of the twentieth century. But while Debord's written work is some of the most notorious in the world of political and cultural radicality, deemed "the cornerstone cliché of postmodernism," his films have until now remained tantalizingly inaccessible. After being withdrawn from circulation for nearly two decades (by Debord himself, to call attention to the 1984 assassination of the producer of the films, Gerard Lebovici), all six films were featured in a special "Guy Debord Retrospective" at the 2001 Venice Film Festival and re-released in France in 2002. The most famous of the films is Debord's cinematic adaptation of his own book, The Society of the Spectacle. As passages from the book are read in voiceover the text is illuminated, via direct illustration or various types of ironic contrast, by clips from Russian and Hollywood features (Potemkin, For Whom the Bell Tolls, Johnny Guitar, etc.), TV commercials, softcore porn, newsreels, and documentary footage. Some of the other films evoke Debord's adventures in the bohemian underworld of Paris during the 1950s, and in others Debord attacks the film medium itself, directly challenging the viewer by critiquing the traditional separation of spectacle and spectator. Ken Knabb's translation of Debord's Complete Cinematic Works accompanies the long-awaited English versions of these film.The scripts are illustrated with 62 stills, and Debord's own annotations help elucidate the subtleties of these astonishing works, which are like nothing else in cinema history. Paperback edition. AK Press, ISBN 1-902593-83-9

Important book by council communist Paul Mattick!

Cedrik Fermont & Dimitri Della Faille: Not Your World Music - Noise in South East Asia {second edition without CD, and at half the price!} A groundbreaking book about noise music in South East AsiaArt, Politics, Identity, Gender and Global Capitalism Written and edited by Cedrik Fermont and Dimitri della Faille.  This book is the FIRST MAJOR PUBLICATION on noise, electroacoustic,industrial, experimental music and sound art in the ASEAN countries (including Cambodia, Indonesia, Laos, Malaysia, Myanmar/Burma, Philippines, Singapore, Thailand, Vietnam). The book features:  Historical, political and sociological essays; Exclusive interviews with artists and organizers; Extensive bibliography and discography; And more to discover soon! The accompanying album can be found on the Syrphe bandcamp: <iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=801999823/size=large/bgcol=333333/linkcol=e32c14/tracklist=false/artwork=small/transparent=true/" seamless><a href="http://syrphe.bandcamp.com/album/not-your-world-music-noise-in-south-east-asia">Not Your World Music: Noise in South East Asia by Compilation</a></iframe>  

Back in stock!! The Almanac for Noise & Politics 2016 is made up of a total of five sections that go into depth on some topics previously examined in datacide. Some of the texts have been previously published, some are new and exclusive or translations. The first section compiles material about and by Nomex, noise artist and film maker, including a discography of his label Adverse. The second section consists of two critiques of the Left from a communist point of view, one targeting the knee-jerk anti-Imperialism still prevalent in many sections of the Left, the other is an excerpt from a critique of anarchism by Luther Blissett. The third section is concerned with our ongoing investigations and denouncements of far Right infiltration in popular culture. We see this as an integral part of antifascist activity. Featured here is the article From Subculture to Hegemony - Transversal Strategies of the New Right in Neofolk and Martial Industrial by Christoph Fringeli from datacide eleven.Part 4 consists of an appraisal of the Vision label which I ran out of Basel, Switzerland in 1986-1992. The main text is an edited English translation of a contribution to the book Heute und danach by Lurker Grand and André P. Tschan, which appeared in 2012. As it is 30 years ago now that the first Vision appeared it makes sense to document this pre-history of Praxis, which was founded in 1992 after I disbanded Vision.To illustrate this further and make a connection to the present we reprint Die Menschenhauttrommel (the human skin drum) by Alex Buess from the Vision zine Flash Team Report (Vision 18) from 1988. The final part of this almanac is a catalogue of our exclusive titles, back issues of datacide and available books.

We Called Each Other Comrade is a great book to read within the context of contemporary activist discussions on the construction of radical institutions; parallel social, economic and political structures that can challenge dominant systems of power and injustice. Both an exhaustive study and also including narrative elements, the book, published by PM Press, follows the establishment and nearly century long political trajectory of Charles H. Kerr Publishing Company, a Chicago-based publishing house launched in 1886 by printing Unitarian tracts, evolving over decades into a publishing house voicing the radical ideas around the Industrial Workers of the World (IWW), continuing to publish progressive books and materials well into the 20th century. We Called Each Other Comrade is uniquely interesting book as it illustrates a fascinating example of a progressive project adjusting and changing honestly in concert with deepening and complex relationships with social movements. One key publishing project outlined is the emergence and development of the critically important International Socialist Review, which became a key space for political debates and expression of the American left at the beginning of the 20th century. A magazine that achieved significant national distribution, firmly on the left of the American Socialist Party in the period leading up to World War I, the magazine took a strongly anti-war position and also published texts by writers part of anarchist organizing efforts. Writers who contributed to the project included Mary “Mother” Jones, the Irish-American schoolteacher and labour / community organizer who was a IWW co-founder along with another journal contributor Bill Haywood, a labour organizer involved in some key workers strikes, such as those by the Western Federation of Miners and also the Lawrence textile strike in Massachusetts, moments that continue to define American labour historical identity until now. photo : Lawrence textile strike, 1912, Massachusetts. Aside from the International Socialist Review, the Kerr Publishing Company was also one the first publishing house to translate and make available in the US many key texts by Karl Marx, while also publishing Industrial Socialism by Bill Haywood andFrank Bohn, One Big Union by William Trautmann and also May Walden’s Socialism and the home. Also key to the importance of We Called Each Other Comrade, is that it looks into the major state repression that progressive activists and institutions faced during the violent nationalism of World War I, given that both the International Socialist Review and the Kerr Publishing Company took a strongly anti-war position and fully joined the movement against the American entrance into the killing fields, the book outlining : A vital oppositional voice and institutional center for the prewar American movement’s left wing, Charles H. Kerr & Company could not avoid the storm. It, too, became a target for war-bred harassment and state repression not long after U.S. entry into the fray. The firm survived as well but came away severely injured. The majority of movement publishing ventures did not weather the first year of American involvement. The company belonged to a diverse social and political movement. Extending ideologically and politically from the authentically anarcho-syndicalist elements within the IWW that disavowed politics, that movement spanned a range from those who favored dual strategies of parliamentary campaigns and militant direct action to those who concentrated on gaining stable, respectable electoral strength and office through legal means. The call for class struggle against war, quite distinct from the dissenting voices of various pacifist opponents, clearly marked all factions of the movement as immediate targets as soon as the country became a belligerent. Those deeply opposed to socialism readily took advantage of and used the era’s heightened jingoist and xenophobic sentiment to isolate and hobble the left as treasonous “slackers,” “war resisters,” … “anti-American,” or simply “troublemakers,” The political stances of the various movement groupings up to and well into the war made such attacks inevitable. Outspokenly oppositional on the issue of war and peace, Charles H. Kerr & company would not pass unnoticed. In this section on the war We Called Each Other Comrade details the various legal challenges and draconian legislation passed by US lawmakers that targeted anti-war and left voices including the publishing house, including the banning of Kerr Publishing Company from using US national postal services for significant periods during the war. Also detailed in the book are many of the organizational strategies and frameworks developed by the Kerr Publishing Company, that shifted, adapted and changed over time to respond to shifting political and economic realities. In many ways the Kerr Publishing Company is an example in cooperative economic funding, grassroots crowd-funding from a different era. For these details the book is important for read for current day activists working on, developing and exploring various ideas around models for radical institutions. Kerr Publishing Company is illustrated clearly as a project that can illuminate the possibilities for detail-driven, membership-based organization, while also the limitations faced by such models when under state repression. We Called Each Other Comrade is an important read generally speaking because it illustrates and points to alternative, radical narratives of American history, celebrated in the book’s pages are not politicians and businessmen, but grassroots voices from social movements that were instrumental to the existing legal infrastructure around workers rights that union movements are still fighting to defend. Also the book is a clear illustration on the importance of alternative publishing in establishing a space for counter narratives, a political space for ideas that challenge the authoritarian frameworks of political and economic power.   some minor storage wear, hence reduced price!

John Holloway's previous book, Change the World Without Taking Power, sparked a world-wide debate among activists and scholars about the most effective methods of going beyond capitalism. Now Holloway rejects the idea of a disconnected array of struggles and finds a unifying contradiction - the opposition between the capitalist labour we undertake in our jobs and the drive towards doing what we consider necessary or desirable. Clearly and accessibly presented in the form of 33 theses, Crack Capitalism is set to reopen the debate among radical scholars and activists seeking to break capitalism now.   John Holloway is a Professor in the Instituto de Ciencias Sociales y Humanidades of the Benemérita Universidad Autónoma de Puebla in Mexico. His publications include Crack Capitalism (Pluto, 2010), Change the World Without Taking Power (Pluto, 2005), Zapatista! Rethinking Revolution in Mexico(co-editor, Pluto, 1998) and Global Capital, National State and The Politics of Money (co-editor, 1994).

This is the first ever English-language anthology collecting texts and documents from the still little-known Scandinavian part of the Situationist movement. The book covers over three decades of writing, from Asger Jorn’s Luck and Chance published in 1953, to the statements of the Situationist Antinational set up by Jens Jørgen Thorsen and J.V. Martin in 1974. The writings collected gravitate around the year 1962 when the Situationist movement went through it’s most dynamic and critical moments, and the disagreements about the relationship between art and politics came to a culmination, resulting in exclusions and the split of the Situationist International. The Situationists did not win, and the almost forgotten Scandinavian fractions even less so. The book broadens the understanding of the Situationist movement by bringing into view the wild and unruly activities of the Scandinavian fractions of the organisation and the more artistic, experimental, and actionist attitude that characterised them. They did, nevertheless, constitute a decisive break with the ruling socio-economic order through their project of bringing into being new forms of life. Only an analysis of the multifaceted and often contradictory Situationist revolution will allow us to break away from the dull contemplation of yet another document of Debord’s archive or yet another drawing by Jorn. There is a lot to be learned from the history of revolutionary failure. It is along these lines that this book points forward beyond the crisis-ridden capitalist order that survives today. Texts by: Asger Jorn, Jørgen Nash, Jens Jørgen Thorsen, Bauhaus Situationniste, Jacqueline de Jong, Gordon Fazakerley, Gruppe SPUR, Dieter Kunzelman, J.V. Martin, and Guy Debord. Translated by: Peter Shield, James Manley, Anja Buchele, Matthew Hyland, Fabian Tompsett, and Jakob Jakobsen. Bio: Mikkel Bolt Rasmussen is an art historian and political theorist. He is associate professor at the University of Copenhagen and has published books and articles on the revolutionary tradition and modern art. Jakob Jakobsen is an artist and political organizer. He ran the Copenhagen Free University, cofounded the artist run TV station tvtv and has participated in exhibitions all over the world. 304 pages, 5.75 x 8

Unkant Reader : The Assassin includes excerpts from all the Unkant publications released since we started out in 2011: Ben Watson, Adorno for Revolutionaries • Sean Bonney, Happiness : Poems After Rimbaud • Ray Challinor, The Struggle for Hearts and Minds : Essays on the Second World War • Dave Black & Chris Ford, 1839 : The Chartist Insurrection • Ben Watson, Blake in Cambridge • Jim Higgins, More Years for the Locust : The Origins of the SWP • Ken Fox, Azmud : An Oily Saga on the Surface of the Word Bath in 5 Expired Generations • Andy Wilson (ed), Cosmic Orgasm : The Music of Iancu Dumitrescu • Dave Renton, Socialism From Below : Writings from an Unfinished Tradition • Esther Leslie, Derelicts : Thought Worms from the Wreckage • Rob Dellar, Splitting in Two : Mad Pride and Punk Rock Oblivion • Dave Black (ed), Helen Macfarlane : Red Republican. Priorlectics : Also within are the complete pamphlets : Ian Land, The SWP vs Lenin • Ben Watson, Music, Violence, Truth • and an extract from Andy Wilson, Faust : Stretch Out Time. AMM Journal : There are also 100s of pages of scores, photographs, poems, paintings and images, essays, comics, reviews, notices and manifestos from the AMM, its friends and supporters. Featured articles include essays on Comic Book Marxism • Jeff Keen Flix • Critique of the Situationist Dialectic • Wilhelm Reich and Class Consciousness • The State of Scripts • Cartoon Trumpets and Horseshit • The 60s Counterculture, and the Culture of the Left, and more. Contributors : Jules Alford • Ana-Maria Avram • Derek Bailey • Dave Black • Sean Bonney • Sharon Borthwick • Sky Budgen • Dunya Bueler • Marie-Angelique Bueler • Stuart Calton • Louise Challice • Eugene Chadbourne • Ray Challinor • Sophie Clare • Ged Colgan • Eleanor Crook • Rob Dellar • THF Drenching • Iancu Dumitrescu • Evil Dick • Simon H. Fell • Keith Fisher • Chris Ford • Ken Fox • Richard Hemmings • Jim Higgins • I'd M Thfft Able • Stefan Jaworzyn • Asger Jorn • jwcurry • Jeff Keen • Ian Land • Daphne Lawless • Esther Leslie • Johan Lif • Steven Lowery • Manchester Left Writers • Len Massey • David Mills • Elkka Reign Nyoukis • Dan O'Donnell • Guillaume Ollendorff • Out To Lunch • Harvey Pekar • Ed Piskor • Michel Prigent •  JH Prynne • The Psychedelic Bolsheviks • Tom Raworth • Dave Renton • Jenny Russell • Peter Shield • Andy Shone • Sonic Pleasure •  Verity Spott • Luke Staunton • Michael Tencer • John Tursi • Ben,  Iris and Mordecai Watson • Andy and Huxley Wilson • Susann Witt-Stahl.